| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 |
|
По разделу |
9703 | 398 |
41 |
60 |
53 |
42 |
30 |
31 |
18 |
18 |
24 |
16 |
33 |
32 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
4 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
1 |
3 |
3 |
4 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
3 |
2 |
5 |
5 |
4 |
1 |
8 |
1 |
1 |
3 |
|
Олдос Хаксли и философия творчества |
3796 | 277 |
33 |
37 |
36 |
33 |
21 |
26 |
13 |
17 |
15 |
7 |
17 |
22 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
7 |
0 |
0 |
3 |
|
Сон как последнее прибежище экзистенциалиста |
1173 | 119 |
11 |
28 |
22 |
14 |
7 |
5 |
5 |
1 |
6 |
2 |
7 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
5 |
5 |
4 |
0 |
6 |
0 |
1 |
2 |
|
Информация о владельце раздела |
1350 | 119 |
15 |
17 |
25 |
16 |
7 |
8 |
4 |
3 |
4 |
4 |
10 |
6 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
7 |
1 |
0 |
2 |
|
Людоедский капитализм: критика чистого безумия |
2062 | 118 |
10 |
19 |
22 |
17 |
11 |
9 |
4 |
1 |
5 |
8 |
9 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
8 |
0 |
0 |
3 |
|
"Живое — не живое": читая Кена Кизи |
1322 | 103 |
10 |
18 |
22 |
14 |
6 |
6 |
2 |
2 |
3 |
5 |
8 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
7 |
0 |
0 |
3 |