| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
По разделу |
686868 | 1573 |
104 |
206 |
196 |
187 |
130 |
105 |
103 |
90 |
90 |
98 |
118 |
146 |
1 |
11 |
10 |
15 |
11 |
7 |
4 |
4 |
4 |
7 |
8 |
10 |
5 |
7 |
7 |
7 |
10 |
12 |
7 |
6 |
5 |
6 |
7 |
9 |
7 |
7 |
11 |
5 |
8 |
6 |
9 |
7 |
9 |
5 |
9 |
5 |
6 |
10 |
10 |
6 |
6 |
4 |
11 |
11 |
5 |
7 |
6 |
4 |
4 |
6 |
7 |
10 |
6 |
3 |
4 |
5 |
5 |
8 |
6 |
12 |
6 |
4 |
Поэтика абсурда в аспекте литературно-художественной методологии |
28849 | 942 |
57 |
138 |
116 |
94 |
67 |
70 |
73 |
53 |
52 |
69 |
77 |
76 |
0 |
5 |
5 |
3 |
3 |
1 |
4 |
1 |
4 |
7 |
5 |
10 |
3 |
6 |
6 |
7 |
7 |
7 |
2 |
4 |
3 |
2 |
7 |
6 |
7 |
7 |
4 |
2 |
8 |
4 |
7 |
6 |
4 |
5 |
6 |
4 |
3 |
3 |
4 |
4 |
6 |
3 |
3 |
5 |
2 |
3 |
3 |
0 |
2 |
6 |
6 |
3 |
5 |
3 |
4 |
1 |
5 |
0 |
6 |
3 |
2 |
2 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2431 | 920 |
87 |
174 |
137 |
158 |
90 |
42 |
48 |
34 |
33 |
28 |
39 |
50 |
0 |
11 |
10 |
15 |
11 |
7 |
1 |
2 |
4 |
5 |
8 |
9 |
2 |
2 |
7 |
5 |
10 |
12 |
7 |
3 |
4 |
6 |
1 |
9 |
5 |
3 |
11 |
2 |
5 |
6 |
9 |
7 |
9 |
2 |
9 |
5 |
4 |
10 |
10 |
6 |
6 |
1 |
11 |
11 |
5 |
7 |
6 |
3 |
4 |
3 |
7 |
9 |
6 |
2 |
2 |
2 |
4 |
8 |
4 |
12 |
6 |
4 |
Метод приведения к абсурду в школьной классике |
1499 | 399 |
31 |
37 |
71 |
42 |
38 |
21 |
33 |
20 |
14 |
19 |
35 |
38 |
0 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
4 |
2 |
2 |
5 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
4 |
10 |
2 |
0 |
0 |
4 |
1 |
1 |
5 |
1 |
3 |
2 |
Гипербола и Гиперборея Маяковского |
731 | 378 |
15 |
43 |
61 |
37 |
32 |
25 |
27 |
25 |
23 |
31 |
29 |
30 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
2 |
2 |
3 |
5 |
4 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
0 |
4 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
6 |
3 |
Поэтика абсурда. Часть 1 |
2618 | 347 |
24 |
40 |
46 |
35 |
40 |
24 |
19 |
19 |
19 |
25 |
24 |
32 |
0 |
1 |
3 |
5 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
Интерьер в "Капитанской дочке" |
1222 | 343 |
20 |
32 |
54 |
45 |
51 |
39 |
13 |
9 |
9 |
17 |
14 |
40 |
0 |
1 |
2 |
3 |
3 |
3 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
5 |
3 |
0 |
1 |
5 |
0 |
0 |
3 |
2 |
1 |
2 |
Мертвые души: хозяйственная бесхозяйственность |
1849 | 340 |
23 |
41 |
45 |
32 |
26 |
28 |
19 |
23 |
24 |
22 |
23 |
34 |
0 |
2 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
4 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
3 |
0 |
3 |
0 |
0 |
5 |
0 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
2 |
1 |
1 |
Внутренний монолог |
711 | 336 |
14 |
40 |
53 |
30 |
28 |
25 |
25 |
14 |
20 |
23 |
33 |
31 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
4 |
3 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
В чем философский смысл фильма "Остров проклятых" |
771 | 323 |
29 |
49 |
44 |
29 |
30 |
19 |
22 |
17 |
19 |
17 |
30 |
18 |
0 |
1 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
4 |
4 |
3 |
2 |
4 |
4 |
4 |
2 |
3 |
4 |
4 |
3 |
1 |
0 |
3 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
5 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
4 |
1 |
0 |
2 |
Печорин и декабристы - бесславие героев времени |
1166 | 313 |
24 |
47 |
55 |
39 |
26 |
16 |
12 |
8 |
14 |
22 |
26 |
24 |
0 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
1 |
4 |
6 |
1 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
6 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
0 |
7 |
3 |
5 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
6 |
1 |
1 |
Полифония Блока |
1314 | 287 |
19 |
38 |
42 |
31 |
31 |
23 |
13 |
9 |
10 |
17 |
26 |
28 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
6 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
6 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
Смертная казнь как эротика государственного самоубийства |
7438 | 282 |
26 |
36 |
47 |
28 |
14 |
23 |
13 |
14 |
20 |
20 |
17 |
24 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
4 |
2 |
5 |
5 |
1 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
План анализа стихотворения |
425 | 280 |
14 |
23 |
34 |
28 |
25 |
21 |
20 |
22 |
19 |
19 |
37 |
18 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
739 | 270 |
19 |
28 |
34 |
19 |
28 |
10 |
14 |
15 |
20 |
26 |
36 |
21 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
Кто убил старуху процентщицу? |
1866 | 267 |
16 |
29 |
44 |
29 |
31 |
16 |
22 |
19 |
10 |
13 |
17 |
21 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
Дуэль Онегина и Ленского |
1096 | 265 |
22 |
39 |
56 |
22 |
19 |
21 |
10 |
12 |
15 |
12 |
15 |
22 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
4 |
3 |
4 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
3 |
2 |
3 |
Елена Чудинова. Мечеть Парижской Богоматери |
11570 | 260 |
22 |
19 |
35 |
18 |
23 |
34 |
15 |
17 |
17 |
24 |
19 |
17 |
0 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
4 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
0 |
4 |
2 |
1 |
1 |
0 |
Антитеза |
366 | 252 |
20 |
35 |
40 |
28 |
27 |
12 |
11 |
7 |
7 |
26 |
19 |
20 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
2 |
7 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
Шукшин ли "Хозяин бани и огорода"? |
1820 | 249 |
18 |
23 |
30 |
19 |
21 |
12 |
18 |
14 |
13 |
11 |
23 |
47 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Три пальмы |
1124 | 244 |
13 |
19 |
27 |
20 |
30 |
23 |
20 |
21 |
16 |
15 |
21 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
Сюжет: событие, действие, мотив |
380 | 243 |
9 |
24 |
35 |
22 |
25 |
16 |
10 |
16 |
14 |
15 |
32 |
25 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
Учимся мыслить логически |
3527 | 235 |
13 |
21 |
29 |
14 |
23 |
11 |
7 |
20 |
32 |
35 |
18 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
Михаил Гарцев. История внутри нас |
4259 | 235 |
9 |
27 |
45 |
29 |
24 |
18 |
10 |
8 |
12 |
16 |
17 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
"История Рода Толстых - история России". Фоторепортаж |
5469 | 232 |
18 |
21 |
34 |
16 |
26 |
22 |
14 |
10 |
20 |
16 |
15 |
20 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
Энтропия.net |
5915 | 231 |
17 |
23 |
33 |
17 |
26 |
18 |
17 |
14 |
14 |
22 |
19 |
11 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
5 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
Я играю вместе с мамой |
9505 | 228 |
16 |
38 |
33 |
18 |
24 |
20 |
10 |
6 |
19 |
13 |
15 |
16 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
6 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
Древесная лирика Хельги Ольшванг |
3579 | 222 |
23 |
30 |
40 |
28 |
13 |
17 |
8 |
5 |
11 |
11 |
16 |
20 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
6 |
4 |
1 |
3 |
3 |
0 |
3 |
0 |
3 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
Ведение в чтение Гоголя |
953 | 222 |
13 |
17 |
29 |
23 |
31 |
11 |
9 |
5 |
4 |
19 |
45 |
16 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5566 | 216 |
9 |
32 |
32 |
17 |
18 |
17 |
12 |
11 |
18 |
9 |
25 |
16 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
5 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
Кто как кричит |
4330 | 214 |
18 |
26 |
29 |
15 |
19 |
13 |
8 |
9 |
12 |
18 |
26 |
21 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
5 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
Пестрый дятел |
4481 | 214 |
13 |
22 |
23 |
14 |
19 |
11 |
12 |
6 |
21 |
14 |
36 |
23 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
Можно ли назвать Печорина фаталистом |
611 | 213 |
18 |
34 |
32 |
24 |
16 |
14 |
10 |
6 |
12 |
12 |
15 |
20 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
Автобиографизм и автопсихологизм |
498 | 212 |
16 |
30 |
30 |
30 |
23 |
11 |
9 |
8 |
8 |
9 |
17 |
21 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
3 |
3 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
786 | 209 |
14 |
18 |
41 |
25 |
25 |
7 |
12 |
5 |
9 |
8 |
21 |
24 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
Кот Васька в своей квартире |
7689 | 208 |
15 |
25 |
29 |
16 |
31 |
11 |
9 |
12 |
15 |
16 |
16 |
13 |
0 |
4 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
658 | 201 |
12 |
17 |
29 |
15 |
19 |
8 |
6 |
7 |
10 |
16 |
20 |
42 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2634 | 199 |
13 |
26 |
35 |
12 |
24 |
15 |
5 |
13 |
12 |
9 |
19 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
Ослик |
8201 | 197 |
10 |
22 |
35 |
12 |
18 |
17 |
14 |
8 |
10 |
12 |
27 |
12 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
Анализ прозы |
328 | 197 |
7 |
16 |
23 |
18 |
22 |
18 |
8 |
8 |
11 |
9 |
36 |
21 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
К вопросу о Фрейде и православии |
2942 | 194 |
16 |
18 |
34 |
17 |
25 |
14 |
7 |
11 |
13 |
14 |
15 |
10 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
Медвежонок |
8824 | 193 |
10 |
25 |
27 |
24 |
17 |
17 |
8 |
11 |
10 |
12 |
21 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
Что на небе |
7930 | 193 |
13 |
31 |
36 |
11 |
20 |
11 |
8 |
7 |
9 |
10 |
20 |
17 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
Александр Кушнер. Аполлон в траве |
4418 | 192 |
12 |
27 |
23 |
23 |
23 |
9 |
10 |
5 |
11 |
12 |
14 |
23 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
Образ России в арт-среде Интернета |
2412 | 192 |
18 |
24 |
33 |
18 |
19 |
16 |
14 |
3 |
12 |
9 |
13 |
13 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
1 |
3 |
4 |
1 |
2 |
6 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
Сказка о гейзере на Стихире |
2820 | 187 |
16 |
20 |
38 |
21 |
27 |
9 |
8 |
8 |
7 |
5 |
16 |
12 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Волчонок |
4043 | 184 |
8 |
22 |
38 |
14 |
25 |
11 |
9 |
3 |
7 |
12 |
17 |
18 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
1 |
Комментариии к статье А.Виноградова о сетевой литературе |
3860 | 183 |
18 |
21 |
25 |
16 |
23 |
16 |
9 |
6 |
7 |
13 |
17 |
12 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
4 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
4 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Поэтика абсурда и образ Святой Земли |
3357 | 183 |
12 |
22 |
27 |
23 |
22 |
9 |
7 |
3 |
16 |
12 |
19 |
11 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
Поэтика абсурда Маяковского |
1355 | 181 |
8 |
20 |
31 |
19 |
15 |
17 |
14 |
5 |
13 |
10 |
17 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
Сальери как образец |
1042 | 181 |
11 |
13 |
27 |
17 |
20 |
13 |
8 |
6 |
7 |
17 |
21 |
21 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
495 | 180 |
16 |
15 |
26 |
19 |
15 |
10 |
6 |
5 |
12 |
10 |
11 |
35 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
Язык и генетика |
4326 | 180 |
13 |
19 |
28 |
18 |
21 |
12 |
9 |
4 |
14 |
14 |
15 |
13 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
Карнавал и декарнавализация |
3944 | 179 |
11 |
25 |
22 |
19 |
15 |
15 |
9 |
2 |
10 |
6 |
32 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
3 |
5 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Почему поэзия должна быть глуповата |
2986 | 179 |
14 |
19 |
29 |
25 |
25 |
8 |
7 |
2 |
10 |
9 |
11 |
20 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
О "Медном всаднике" |
971 | 178 |
11 |
24 |
21 |
23 |
22 |
15 |
6 |
5 |
7 |
7 |
15 |
22 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
591 | 178 |
11 |
22 |
30 |
16 |
19 |
13 |
9 |
5 |
10 |
15 |
14 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
Натюрморт (Гоголь, Бродский, Есенин) |
751 | 178 |
11 |
21 |
30 |
25 |
16 |
9 |
15 |
4 |
8 |
11 |
16 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
Маяковский и его философия |
1244 | 178 |
10 |
18 |
29 |
14 |
17 |
17 |
9 |
8 |
10 |
11 |
20 |
15 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1284 | 176 |
20 |
17 |
33 |
14 |
22 |
6 |
10 |
4 |
11 |
12 |
18 |
9 |
0 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Самосознание сетевой литературы |
3824 | 176 |
9 |
22 |
24 |
11 |
19 |
14 |
13 |
7 |
13 |
14 |
12 |
18 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
Зеркало |
2753 | 176 |
12 |
23 |
35 |
14 |
19 |
9 |
7 |
3 |
15 |
11 |
14 |
14 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
0 |
1 |
Ботинок |
3876 | 175 |
14 |
21 |
26 |
16 |
28 |
9 |
8 |
9 |
7 |
5 |
20 |
12 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
6 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1437 | 174 |
18 |
21 |
19 |
19 |
23 |
7 |
6 |
7 |
10 |
10 |
12 |
22 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
6 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
Потомки "Метрополя" |
5643 | 173 |
15 |
19 |
25 |
21 |
18 |
12 |
6 |
7 |
11 |
14 |
12 |
13 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
Михаил Гарцев и сетевое письмо |
4331 | 173 |
12 |
20 |
32 |
17 |
16 |
14 |
6 |
5 |
9 |
10 |
19 |
13 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
Достоевский и конец истории |
3322 | 173 |
15 |
19 |
29 |
12 |
19 |
9 |
5 |
8 |
13 |
16 |
18 |
10 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
Юрий Поляков. Грибной царь |
3478 | 173 |
14 |
14 |
31 |
15 |
16 |
14 |
12 |
8 |
12 |
13 |
17 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
4 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
Расширит ли виртуальная реальность возможности познания истины |
3141 | 172 |
15 |
19 |
24 |
15 |
22 |
9 |
10 |
5 |
10 |
10 |
16 |
17 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5503 | 171 |
12 |
15 |
34 |
18 |
19 |
11 |
9 |
6 |
13 |
10 |
11 |
13 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
Об одном фильме |
1207 | 171 |
13 |
19 |
24 |
16 |
20 |
12 |
8 |
8 |
6 |
14 |
10 |
21 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
Рифма к городу |
3388 | 171 |
17 |
19 |
27 |
12 |
18 |
11 |
8 |
8 |
9 |
10 |
19 |
13 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
Монтажная композиция |
399 | 170 |
15 |
20 |
19 |
23 |
22 |
14 |
7 |
4 |
5 |
6 |
14 |
21 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Каждый знает |
6509 | 170 |
14 |
16 |
32 |
15 |
22 |
8 |
7 |
10 |
6 |
6 |
14 |
20 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
Замятин "Мы". Конспект урока |
762 | 170 |
11 |
19 |
28 |
25 |
20 |
13 |
7 |
3 |
9 |
6 |
17 |
12 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
Гегельянство в России |
917 | 169 |
20 |
20 |
24 |
17 |
22 |
7 |
6 |
4 |
11 |
16 |
11 |
11 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
Anti-Dan |
3069 | 169 |
12 |
19 |
27 |
17 |
19 |
9 |
8 |
4 |
11 |
11 |
13 |
19 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
Информация о владельце раздела |
3148 | 169 |
13 |
25 |
27 |
17 |
18 |
8 |
4 |
4 |
8 |
12 |
18 |
15 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Пейзаж в поэме Лермонтова |
618 | 169 |
8 |
21 |
31 |
17 |
20 |
8 |
9 |
3 |
10 |
15 |
14 |
13 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Пьер и Андрей |
1021 | 168 |
14 |
15 |
32 |
15 |
21 |
8 |
4 |
7 |
16 |
10 |
14 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Стихи для детей |
5287 | 168 |
15 |
17 |
22 |
12 |
18 |
9 |
10 |
9 |
13 |
10 |
21 |
12 |
0 |
1 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
502 | 168 |
19 |
16 |
25 |
16 |
18 |
8 |
6 |
4 |
10 |
13 |
15 |
18 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
В защиту массовой литературы |
5467 | 167 |
16 |
17 |
33 |
8 |
23 |
8 |
7 |
4 |
10 |
11 |
18 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
Дискуссия о гениальности, Достоевском и социальном запросе |
904 | 167 |
12 |
24 |
29 |
7 |
23 |
9 |
8 |
6 |
7 |
16 |
17 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Фотомастерская Вадима Месяца |
2782 | 167 |
12 |
21 |
25 |
15 |
25 |
17 |
8 |
5 |
5 |
11 |
8 |
15 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
Эмоции |
911 | 167 |
11 |
24 |
38 |
17 |
22 |
3 |
8 |
4 |
7 |
7 |
14 |
12 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
729 | 166 |
9 |
21 |
33 |
15 |
15 |
7 |
11 |
5 |
9 |
12 |
12 |
17 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Ирония и автоирония |
318 | 166 |
19 |
24 |
28 |
24 |
21 |
7 |
6 |
2 |
6 |
5 |
13 |
11 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
558 | 166 |
11 |
19 |
26 |
19 |
28 |
5 |
5 |
5 |
11 |
12 |
13 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Психология - наука рабов |
6575 | 166 |
10 |
17 |
31 |
10 |
15 |
15 |
8 |
6 |
9 |
14 |
18 |
13 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
Реминисценция |
405 | 166 |
12 |
18 |
31 |
13 |
19 |
12 |
13 |
7 |
9 |
9 |
15 |
8 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
Абсурдизм |
3560 | 166 |
12 |
22 |
20 |
13 |
15 |
13 |
15 |
6 |
9 |
11 |
14 |
16 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
То было двух бесов изображенье |
369 | 165 |
12 |
20 |
31 |
18 |
16 |
10 |
9 |
6 |
8 |
9 |
12 |
14 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
Воспитание гениев |
841 | 164 |
16 |
19 |
29 |
12 |
24 |
8 |
8 |
4 |
6 |
11 |
18 |
9 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Памятник Румянцеву в "Капитанской дочке" |
659 | 164 |
15 |
21 |
24 |
15 |
17 |
14 |
12 |
6 |
6 |
8 |
11 |
15 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
Вмешиваясь в разговор с богом |
3161 | 164 |
12 |
17 |
21 |
14 |
15 |
11 |
10 |
11 |
11 |
9 |
9 |
24 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Возвращение |
3165 | 164 |
9 |
23 |
29 |
16 |
18 |
10 |
4 |
5 |
10 |
11 |
14 |
15 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
4 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
О любви к правителям и поэтам |
1038 | 164 |
10 |
18 |
29 |
8 |
25 |
10 |
10 |
5 |
10 |
11 |
15 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
Письмо Ольги Пушкину |
1042 | 164 |
15 |
15 |
28 |
15 |
21 |
9 |
5 |
7 |
10 |
13 |
16 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
4 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
Автометафора |
482 | 163 |
13 |
24 |
28 |
16 |
14 |
7 |
4 |
6 |
6 |
15 |
14 |
16 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Поэтика абсурда при свете совести |
2601 | 163 |
13 |
21 |
29 |
18 |
18 |
7 |
5 |
5 |
10 |
9 |
16 |
12 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
4 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
Иду, а к ногам моим падает вдруг кипятильник |
2221 | 163 |
12 |
20 |
29 |
18 |
16 |
9 |
6 |
6 |
8 |
7 |
17 |
15 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
Евгений Водолазкин и поэтика абсурда |
1067 | 163 |
10 |
23 |
29 |
24 |
16 |
9 |
11 |
4 |
9 |
7 |
10 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
3 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
В поисках смысла сетевой литературы |
2525 | 162 |
13 |
16 |
29 |
18 |
21 |
10 |
7 |
7 |
8 |
9 |
14 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
462 | 161 |
14 |
18 |
28 |
22 |
14 |
10 |
14 |
4 |
6 |
5 |
15 |
11 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
Автопортрет, оксюморон |
586 | 161 |
21 |
24 |
24 |
20 |
22 |
5 |
4 |
4 |
7 |
4 |
12 |
14 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
Про что поэзия Барто? - да все про то! |
5660 | 160 |
14 |
21 |
24 |
15 |
19 |
8 |
11 |
3 |
11 |
14 |
9 |
11 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
Кирилл Юрьевич отбывает в Канаду |
2982 | 160 |
13 |
22 |
25 |
13 |
21 |
11 |
5 |
5 |
8 |
10 |
10 |
17 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Достоевский как оптимальная точка видения |
2826 | 158 |
13 |
21 |
30 |
12 |
21 |
8 |
8 |
7 |
5 |
5 |
16 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
Какой плод у дерева |
2867 | 158 |
10 |
22 |
27 |
10 |
16 |
9 |
6 |
10 |
8 |
9 |
14 |
17 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
С кем я познакомилась на Си |
3311 | 156 |
14 |
15 |
22 |
12 |
26 |
17 |
7 |
6 |
4 |
11 |
12 |
10 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
Манифест |
2490 | 156 |
12 |
21 |
27 |
15 |
18 |
8 |
7 |
6 |
8 |
9 |
14 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
5 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
Ницше, ценности и Гегель |
2940 | 156 |
15 |
14 |
36 |
11 |
17 |
5 |
9 |
5 |
10 |
11 |
11 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
Вирус абсурда в истории человеческой культуры |
2161 | 156 |
13 |
15 |
39 |
15 |
19 |
7 |
9 |
4 |
6 |
9 |
11 |
9 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
5 |
3 |
2 |
2 |
1 |
0 |
3 |
3 |
0 |
2 |
2 |
1 |
Самоубийство разума |
2936 | 156 |
11 |
14 |
23 |
16 |
21 |
10 |
6 |
7 |
10 |
11 |
14 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
Кто в окошке. Сказочные звери |
3670 | 156 |
9 |
18 |
33 |
11 |
21 |
11 |
4 |
5 |
9 |
7 |
10 |
18 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
Пушкинские и лермонтовские мотивы у Некрасова |
653 | 155 |
11 |
12 |
26 |
16 |
20 |
8 |
12 |
6 |
11 |
7 |
12 |
14 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Трагический герой |
369 | 155 |
13 |
15 |
28 |
15 |
18 |
7 |
9 |
6 |
12 |
11 |
13 |
8 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
Образы русской природы в лирике Рубцова |
506 | 155 |
11 |
17 |
26 |
19 |
17 |
7 |
6 |
4 |
15 |
9 |
11 |
13 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Чудачество и донкихотство. Шукшин и Сервантес |
1230 | 155 |
9 |
19 |
24 |
13 |
18 |
9 |
10 |
4 |
8 |
16 |
11 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
327 | 148 |
10 |
22 |
30 |
14 |
16 |
7 |
6 |
2 |
7 |
5 |
15 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1491 | 148 |
16 |
14 |
25 |
17 |
19 |
6 |
8 |
4 |
6 |
6 |
13 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Маркетинг науки, или Научный маркетинг |
2878 | 148 |
15 |
17 |
27 |
19 |
13 |
5 |
5 |
4 |
9 |
9 |
12 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
Горе от ума или ум от горя. Перевертыши |
707 | 147 |
12 |
19 |
22 |
15 |
16 |
6 |
8 |
4 |
13 |
12 |
10 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
358 | 147 |
12 |
16 |
22 |
17 |
22 |
8 |
7 |
2 |
7 |
9 |
11 |
14 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
По поводу некоторых неточностей Евгения Клюева |
2247 | 147 |
15 |
24 |
26 |
16 |
18 |
6 |
9 |
2 |
5 |
4 |
15 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
0 |
0 |
4 |
2 |
4 |
2 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
Вот и обсудили! |
2493 | 147 |
15 |
16 |
21 |
14 |
17 |
13 |
10 |
6 |
7 |
9 |
10 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
Хлестаков и Печорин |
1188 | 147 |
15 |
21 |
25 |
14 |
17 |
4 |
6 |
3 |
4 |
6 |
14 |
18 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
Искушение как психологический прием |
2718 | 147 |
11 |
16 |
23 |
10 |
15 |
10 |
9 |
7 |
10 |
12 |
13 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
"Коршун" Тютчева - материализм и идеализм |
500 | 146 |
10 |
16 |
29 |
15 |
18 |
9 |
6 |
6 |
5 |
8 |
13 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Монтажная композиция |
306 | 146 |
13 |
12 |
29 |
20 |
16 |
4 |
5 |
4 |
13 |
9 |
12 |
9 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Дан прислал |
786 | 145 |
17 |
15 |
20 |
17 |
18 |
9 |
4 |
6 |
7 |
10 |
11 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Был ли влюблен Иван Васильевич в Вареньку? |
428 | 145 |
11 |
16 |
21 |
19 |
16 |
9 |
7 |
2 |
9 |
8 |
16 |
11 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
891 | 144 |
9 |
15 |
25 |
18 |
14 |
10 |
8 |
5 |
8 |
10 |
13 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
Белая ворона |
2218 | 144 |
10 |
15 |
28 |
11 |
16 |
2 |
6 |
4 |
12 |
11 |
15 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
Символика цвета |
235 | 144 |
15 |
19 |
24 |
16 |
18 |
7 |
7 |
6 |
5 |
5 |
12 |
10 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
Все по Салтыкову-Щедрину! |
4143 | 144 |
13 |
16 |
26 |
7 |
20 |
7 |
5 |
8 |
6 |
8 |
13 |
15 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
Ушки, ножки, рожки |
6332 | 143 |
9 |
19 |
28 |
10 |
15 |
7 |
6 |
8 |
6 |
9 |
16 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
Собрание обратных цитат о любви |
2829 | 143 |
10 |
12 |
32 |
15 |
15 |
7 |
3 |
4 |
7 |
10 |
15 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
Советы |
2246 | 143 |
13 |
15 |
25 |
14 |
16 |
7 |
6 |
4 |
7 |
12 |
10 |
14 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Утенок |
4388 | 143 |
12 |
15 |
32 |
10 |
18 |
8 |
6 |
5 |
5 |
8 |
13 |
11 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
Ленин как поэт Серебряного века |
1194 | 143 |
13 |
15 |
27 |
13 |
12 |
5 |
6 |
4 |
10 |
12 |
11 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Андрей Болконский - Дон Кихот |
541 | 143 |
10 |
20 |
28 |
19 |
13 |
7 |
4 |
3 |
13 |
7 |
11 |
8 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
Достоевский и риторические вопросы (диатриба) |
494 | 142 |
11 |
20 |
25 |
18 |
17 |
5 |
8 |
3 |
5 |
4 |
13 |
13 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Теория диссоциаций и Булгаков |
1129 | 142 |
16 |
18 |
23 |
15 |
21 |
6 |
5 |
3 |
4 |
10 |
13 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
4 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Атрибуты беса |
2941 | 142 |
13 |
18 |
24 |
6 |
17 |
5 |
9 |
3 |
9 |
8 |
15 |
15 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
Введение в чтение Гоголя. Хлестаков |
502 | 142 |
12 |
16 |
30 |
19 |
13 |
7 |
5 |
3 |
7 |
6 |
14 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
Бессмертие и спасение |
2480 | 142 |
16 |
25 |
31 |
8 |
17 |
7 |
4 |
1 |
6 |
5 |
13 |
9 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
Классицизм |
345 | 142 |
10 |
18 |
27 |
14 |
17 |
8 |
4 |
4 |
9 |
8 |
15 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
Галич и Мандельштам вокруг образа вождя |
324 | 141 |
12 |
19 |
23 |
19 |
17 |
8 |
4 |
3 |
8 |
7 |
12 |
9 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
Возвращение блудного Чацкого |
710 | 141 |
15 |
17 |
19 |
10 |
17 |
9 |
10 |
4 |
8 |
6 |
19 |
7 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Эпилог |
252 | 141 |
15 |
19 |
25 |
16 |
14 |
6 |
5 |
3 |
6 |
6 |
13 |
13 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Социальные болезни Стихи.ру |
6858 | 141 |
11 |
14 |
26 |
9 |
19 |
9 |
5 |
3 |
9 |
11 |
15 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2244 | 141 |
17 |
16 |
26 |
15 |
17 |
5 |
4 |
4 |
7 |
5 |
14 |
11 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
Заголовок |
253 | 141 |
18 |
19 |
28 |
15 |
15 |
6 |
4 |
3 |
6 |
5 |
12 |
10 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
6 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
Киев старый и новый |
2162 | 140 |
11 |
16 |
28 |
10 |
20 |
6 |
6 |
7 |
4 |
11 |
7 |
14 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
Страсть и поэзия |
1770 | 140 |
12 |
21 |
24 |
15 |
15 |
7 |
6 |
4 |
7 |
8 |
11 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
Пространство в живописи текста у Гоголя |
593 | 140 |
11 |
16 |
26 |
20 |
14 |
7 |
8 |
5 |
4 |
8 |
11 |
10 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
Ведьмостиший больше не будет |
2827 | 140 |
11 |
18 |
25 |
12 |
17 |
8 |
5 |
4 |
4 |
13 |
11 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
Джулиан Барнс в защиту критики |
2512 | 140 |
22 |
21 |
23 |
10 |
14 |
8 |
7 |
4 |
10 |
3 |
10 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
3 |
4 |
1 |
1 |
5 |
2 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Средства художественной изобразительности |
1386 | 140 |
7 |
24 |
27 |
13 |
12 |
7 |
4 |
3 |
8 |
11 |
11 |
13 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
Базаров |
809 | 140 |
20 |
14 |
25 |
18 |
15 |
7 |
6 |
1 |
7 |
8 |
10 |
9 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
4 |
3 |
0 |
4 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Проблематика произведений. Богатство и бедность |
446 | 140 |
12 |
22 |
28 |
15 |
14 |
7 |
4 |
4 |
5 |
6 |
13 |
10 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
Как работает поэтика абсурда |
4279 | 140 |
11 |
18 |
22 |
16 |
10 |
12 |
7 |
4 |
8 |
8 |
15 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Отражение. Две рецензии на стихи Феликса Когана |
3250 | 140 |
13 |
19 |
23 |
17 |
13 |
6 |
6 |
4 |
10 |
7 |
14 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Лисенок в курятнике Стихи.ру |
5847 | 139 |
14 |
15 |
21 |
14 |
14 |
9 |
7 |
5 |
5 |
13 |
7 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
Снова по поводу "Тихого Дона" |
981 | 139 |
14 |
17 |
22 |
14 |
19 |
6 |
5 |
3 |
10 |
6 |
14 |
9 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Воинство Сергия Радонежского |
4239 | 139 |
15 |
18 |
26 |
12 |
11 |
7 |
6 |
0 |
11 |
10 |
11 |
12 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
4 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
О чем умолчал в своем докладе доктор Борменталь |
525 | 138 |
13 |
15 |
18 |
13 |
19 |
7 |
7 |
5 |
7 |
10 |
12 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1002 | 138 |
8 |
16 |
22 |
15 |
15 |
6 |
12 |
5 |
11 |
5 |
10 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
Письмо Татьяны. Общие места - романтизмы |
509 | 138 |
10 |
14 |
25 |
17 |
18 |
7 |
6 |
4 |
4 |
8 |
12 |
13 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
Легенда о великом инквизиторе |
898 | 138 |
12 |
17 |
27 |
11 |
18 |
7 |
8 |
4 |
3 |
6 |
10 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
Буддистский колобок |
2608 | 138 |
7 |
19 |
30 |
14 |
20 |
7 |
7 |
1 |
6 |
6 |
10 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
Темное вещество, абсолютный дух и человеческая цивилизация |
800 | 137 |
13 |
14 |
26 |
12 |
18 |
8 |
5 |
4 |
6 |
9 |
13 |
9 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
700 | 137 |
11 |
15 |
21 |
13 |
20 |
7 |
5 |
6 |
6 |
8 |
18 |
7 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Методология работы критика над текстом |
2320 | 137 |
9 |
17 |
22 |
12 |
15 |
9 |
8 |
4 |
9 |
9 |
12 |
11 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
Мир как книга |
809 | 137 |
10 |
15 |
28 |
10 |
15 |
9 |
10 |
4 |
6 |
7 |
14 |
9 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
Пушкин |
5865 | 137 |
14 |
13 |
22 |
15 |
15 |
9 |
6 |
2 |
9 |
6 |
12 |
14 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3271 | 136 |
13 |
15 |
28 |
10 |
19 |
5 |
7 |
2 |
7 |
7 |
11 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
Смех без причины |
2504 | 136 |
12 |
20 |
31 |
5 |
13 |
6 |
3 |
7 |
6 |
7 |
15 |
11 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Миф о времени |
2244 | 136 |
10 |
20 |
21 |
9 |
21 |
5 |
4 |
4 |
6 |
9 |
13 |
14 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
О чем поют сферы Гоголя |
748 | 136 |
9 |
16 |
26 |
9 |
19 |
10 |
5 |
4 |
6 |
8 |
13 |
11 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
Двуединство добра |
2660 | 134 |
11 |
23 |
21 |
11 |
21 |
6 |
5 |
3 |
7 |
6 |
10 |
10 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
Теософия и поэзия |
901 | 134 |
8 |
25 |
20 |
13 |
15 |
7 |
7 |
5 |
7 |
5 |
14 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Каким должен быть правитель |
372 | 134 |
14 |
10 |
22 |
12 |
18 |
6 |
6 |
3 |
10 |
14 |
12 |
7 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
320 | 134 |
10 |
17 |
22 |
16 |
14 |
7 |
7 |
1 |
9 |
4 |
14 |
13 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Сексуальность Гоголя |
575 | 134 |
9 |
15 |
20 |
14 |
19 |
7 |
5 |
2 |
8 |
9 |
14 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
19 августа 1991 года |
2218 | 134 |
12 |
14 |
20 |
14 |
13 |
8 |
7 |
4 |
6 |
13 |
12 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
Сила детской публицистики |
1226 | 134 |
12 |
16 |
26 |
11 |
17 |
6 |
8 |
7 |
8 |
6 |
10 |
7 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
Конек-горбунок |
844 | 133 |
14 |
15 |
27 |
16 |
16 |
9 |
3 |
4 |
5 |
5 |
13 |
6 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
Паломничество убогой (2 редакция) |
360 | 133 |
11 |
13 |
25 |
8 |
20 |
5 |
6 |
3 |
7 |
12 |
9 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
"Хлыстовская богородица" Маяковского |
1176 | 133 |
11 |
18 |
21 |
13 |
16 |
9 |
7 |
0 |
5 |
11 |
10 |
12 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Реформы Путина и моя им гегельянская поддержка |
2601 | 133 |
12 |
16 |
25 |
8 |
19 |
5 |
5 |
2 |
12 |
6 |
12 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
Литературоведение - наука или "Humanities and Arts"... |
2288 | 133 |
10 |
17 |
24 |
9 |
14 |
9 |
6 |
2 |
11 |
7 |
13 |
11 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
Проклятое место, проклятые вопросы |
2968 | 133 |
13 |
16 |
22 |
8 |
20 |
9 |
5 |
3 |
7 |
6 |
14 |
10 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1191 | 133 |
6 |
22 |
21 |
13 |
15 |
11 |
4 |
1 |
9 |
9 |
10 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
Дурное общество |
823 | 132 |
9 |
17 |
29 |
16 |
15 |
7 |
2 |
2 |
8 |
8 |
10 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
Компьютер и сексуальная революция писателя |
2676 | 132 |
10 |
11 |
27 |
11 |
20 |
9 |
5 |
6 |
7 |
9 |
12 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
Убийственная преданность. Введение в чтение Пушкина |
579 | 132 |
13 |
17 |
27 |
13 |
14 |
6 |
6 |
2 |
9 |
6 |
11 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
Невозможность гения эпохи |
415 | 132 |
12 |
13 |
23 |
17 |
18 |
7 |
2 |
2 |
6 |
9 |
12 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
О Мастере и деле врачей |
986 | 125 |
9 |
17 |
26 |
9 |
13 |
12 |
7 |
2 |
5 |
9 |
10 |
6 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
Честь как главная жизненная ценность у Достоевского |
435 | 124 |
12 |
15 |
21 |
15 |
15 |
3 |
5 |
5 |
4 |
7 |
11 |
11 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Нам много миллионов лет. Каждому |
708 | 124 |
14 |
16 |
22 |
13 |
18 |
5 |
4 |
0 |
6 |
8 |
9 |
9 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Конечный смысл страдания |
2312 | 124 |
11 |
11 |
26 |
14 |
18 |
6 |
4 |
3 |
7 |
3 |
12 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
Золото партии |
1784 | 124 |
12 |
10 |
23 |
12 |
17 |
3 |
2 |
7 |
5 |
12 |
11 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
Шаров и его теодицея |
517 | 124 |
13 |
14 |
27 |
12 |
12 |
6 |
3 |
1 |
8 |
10 |
9 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Вирус абсурда в рамках боровской Дополнительности |
1981 | 124 |
13 |
16 |
27 |
11 |
15 |
6 |
4 |
1 |
4 |
8 |
11 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
Отчуждение |
1016 | 123 |
11 |
15 |
29 |
10 |
18 |
4 |
2 |
2 |
4 |
10 |
9 |
9 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
Государство и общество: бюрократизм и свобода от бюрократии |
3128 | 123 |
10 |
10 |
27 |
8 |
14 |
6 |
6 |
3 |
6 |
7 |
19 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
Грамматика абсурдиста |
2029 | 122 |
13 |
15 |
18 |
11 |
19 |
5 |
4 |
1 |
10 |
8 |
6 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Велика ли дань Пушкина мифологии |
3043 | 122 |
10 |
17 |
23 |
9 |
14 |
7 |
8 |
0 |
9 |
9 |
9 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
Бог как конечное воплощение жажды славы |
1961 | 122 |
9 |
15 |
25 |
12 |
16 |
5 |
1 |
3 |
10 |
5 |
10 |
11 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
Экфрасис "Мертвых душ" |
285 | 122 |
8 |
16 |
24 |
17 |
11 |
5 |
5 |
4 |
7 |
7 |
10 |
8 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
Доказательство несовершенства Бога |
2471 | 122 |
9 |
11 |
34 |
8 |
18 |
4 |
3 |
1 |
8 |
6 |
14 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
2 |
Быков и Навальный |
503 | 122 |
11 |
14 |
21 |
11 |
16 |
5 |
6 |
4 |
4 |
11 |
11 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Введение в философию сказок |
532 | 122 |
12 |
10 |
29 |
13 |
14 |
7 |
7 |
1 |
7 |
5 |
12 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
421 | 121 |
10 |
12 |
25 |
17 |
10 |
5 |
5 |
3 |
6 |
7 |
12 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2020 | 121 |
11 |
15 |
23 |
9 |
11 |
7 |
5 |
2 |
14 |
4 |
7 |
13 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
Недоросль в меняющемся мире |
498 | 121 |
11 |
15 |
23 |
15 |
16 |
6 |
2 |
4 |
7 |
8 |
10 |
4 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
О времени |
1012 | 121 |
9 |
15 |
22 |
13 |
16 |
5 |
3 |
4 |
6 |
7 |
13 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
"Детство" и уход из Ясной поляны |
261 | 121 |
12 |
14 |
21 |
16 |
13 |
5 |
3 |
2 |
4 |
5 |
10 |
16 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
О романе "Обратная Перспектива А.Столярова |
1236 | 120 |
11 |
16 |
25 |
11 |
16 |
6 |
4 |
1 |
6 |
6 |
10 |
8 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
Почему Путин заинтересован в развитии гражданского общества |
2450 | 119 |
8 |
14 |
25 |
11 |
13 |
5 |
4 |
3 |
9 |
9 |
9 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3007 | 119 |
13 |
11 |
20 |
9 |
13 |
5 |
6 |
4 |
7 |
5 |
19 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
Необходимое или цель - искусство? |
536 | 119 |
15 |
11 |
21 |
15 |
12 |
3 |
4 |
6 |
5 |
8 |
7 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
Технические болезни Стихиры |
2400 | 118 |
12 |
14 |
21 |
14 |
13 |
6 |
5 |
1 |
6 |
6 |
8 |
12 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Иллич или упадок марксизма |
657 | 118 |
11 |
11 |
28 |
13 |
11 |
6 |
6 |
2 |
5 |
4 |
12 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
"Добрый Филя" и проекция собеседника |
574 | 118 |
10 |
14 |
22 |
14 |
18 |
4 |
4 |
2 |
4 |
6 |
11 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
Преодоление расы |
1263 | 118 |
11 |
10 |
19 |
13 |
16 |
5 |
5 |
1 |
8 |
7 |
13 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
Встреча этики с эстетикой в рамках поэтики абсурда |
2233 | 118 |
5 |
16 |
22 |
8 |
18 |
6 |
5 |
3 |
6 |
5 |
16 |
8 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Между прошлым и будущим |
474 | 118 |
7 |
19 |
22 |
16 |
11 |
6 |
3 |
3 |
7 |
6 |
10 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
Деление на невозможность |
1928 | 117 |
10 |
13 |
23 |
13 |
12 |
5 |
3 |
3 |
7 |
5 |
11 |
12 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Введение в чтение Гоголя |
712 | 117 |
8 |
19 |
18 |
15 |
13 |
4 |
5 |
5 |
8 |
8 |
8 |
6 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
Пушкину миллиарды лет |
767 | 117 |
10 |
17 |
18 |
12 |
13 |
4 |
4 |
4 |
5 |
7 |
14 |
9 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Рванет-не рванет |
506 | 117 |
11 |
14 |
25 |
8 |
17 |
9 |
5 |
2 |
4 |
5 |
9 |
8 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
Категории добра и зла |
273 | 117 |
8 |
15 |
21 |
11 |
17 |
8 |
4 |
1 |
7 |
5 |
9 |
11 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
Онегин - лицеист? |
507 | 117 |
12 |
16 |
18 |
13 |
11 |
4 |
5 |
2 |
8 |
5 |
13 |
10 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
Пушкинский пленник |
527 | 117 |
10 |
16 |
23 |
15 |
14 |
7 |
5 |
2 |
4 |
5 |
7 |
9 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
Молчание - литературная преемственность |
527 | 117 |
9 |
18 |
19 |
11 |
15 |
4 |
6 |
3 |
7 |
6 |
10 |
9 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
Эпос |
2052 | 116 |
10 |
12 |
25 |
8 |
11 |
9 |
4 |
2 |
7 |
7 |
12 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
Возможен ли герой нашего времени? |
480 | 116 |
11 |
13 |
23 |
7 |
19 |
4 |
4 |
2 |
9 |
8 |
6 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
К проблеме Израиля |
1189 | 116 |
10 |
13 |
25 |
11 |
12 |
3 |
5 |
2 |
7 |
6 |
14 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
Онтологическое обоснование гения эпохи |
1078 | 116 |
6 |
21 |
20 |
13 |
13 |
5 |
6 |
3 |
7 |
6 |
7 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
О Бродском - Имперский поэт? |
704 | 116 |
9 |
12 |
22 |
10 |
14 |
9 |
4 |
3 |
8 |
5 |
14 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
"Шиповник цветет" - не сжигай |
521 | 115 |
13 |
14 |
17 |
15 |
14 |
5 |
5 |
1 |
5 |
7 |
9 |
10 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
Форма абсолютной сути созидаемого |
661 | 115 |
5 |
20 |
20 |
9 |
18 |
3 |
5 |
3 |
4 |
6 |
13 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Национальность биографа |
2745 | 114 |
8 |
16 |
19 |
10 |
16 |
5 |
8 |
2 |
8 |
5 |
9 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
Государыня Россия |
2176 | 114 |
11 |
15 |
21 |
11 |
8 |
6 |
5 |
3 |
7 |
8 |
10 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
Время и правители |
1046 | 113 |
9 |
18 |
21 |
13 |
11 |
6 |
3 |
2 |
6 |
8 |
8 |
8 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Ну и реклама сейчас у Проханова |
1917 | 112 |
11 |
8 |
23 |
14 |
13 |
3 |
4 |
6 |
7 |
8 |
7 |
8 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
Удача и капуста |
2249 | 112 |
13 |
11 |
19 |
8 |
15 |
4 |
4 |
1 |
8 |
12 |
9 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
"Сретенье " Бродского как трансляция |
398 | 110 |
7 |
17 |
20 |
10 |
15 |
7 |
4 |
1 |
6 |
7 |
8 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
Бы да кабы |
697 | 109 |
9 |
18 |
18 |
11 |
11 |
4 |
5 |
4 |
7 |
5 |
12 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
Рубцов и формальный метод |
2439 | 109 |
9 |
15 |
26 |
8 |
12 |
7 |
3 |
1 |
7 |
4 |
10 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
День 7 ноября |
768 | 106 |
12 |
10 |
22 |
12 |
11 |
6 |
3 |
1 |
9 |
5 |
10 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
Менеджеры и профессионалы |
2102 | 105 |
11 |
16 |
17 |
10 |
12 |
4 |
4 |
1 |
8 |
5 |
6 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Радио Свобода, Цру и великая русская литература |
2282 | 103 |
7 |
17 |
17 |
7 |
12 |
4 |
4 |
2 |
9 |
6 |
12 |
6 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Литературоведение, рабство и пенсионная реформа |
910 | 103 |
10 |
15 |
17 |
10 |
9 |
4 |
4 |
2 |
7 |
7 |
13 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |