| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
По разделу |
696227 | 1686 |
162 |
201 |
206 |
196 |
187 |
130 |
105 |
103 |
90 |
90 |
98 |
118 |
1 |
8 |
4 |
5 |
4 |
8 |
6 |
12 |
13 |
11 |
6 |
9 |
5 |
5 |
7 |
9 |
20 |
7 |
6 |
5 |
5 |
6 |
6 |
5 |
3 |
6 |
5 |
4 |
3 |
4 |
5 |
4 |
6 |
6 |
4 |
6 |
15 |
6 |
4 |
6 |
11 |
10 |
15 |
11 |
7 |
4 |
4 |
4 |
7 |
8 |
10 |
5 |
7 |
7 |
7 |
10 |
12 |
7 |
6 |
5 |
6 |
7 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2584 | 1023 |
93 |
147 |
174 |
137 |
158 |
90 |
42 |
48 |
34 |
33 |
28 |
39 |
0 |
5 |
1 |
5 |
1 |
4 |
2 |
12 |
2 |
7 |
3 |
9 |
5 |
5 |
4 |
2 |
1 |
7 |
2 |
5 |
5 |
6 |
6 |
4 |
3 |
2 |
3 |
3 |
0 |
4 |
1 |
4 |
6 |
4 |
4 |
6 |
4 |
2 |
0 |
4 |
11 |
10 |
15 |
11 |
7 |
1 |
2 |
4 |
5 |
8 |
9 |
2 |
2 |
7 |
5 |
10 |
12 |
7 |
3 |
4 |
6 |
1 |
Поэтика абсурда в аспекте литературно-художественной методологии |
28981 | 998 |
82 |
107 |
138 |
116 |
94 |
67 |
70 |
73 |
53 |
52 |
69 |
77 |
0 |
2 |
4 |
1 |
4 |
8 |
6 |
5 |
3 |
3 |
6 |
2 |
3 |
3 |
6 |
4 |
3 |
5 |
5 |
3 |
2 |
4 |
3 |
5 |
3 |
6 |
5 |
0 |
2 |
1 |
3 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
6 |
5 |
5 |
3 |
3 |
1 |
4 |
1 |
4 |
7 |
5 |
10 |
3 |
6 |
6 |
7 |
7 |
7 |
2 |
4 |
3 |
2 |
7 |
Метод приведения к абсурду в школьной классике |
1570 | 432 |
42 |
60 |
37 |
71 |
42 |
38 |
21 |
33 |
20 |
14 |
19 |
35 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
2 |
4 |
4 |
0 |
1 |
4 |
2 |
3 |
1 |
5 |
0 |
3 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
5 |
0 |
5 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
4 |
2 |
2 |
5 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
Гипербола и Гиперборея Маяковского |
789 | 406 |
36 |
37 |
43 |
61 |
37 |
32 |
25 |
27 |
25 |
23 |
31 |
29 |
0 |
0 |
2 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
4 |
2 |
3 |
0 |
1 |
5 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
6 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
2 |
2 |
3 |
5 |
4 |
3 |
2 |
0 |
1 |
Поэтика абсурда. Часть 1 |
2705 | 402 |
56 |
55 |
40 |
46 |
35 |
40 |
24 |
19 |
19 |
19 |
25 |
24 |
0 |
3 |
1 |
4 |
4 |
4 |
2 |
2 |
7 |
1 |
5 |
2 |
2 |
3 |
1 |
2 |
2 |
3 |
3 |
0 |
2 |
3 |
6 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
4 |
6 |
1 |
3 |
5 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
3 |
2 |
2 |
0 |
0 |
1 |
В чем философский смысл фильма "Остров проклятых" |
846 | 380 |
42 |
62 |
49 |
44 |
29 |
30 |
19 |
22 |
17 |
19 |
17 |
30 |
0 |
5 |
2 |
1 |
3 |
1 |
1 |
3 |
3 |
2 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
3 |
2 |
4 |
0 |
1 |
4 |
2 |
0 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
6 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
4 |
4 |
3 |
2 |
4 |
4 |
4 |
2 |
3 |
4 |
4 |
3 |
1 |
0 |
Мертвые души: хозяйственная бесхозяйственность |
1912 | 369 |
43 |
43 |
41 |
45 |
32 |
26 |
28 |
19 |
23 |
24 |
22 |
23 |
0 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
5 |
2 |
2 |
3 |
2 |
4 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
4 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
3 |
0 |
3 |
0 |
0 |
Внутренний монолог |
768 | 362 |
40 |
31 |
40 |
53 |
30 |
28 |
25 |
25 |
14 |
20 |
23 |
33 |
0 |
1 |
3 |
0 |
4 |
2 |
0 |
5 |
0 |
3 |
3 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
Печорин и декабристы - бесславие героев времени |
1225 | 348 |
36 |
47 |
47 |
55 |
39 |
26 |
16 |
12 |
8 |
14 |
22 |
26 |
0 |
6 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
2 |
4 |
1 |
3 |
3 |
4 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
1 |
4 |
6 |
1 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
Интерьер в "Капитанской дочке" |
1255 | 336 |
22 |
31 |
32 |
54 |
45 |
51 |
39 |
13 |
9 |
9 |
17 |
14 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
3 |
3 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
3 |
0 |
2 |
0 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
790 | 300 |
35 |
35 |
28 |
34 |
19 |
28 |
10 |
14 |
15 |
20 |
26 |
36 |
0 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
4 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
3 |
0 |
4 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
Смертная казнь как эротика государственного самоубийства |
7477 | 297 |
23 |
42 |
36 |
47 |
28 |
14 |
23 |
13 |
14 |
20 |
20 |
17 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
2 |
3 |
0 |
0 |
0 |
3 |
1 |
1 |
4 |
2 |
5 |
5 |
1 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
Полифония Блока |
1352 | 297 |
22 |
35 |
38 |
42 |
31 |
31 |
23 |
13 |
9 |
10 |
17 |
26 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
План анализа стихотворения |
456 | 293 |
15 |
30 |
23 |
34 |
28 |
25 |
21 |
20 |
22 |
19 |
19 |
37 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
Кто убил старуху процентщицу? |
1907 | 287 |
28 |
29 |
29 |
44 |
29 |
31 |
16 |
22 |
19 |
10 |
13 |
17 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
4 |
3 |
0 |
0 |
Дуэль Онегина и Ленского |
1139 | 286 |
28 |
37 |
39 |
56 |
22 |
19 |
21 |
10 |
12 |
15 |
12 |
15 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
4 |
5 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
4 |
3 |
4 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
1 |
Елена Чудинова. Мечеть Парижской Богоматери |
11613 | 286 |
24 |
41 |
19 |
35 |
18 |
23 |
34 |
15 |
17 |
17 |
24 |
19 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
4 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
Антитеза |
415 | 281 |
30 |
39 |
35 |
40 |
28 |
27 |
12 |
11 |
7 |
7 |
26 |
19 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
7 |
2 |
3 |
5 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
2 |
7 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
1 |
1 |
Шукшин ли "Хозяин бани и огорода"? |
1875 | 257 |
25 |
48 |
23 |
30 |
19 |
21 |
12 |
18 |
14 |
13 |
11 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
4 |
4 |
1 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
12 |
4 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Михаил Гарцев. История внутри нас |
4301 | 257 |
27 |
24 |
27 |
45 |
29 |
24 |
18 |
10 |
8 |
12 |
16 |
17 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
4 |
6 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
Энтропия.net |
5950 | 255 |
25 |
27 |
23 |
33 |
17 |
26 |
18 |
17 |
14 |
14 |
22 |
19 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
5 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5620 | 254 |
41 |
22 |
32 |
32 |
17 |
18 |
17 |
12 |
11 |
18 |
9 |
25 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
5 |
1 |
2 |
0 |
3 |
0 |
3 |
2 |
4 |
10 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
Учимся мыслить логически |
3555 | 251 |
15 |
26 |
21 |
29 |
14 |
23 |
11 |
7 |
20 |
32 |
35 |
18 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
Три пальмы |
1146 | 247 |
17 |
18 |
19 |
27 |
20 |
30 |
23 |
20 |
21 |
16 |
15 |
21 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
Сюжет: событие, действие, мотив |
406 | 244 |
8 |
27 |
24 |
35 |
22 |
25 |
16 |
10 |
16 |
14 |
15 |
32 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
Я играю вместе с мамой |
9534 | 241 |
21 |
24 |
38 |
33 |
18 |
24 |
20 |
10 |
6 |
19 |
13 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
"История Рода Толстых - история России". Фоторепортаж |
5496 | 239 |
17 |
28 |
21 |
34 |
16 |
26 |
22 |
14 |
10 |
20 |
16 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
5 |
0 |
0 |
Образ России в арт-среде Интернета |
2470 | 237 |
47 |
29 |
24 |
33 |
18 |
19 |
16 |
14 |
3 |
12 |
9 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
9 |
20 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
1 |
3 |
4 |
1 |
2 |
6 |
1 |
2 |
1 |
0 |
2 |
4 |
Автобиографизм и автопсихологизм |
543 | 236 |
31 |
30 |
30 |
30 |
30 |
23 |
11 |
9 |
8 |
8 |
9 |
17 |
0 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
3 |
3 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
Можно ли назвать Печорина фаталистом |
653 | 235 |
25 |
35 |
34 |
32 |
24 |
16 |
14 |
10 |
6 |
12 |
12 |
15 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
1 |
0 |
Ведение в чтение Гоголя |
978 | 231 |
20 |
18 |
17 |
29 |
23 |
31 |
11 |
9 |
5 |
4 |
19 |
45 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
Древесная лирика Хельги Ольшванг |
3606 | 229 |
14 |
36 |
30 |
40 |
28 |
13 |
17 |
8 |
5 |
11 |
11 |
16 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
6 |
4 |
1 |
3 |
3 |
0 |
3 |
0 |
3 |
1 |
4 |
2 |
0 |
0 |
Кот Васька в своей квартире |
7722 | 228 |
20 |
28 |
25 |
29 |
16 |
31 |
11 |
9 |
12 |
15 |
16 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
Пестрый дятел |
4515 | 225 |
23 |
24 |
22 |
23 |
14 |
19 |
11 |
12 |
6 |
21 |
14 |
36 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
Кто как кричит |
4361 | 224 |
21 |
28 |
26 |
29 |
15 |
19 |
13 |
8 |
9 |
12 |
18 |
26 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
5 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
818 | 217 |
22 |
24 |
18 |
41 |
25 |
25 |
7 |
12 |
5 |
9 |
8 |
21 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
Карнавал и декарнавализация |
3992 | 214 |
31 |
28 |
25 |
22 |
19 |
15 |
15 |
9 |
2 |
10 |
6 |
32 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
3 |
5 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2665 | 214 |
21 |
23 |
26 |
35 |
12 |
24 |
15 |
5 |
13 |
12 |
9 |
19 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
Ослик |
8227 | 211 |
18 |
18 |
22 |
35 |
12 |
18 |
17 |
14 |
8 |
10 |
12 |
27 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
К вопросу о Фрейде и православии |
2966 | 208 |
13 |
27 |
18 |
34 |
17 |
25 |
14 |
7 |
11 |
13 |
14 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
Медвежонок |
8849 | 207 |
17 |
18 |
25 |
27 |
24 |
17 |
17 |
8 |
11 |
10 |
12 |
21 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
Что на небе |
7961 | 207 |
15 |
29 |
31 |
36 |
11 |
20 |
11 |
8 |
7 |
9 |
10 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
0 |
0 |
Достоевский и конец истории |
3366 | 207 |
32 |
27 |
19 |
29 |
12 |
19 |
9 |
5 |
8 |
13 |
16 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
11 |
4 |
3 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Анализ прозы |
357 | 205 |
19 |
17 |
16 |
23 |
18 |
22 |
18 |
8 |
8 |
11 |
9 |
36 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
Самосознание сетевой литературы |
3869 | 203 |
29 |
25 |
22 |
24 |
11 |
19 |
14 |
13 |
7 |
13 |
14 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
5 |
9 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
Натюрморт (Гоголь, Бродский, Есенин) |
788 | 203 |
29 |
19 |
21 |
30 |
25 |
16 |
9 |
15 |
4 |
8 |
11 |
16 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
7 |
8 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
Поэтика абсурда Маяковского |
1388 | 202 |
21 |
20 |
20 |
31 |
19 |
15 |
17 |
14 |
5 |
13 |
10 |
17 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
4 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
Сказка о гейзере на Стихире |
2846 | 201 |
17 |
25 |
20 |
38 |
21 |
27 |
9 |
8 |
8 |
7 |
5 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Комментариии к статье А.Виноградова о сетевой литературе |
3889 | 200 |
16 |
31 |
21 |
25 |
16 |
23 |
16 |
9 |
6 |
7 |
13 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
4 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5544 | 199 |
28 |
25 |
15 |
34 |
18 |
19 |
11 |
9 |
6 |
13 |
10 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
11 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Поэтика абсурда и образ Святой Земли |
3384 | 199 |
15 |
24 |
22 |
27 |
23 |
22 |
9 |
7 |
3 |
16 |
12 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
В защиту массовой литературы |
5509 | 197 |
30 |
28 |
17 |
33 |
8 |
23 |
8 |
7 |
4 |
10 |
11 |
18 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
7 |
8 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
Маяковский и его философия |
1276 | 195 |
20 |
22 |
18 |
29 |
14 |
17 |
17 |
9 |
8 |
10 |
11 |
20 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
Александр Кушнер. Аполлон в траве |
4443 | 194 |
16 |
21 |
27 |
23 |
23 |
23 |
9 |
10 |
5 |
11 |
12 |
14 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
Об одном фильме |
1251 | 194 |
32 |
25 |
19 |
24 |
16 |
20 |
12 |
8 |
8 |
6 |
14 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
4 |
9 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Психология - наука рабов |
6616 | 194 |
28 |
23 |
17 |
31 |
10 |
15 |
15 |
8 |
6 |
9 |
14 |
18 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
9 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Волчонок |
4070 | 193 |
15 |
20 |
22 |
38 |
14 |
25 |
11 |
9 |
3 |
7 |
12 |
17 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
Язык и генетика |
4352 | 193 |
16 |
23 |
19 |
28 |
18 |
21 |
12 |
9 |
4 |
14 |
14 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
619 | 192 |
23 |
16 |
22 |
30 |
16 |
19 |
13 |
9 |
5 |
10 |
15 |
14 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
5 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
691 | 192 |
22 |
23 |
17 |
29 |
15 |
19 |
8 |
6 |
7 |
10 |
16 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
Юрий Поляков. Грибной царь |
3504 | 192 |
20 |
20 |
14 |
31 |
15 |
16 |
14 |
12 |
8 |
12 |
13 |
17 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
4 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
Стихи для детей |
5323 | 192 |
28 |
23 |
17 |
22 |
12 |
18 |
9 |
10 |
9 |
13 |
10 |
21 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
9 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1307 | 190 |
16 |
27 |
17 |
33 |
14 |
22 |
6 |
10 |
4 |
11 |
12 |
18 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
Расширит ли виртуальная реальность возможности познания истины |
3176 | 190 |
20 |
30 |
19 |
24 |
15 |
22 |
9 |
10 |
5 |
10 |
10 |
16 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
Гегельянство в России |
949 | 190 |
23 |
29 |
20 |
24 |
17 |
22 |
7 |
6 |
4 |
11 |
16 |
11 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
Сальери как образец |
1071 | 189 |
21 |
19 |
13 |
27 |
17 |
20 |
13 |
8 |
6 |
7 |
17 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Пейзаж в поэме Лермонтова |
649 | 187 |
20 |
19 |
21 |
31 |
17 |
20 |
8 |
9 |
3 |
10 |
15 |
14 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
Поэтика абсурда при свете совести |
2636 | 186 |
22 |
26 |
21 |
29 |
18 |
18 |
7 |
5 |
5 |
10 |
9 |
16 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
4 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
Ирония и автоирония |
348 | 185 |
20 |
29 |
24 |
28 |
24 |
21 |
7 |
6 |
2 |
6 |
5 |
13 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
Михаил Гарцев и сетевое письмо |
4356 | 185 |
14 |
23 |
20 |
32 |
17 |
16 |
14 |
6 |
5 |
9 |
10 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
Ботинок |
3898 | 185 |
11 |
25 |
21 |
26 |
16 |
28 |
9 |
8 |
9 |
7 |
5 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
6 |
2 |
0 |
0 |
Замятин "Мы". Конспект урока |
789 | 185 |
17 |
21 |
19 |
28 |
25 |
20 |
13 |
7 |
3 |
9 |
6 |
17 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
Зеркало |
2776 | 185 |
15 |
20 |
23 |
35 |
14 |
19 |
9 |
7 |
3 |
15 |
11 |
14 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
Про что поэзия Барто? - да все про то! |
5694 | 183 |
26 |
22 |
21 |
24 |
15 |
19 |
8 |
11 |
3 |
11 |
14 |
9 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
8 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
Пьер и Андрей |
1048 | 183 |
20 |
21 |
15 |
32 |
15 |
21 |
8 |
4 |
7 |
16 |
10 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
Реминисценция |
429 | 182 |
15 |
21 |
18 |
31 |
13 |
19 |
12 |
13 |
7 |
9 |
9 |
15 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
Потомки "Метрополя" |
5665 | 182 |
16 |
21 |
19 |
25 |
21 |
18 |
12 |
6 |
7 |
11 |
14 |
12 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
Эмоции |
938 | 182 |
18 |
20 |
24 |
38 |
17 |
22 |
3 |
8 |
4 |
7 |
7 |
14 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
761 | 181 |
23 |
18 |
21 |
33 |
15 |
15 |
7 |
11 |
5 |
9 |
12 |
12 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Пушкинские и лермонтовские мотивы у Некрасова |
693 | 181 |
36 |
15 |
12 |
26 |
16 |
20 |
8 |
12 |
6 |
11 |
7 |
12 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
8 |
2 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
Вирус абсурда в истории человеческой культуры |
2195 | 181 |
28 |
19 |
15 |
39 |
15 |
19 |
7 |
9 |
4 |
6 |
9 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
10 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
Дискуссия о гениальности, Достоевском и социальном запросе |
927 | 181 |
15 |
20 |
24 |
29 |
7 |
23 |
9 |
8 |
6 |
7 |
16 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
О любви к правителям и поэтам |
1068 | 181 |
21 |
19 |
18 |
29 |
8 |
25 |
10 |
10 |
5 |
10 |
11 |
15 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1465 | 180 |
16 |
30 |
21 |
19 |
19 |
23 |
7 |
6 |
7 |
10 |
10 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
6 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
Фотомастерская Вадима Месяца |
2810 | 180 |
12 |
28 |
21 |
25 |
15 |
25 |
17 |
8 |
5 |
5 |
11 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
О "Медном всаднике" |
994 | 179 |
17 |
17 |
24 |
21 |
23 |
22 |
15 |
6 |
5 |
7 |
7 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
Воспитание гениев |
865 | 179 |
16 |
24 |
19 |
29 |
12 |
24 |
8 |
8 |
4 |
6 |
11 |
18 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
Почему поэзия должна быть глуповата |
3006 | 179 |
14 |
20 |
19 |
29 |
25 |
25 |
8 |
7 |
2 |
10 |
9 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
Алексиевич. Чернобыль |
993 | 178 |
23 |
25 |
19 |
23 |
15 |
16 |
10 |
5 |
11 |
4 |
10 |
17 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
Ницше, ценности и Гегель |
2974 | 178 |
24 |
25 |
14 |
36 |
11 |
17 |
5 |
9 |
5 |
10 |
11 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
6 |
6 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Рифма к городу |
3408 | 178 |
18 |
19 |
19 |
27 |
12 |
18 |
11 |
8 |
8 |
9 |
10 |
19 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
Anti-Dan |
3097 | 178 |
12 |
28 |
19 |
27 |
17 |
19 |
9 |
8 |
4 |
11 |
11 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
Евгений Водолазкин и поэтика абсурда |
1093 | 178 |
13 |
23 |
23 |
29 |
24 |
16 |
9 |
11 |
4 |
9 |
7 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
3 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
Абсурдизм |
3587 | 177 |
15 |
24 |
22 |
20 |
13 |
15 |
13 |
15 |
6 |
9 |
11 |
14 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
Памятник Румянцеву в "Капитанской дочке" |
687 | 177 |
22 |
21 |
21 |
24 |
15 |
17 |
14 |
12 |
6 |
6 |
8 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
Информация о владельце раздела |
3171 | 177 |
15 |
21 |
25 |
27 |
17 |
18 |
8 |
4 |
4 |
8 |
12 |
18 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
В поисках смысла сетевой литературы |
2550 | 177 |
17 |
21 |
16 |
29 |
18 |
21 |
10 |
7 |
7 |
8 |
9 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
488 | 176 |
16 |
24 |
18 |
28 |
22 |
14 |
10 |
14 |
4 |
6 |
5 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
Трагический герой |
398 | 176 |
18 |
24 |
15 |
28 |
15 |
18 |
7 |
9 |
6 |
12 |
11 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Какой плод у дерева |
2902 | 176 |
28 |
17 |
22 |
27 |
10 |
16 |
9 |
6 |
10 |
8 |
9 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
8 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
Письмо Ольги Пушкину |
1063 | 175 |
14 |
22 |
15 |
28 |
15 |
21 |
9 |
5 |
7 |
10 |
13 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
4 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
То было двух бесов изображенье |
393 | 175 |
16 |
20 |
20 |
31 |
18 |
16 |
10 |
9 |
6 |
8 |
9 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
579 | 175 |
10 |
22 |
19 |
26 |
19 |
28 |
5 |
5 |
5 |
11 |
12 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
Липки |
2684 | 175 |
28 |
19 |
17 |
30 |
13 |
21 |
10 |
6 |
5 |
6 |
9 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
7 |
9 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
526 | 174 |
18 |
25 |
16 |
25 |
16 |
18 |
8 |
6 |
4 |
10 |
13 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
С кем я познакомилась на Си |
3338 | 173 |
14 |
27 |
15 |
22 |
12 |
26 |
17 |
7 |
6 |
4 |
11 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
Каждый знает |
6532 | 173 |
18 |
19 |
16 |
32 |
15 |
22 |
8 |
7 |
10 |
6 |
6 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
Этапы эволюции вируса абсурда в России |
3168 | 172 |
18 |
19 |
17 |
30 |
18 |
17 |
8 |
6 |
2 |
8 |
16 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
522 | 172 |
20 |
23 |
15 |
26 |
19 |
15 |
10 |
6 |
5 |
12 |
10 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
Почему в Прибалтике не проходит русский бунт |
2460 | 172 |
16 |
30 |
30 |
18 |
12 |
16 |
5 |
6 |
3 |
7 |
11 |
18 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
1 |
5 |
2 |
3 |
3 |
1 |
3 |
2 |
1 |
0 |
1 |
Галич и Мандельштам вокруг образа вождя |
363 | 171 |
32 |
19 |
19 |
23 |
19 |
17 |
8 |
4 |
3 |
8 |
7 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
12 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
Что в имени мне твоем |
2846 | 171 |
26 |
25 |
13 |
24 |
15 |
20 |
10 |
7 |
5 |
7 |
9 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
8 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
6 |
3 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Образы русской природы в лирике Рубцова |
535 | 171 |
21 |
19 |
17 |
26 |
19 |
17 |
7 |
6 |
4 |
15 |
9 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
Монтажная композиция |
340 | 171 |
25 |
22 |
12 |
29 |
20 |
16 |
4 |
5 |
4 |
13 |
9 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
9 |
1 |
1 |
0 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
Монтажная композиция |
420 | 170 |
10 |
26 |
20 |
19 |
23 |
22 |
14 |
7 |
4 |
5 |
6 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
Манифест |
2515 | 170 |
18 |
19 |
21 |
27 |
15 |
18 |
8 |
7 |
6 |
8 |
9 |
14 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
Ушки, ножки, рожки |
6368 | 169 |
30 |
15 |
19 |
28 |
10 |
15 |
7 |
6 |
8 |
6 |
9 |
16 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
11 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
3966 | 169 |
19 |
18 |
18 |
23 |
18 |
19 |
14 |
7 |
3 |
7 |
9 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
Автометафора |
504 | 169 |
13 |
22 |
24 |
28 |
16 |
14 |
7 |
4 |
6 |
6 |
15 |
14 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Чудачество и донкихотство. Шукшин и Сервантес |
1258 | 169 |
14 |
23 |
19 |
24 |
13 |
18 |
9 |
10 |
4 |
8 |
16 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
Вмешиваясь в разговор с богом |
3190 | 169 |
20 |
21 |
17 |
21 |
14 |
15 |
11 |
10 |
11 |
11 |
9 |
9 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
5 |
2 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
Иду, а к ногам моим падает вдруг кипятильник |
2242 | 169 |
12 |
21 |
20 |
29 |
18 |
16 |
9 |
6 |
6 |
8 |
7 |
17 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
Искушение как психологический прием |
2751 | 169 |
27 |
17 |
16 |
23 |
10 |
15 |
10 |
9 |
7 |
10 |
12 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
4 |
10 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
Возвращение |
3184 | 168 |
14 |
14 |
23 |
29 |
16 |
18 |
10 |
4 |
5 |
10 |
11 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
Ферапонтово. Коллекция |
1854 | 167 |
17 |
18 |
17 |
28 |
17 |
22 |
5 |
4 |
6 |
5 |
13 |
15 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
Символизм |
355 | 167 |
12 |
22 |
15 |
30 |
12 |
20 |
12 |
15 |
4 |
8 |
3 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
Сон как нонсенс в "Войне и мире" |
495 | 166 |
20 |
24 |
17 |
26 |
17 |
18 |
6 |
8 |
5 |
6 |
9 |
10 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
922 | 166 |
18 |
22 |
15 |
25 |
18 |
14 |
10 |
8 |
5 |
8 |
10 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
Автопортрет, оксюморон |
605 | 166 |
12 |
28 |
24 |
24 |
20 |
22 |
5 |
4 |
4 |
7 |
4 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
Кирилл Юрьевич отбывает в Канаду |
3005 | 166 |
13 |
23 |
22 |
25 |
13 |
21 |
11 |
5 |
5 |
8 |
10 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
Введение в чтение Гоголя. Хлестаков |
535 | 165 |
29 |
16 |
16 |
30 |
19 |
13 |
7 |
5 |
3 |
7 |
6 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
11 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Достоевский как оптимальная точка видения |
2844 | 164 |
13 |
18 |
21 |
30 |
12 |
21 |
8 |
8 |
7 |
5 |
5 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
Островский о романтической ипостаси русской литературы |
1076 | 163 |
19 |
21 |
20 |
28 |
14 |
16 |
9 |
8 |
4 |
6 |
6 |
12 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Самоубийство разума |
2956 | 163 |
13 |
18 |
14 |
23 |
16 |
21 |
10 |
6 |
7 |
10 |
11 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
Лирика |
3043 | 163 |
17 |
18 |
15 |
27 |
24 |
16 |
8 |
2 |
6 |
8 |
9 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
6 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
Горе от ума или ум от горя. Перевертыши |
732 | 162 |
17 |
20 |
19 |
22 |
15 |
16 |
6 |
8 |
4 |
13 |
12 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
Буддистский колобок |
2643 | 162 |
29 |
13 |
19 |
30 |
14 |
20 |
7 |
7 |
1 |
6 |
6 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
10 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
Невозможность гения эпохи |
456 | 162 |
34 |
19 |
13 |
23 |
17 |
18 |
7 |
2 |
2 |
6 |
9 |
12 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
11 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
Ведьмостиший больше не будет |
2860 | 161 |
28 |
16 |
18 |
25 |
12 |
17 |
8 |
5 |
4 |
4 |
13 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
7 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Возвращение блудного Чацкого |
737 | 161 |
22 |
20 |
17 |
19 |
10 |
17 |
9 |
10 |
4 |
8 |
6 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Паломничество убогой |
2596 | 161 |
12 |
23 |
14 |
24 |
9 |
15 |
5 |
2 |
22 |
13 |
11 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
Бессмертие и спасение |
2508 | 161 |
17 |
27 |
25 |
31 |
8 |
17 |
7 |
4 |
1 |
6 |
5 |
13 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
Теория диссоциаций и Булгаков |
1155 | 160 |
16 |
26 |
18 |
23 |
15 |
21 |
6 |
5 |
3 |
4 |
10 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
О курсе реформ и курсе литературы |
860 | 160 |
32 |
29 |
21 |
24 |
7 |
17 |
5 |
3 |
2 |
5 |
6 |
9 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
11 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
5 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
Лампа Мафусаила |
1499 | 160 |
15 |
20 |
19 |
25 |
15 |
16 |
7 |
8 |
3 |
9 |
10 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
Снова по поводу "Тихого Дона" |
1011 | 160 |
20 |
24 |
17 |
22 |
14 |
19 |
6 |
5 |
3 |
10 |
6 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
5 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
385 | 160 |
17 |
22 |
16 |
22 |
17 |
22 |
8 |
7 |
2 |
7 |
9 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1482 | 160 |
14 |
23 |
18 |
31 |
11 |
14 |
8 |
15 |
5 |
5 |
6 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
Двуединство добра |
2695 | 159 |
27 |
19 |
23 |
21 |
11 |
21 |
6 |
5 |
3 |
7 |
6 |
10 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
5 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
Избранница народного слова |
2290 | 159 |
13 |
22 |
17 |
27 |
16 |
20 |
8 |
5 |
4 |
8 |
6 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
3 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
Джулиан Барнс в защиту критики |
2539 | 159 |
18 |
31 |
21 |
23 |
10 |
14 |
8 |
7 |
4 |
10 |
3 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
3 |
4 |
1 |
1 |
5 |
2 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
Дан прислал |
811 | 159 |
18 |
24 |
15 |
20 |
17 |
18 |
9 |
4 |
6 |
7 |
10 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1516 | 159 |
17 |
24 |
14 |
25 |
17 |
19 |
6 |
8 |
4 |
6 |
6 |
13 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
4 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
Бунт против Гегеля |
3052 | 159 |
29 |
20 |
23 |
26 |
6 |
15 |
6 |
5 |
3 |
5 |
10 |
11 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
9 |
4 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
Как в "Превращении" Кафки выражена идея торжества разума |
721 | 159 |
13 |
22 |
15 |
21 |
19 |
18 |
4 |
7 |
11 |
8 |
10 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
Символика цвета |
260 | 159 |
13 |
27 |
19 |
24 |
16 |
18 |
7 |
7 |
6 |
5 |
5 |
12 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
2 |
0 |
Мысль изреченная |
2478 | 159 |
15 |
17 |
22 |
21 |
14 |
15 |
9 |
6 |
8 |
10 |
7 |
15 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
6 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
Вот и обсудили! |
2514 | 159 |
14 |
22 |
16 |
21 |
14 |
17 |
13 |
10 |
6 |
7 |
9 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
Художник у Христа за пазухой |
2545 | 158 |
14 |
17 |
13 |
29 |
15 |
19 |
8 |
6 |
4 |
11 |
8 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Компьютер и сексуальная революция писателя |
2707 | 158 |
25 |
16 |
11 |
27 |
11 |
20 |
9 |
5 |
6 |
7 |
9 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
8 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
Печорин как писатель |
856 | 158 |
14 |
19 |
21 |
27 |
12 |
14 |
10 |
6 |
4 |
10 |
11 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
"Коршун" Тютчева - материализм и идеализм |
523 | 158 |
15 |
18 |
16 |
29 |
15 |
18 |
9 |
6 |
6 |
5 |
8 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
Темное вещество, абсолютный дух и человеческая цивилизация |
829 | 157 |
15 |
27 |
14 |
26 |
12 |
18 |
8 |
5 |
4 |
6 |
9 |
13 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
По поводу некоторых неточностей Евгения Клюева |
2264 | 157 |
11 |
21 |
24 |
26 |
16 |
18 |
6 |
9 |
2 |
5 |
4 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
0 |
0 |
4 |
2 |
4 |
2 |
2 |
3 |
3 |
0 |
0 |
0 |
Андрей Болконский - Дон Кихот |
563 | 157 |
12 |
20 |
20 |
28 |
19 |
13 |
7 |
4 |
3 |
13 |
7 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
Демократия как искусство для искусства |
2701 | 157 |
18 |
25 |
16 |
25 |
9 |
20 |
3 |
8 |
3 |
6 |
7 |
17 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
349 | 156 |
16 |
16 |
22 |
30 |
14 |
16 |
7 |
6 |
2 |
7 |
5 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
Интервью с Игорем Панариным |
2393 | 156 |
26 |
21 |
15 |
25 |
14 |
15 |
4 |
6 |
4 |
8 |
9 |
9 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
10 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
Мир как книга |
837 | 156 |
19 |
19 |
15 |
28 |
10 |
15 |
9 |
10 |
4 |
6 |
7 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
Короля делает свита |
2148 | 155 |
29 |
17 |
17 |
25 |
16 |
12 |
8 |
3 |
3 |
9 |
3 |
13 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
6 |
9 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
Достоевский и риторические вопросы (диатриба) |
520 | 155 |
17 |
20 |
20 |
25 |
18 |
17 |
5 |
8 |
3 |
5 |
4 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Страсть и поэзия |
1795 | 155 |
16 |
21 |
21 |
24 |
15 |
15 |
7 |
6 |
4 |
7 |
8 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
Пространство в живописи текста у Гоголя |
618 | 155 |
15 |
21 |
16 |
26 |
20 |
14 |
7 |
8 |
5 |
4 |
8 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Был ли влюблен Иван Васильевич в Вареньку? |
449 | 155 |
18 |
14 |
16 |
21 |
19 |
16 |
9 |
7 |
2 |
9 |
8 |
16 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
Совенок |
3554 | 155 |
12 |
19 |
15 |
30 |
7 |
18 |
10 |
6 |
4 |
10 |
9 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
Кто в окошке. Сказочные звери |
3686 | 154 |
11 |
14 |
18 |
33 |
11 |
21 |
11 |
4 |
5 |
9 |
7 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
Собрание обратных цитат о любви |
2853 | 154 |
17 |
17 |
12 |
32 |
15 |
15 |
7 |
3 |
4 |
7 |
10 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Средства художественной изобразительности |
1413 | 154 |
15 |
19 |
24 |
27 |
13 |
12 |
7 |
4 |
3 |
8 |
11 |
11 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
Я начинаю обретать себя |
2286 | 154 |
30 |
13 |
12 |
28 |
9 |
14 |
7 |
6 |
3 |
8 |
8 |
16 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
11 |
1 |
5 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Литературоведение - наука или "Humanities and Arts"... |
2320 | 154 |
24 |
18 |
17 |
24 |
9 |
14 |
9 |
6 |
2 |
11 |
7 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
10 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1030 | 153 |
19 |
17 |
16 |
22 |
15 |
15 |
6 |
12 |
5 |
11 |
5 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
Дурное общество |
853 | 153 |
26 |
13 |
17 |
29 |
16 |
15 |
7 |
2 |
2 |
8 |
8 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
11 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
О чем поют сферы Гоголя |
776 | 153 |
22 |
15 |
16 |
26 |
9 |
19 |
10 |
5 |
4 |
6 |
8 |
13 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
Проблематика произведений. Богатство и бедность |
469 | 153 |
18 |
17 |
22 |
28 |
15 |
14 |
7 |
4 |
4 |
5 |
6 |
13 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
723 | 153 |
15 |
19 |
15 |
21 |
13 |
20 |
7 |
5 |
6 |
6 |
8 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
778 | 153 |
28 |
15 |
16 |
24 |
17 |
15 |
6 |
4 |
2 |
8 |
6 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
4 |
8 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
Все по Салтыкову-Щедрину! |
4167 | 153 |
13 |
24 |
16 |
26 |
7 |
20 |
7 |
5 |
8 |
6 |
8 |
13 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Государство и общество: бюрократизм и свобода от бюрократии |
3164 | 152 |
29 |
17 |
10 |
27 |
8 |
14 |
6 |
6 |
3 |
6 |
7 |
19 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
5 |
7 |
3 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
Смысл и убеждение |
2129 | 152 |
31 |
16 |
18 |
26 |
9 |
14 |
6 |
5 |
2 |
8 |
6 |
11 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
5 |
11 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
Социальные болезни Стихи.ру |
6879 | 152 |
13 |
19 |
14 |
26 |
9 |
19 |
9 |
5 |
3 |
9 |
11 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
Инструкция создателям искусственного разума |
2345 | 152 |
24 |
19 |
15 |
24 |
9 |
15 |
5 |
3 |
3 |
4 |
18 |
13 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
8 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Как работает поэтика абсурда |
4300 | 152 |
13 |
19 |
18 |
22 |
16 |
10 |
12 |
7 |
4 |
8 |
8 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
5 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
Чужая сказка |
2368 | 151 |
24 |
16 |
16 |
33 |
14 |
15 |
6 |
6 |
3 |
7 |
3 |
8 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
8 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
Эпилог |
275 | 151 |
15 |
23 |
19 |
25 |
16 |
14 |
6 |
5 |
3 |
6 |
6 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
Классицизм |
362 | 151 |
13 |
14 |
18 |
27 |
14 |
17 |
8 |
4 |
4 |
9 |
8 |
15 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Маркетинг науки, или Научный маркетинг |
2894 | 151 |
11 |
20 |
17 |
27 |
19 |
13 |
5 |
5 |
4 |
9 |
9 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Лимерик |
2183 | 151 |
29 |
20 |
13 |
25 |
14 |
14 |
5 |
4 |
4 |
5 |
5 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
5 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Заголовок |
273 | 151 |
16 |
22 |
19 |
28 |
15 |
15 |
6 |
4 |
3 |
6 |
5 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
6 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
Проклятое место, проклятые вопросы |
2996 | 151 |
17 |
24 |
16 |
22 |
8 |
20 |
9 |
5 |
3 |
7 |
6 |
14 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Конек-горбунок |
867 | 150 |
19 |
18 |
15 |
27 |
16 |
16 |
9 |
3 |
4 |
5 |
5 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
Базаров |
828 | 150 |
13 |
26 |
14 |
25 |
18 |
15 |
7 |
6 |
1 |
7 |
8 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
4 |
3 |
0 |
4 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
Утенок |
4406 | 150 |
13 |
17 |
15 |
32 |
10 |
18 |
8 |
6 |
5 |
5 |
8 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
Популярные стили в изображении Гоголя |
298 | 150 |
25 |
17 |
16 |
27 |
14 |
13 |
5 |
4 |
2 |
6 |
5 |
16 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
10 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
0 |
0 |
Хлестаков и Печорин |
1209 | 150 |
16 |
20 |
21 |
25 |
14 |
17 |
4 |
6 |
3 |
4 |
6 |
14 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2264 | 150 |
14 |
23 |
16 |
26 |
15 |
17 |
5 |
4 |
4 |
7 |
5 |
14 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
Молчание - литературная преемственность |
569 | 150 |
32 |
19 |
18 |
19 |
11 |
15 |
4 |
6 |
3 |
7 |
6 |
10 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
4 |
8 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
Сила детской публицистики |
1249 | 150 |
18 |
17 |
16 |
26 |
11 |
17 |
6 |
8 |
7 |
8 |
6 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
348 | 149 |
17 |
21 |
17 |
22 |
16 |
14 |
7 |
7 |
1 |
9 |
4 |
14 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
Методология работы критика над текстом |
2343 | 149 |
14 |
18 |
17 |
22 |
12 |
15 |
9 |
8 |
4 |
9 |
9 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
Киев старый и новый |
2184 | 148 |
12 |
21 |
16 |
28 |
10 |
20 |
6 |
6 |
7 |
4 |
11 |
7 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
Отчуждение |
1050 | 148 |
17 |
28 |
15 |
29 |
10 |
18 |
4 |
2 |
2 |
4 |
10 |
9 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
Теософия и поэзия |
923 | 148 |
16 |
14 |
25 |
20 |
13 |
15 |
7 |
7 |
5 |
7 |
5 |
14 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
Литературные пейзажи Толстого |
1120 | 148 |
23 |
16 |
21 |
21 |
18 |
12 |
5 |
8 |
0 |
9 |
5 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
11 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
Неравный брак (лунное) |
736 | 148 |
26 |
15 |
14 |
27 |
9 |
18 |
3 |
2 |
5 |
5 |
7 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
5 |
7 |
4 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Постновогодний синдром |
496 | 148 |
28 |
15 |
14 |
25 |
13 |
16 |
7 |
3 |
3 |
4 |
8 |
12 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
10 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Отражение. Две рецензии на стихи Феликса Когана |
3266 | 148 |
12 |
17 |
19 |
23 |
17 |
13 |
6 |
6 |
4 |
10 |
7 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
Письмо Татьяны. Общие места - романтизмы |
531 | 147 |
16 |
16 |
14 |
25 |
17 |
18 |
7 |
6 |
4 |
4 |
8 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
Кто виноват и что делать? Проклятые вопросы в |
324 | 147 |
17 |
18 |
13 |
27 |
12 |
18 |
6 |
5 |
5 |
6 |
6 |
14 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Советы |
2264 | 147 |
10 |
21 |
15 |
25 |
14 |
16 |
7 |
6 |
4 |
7 |
12 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Каким должен быть правитель |
392 | 147 |
14 |
20 |
10 |
22 |
12 |
18 |
6 |
6 |
3 |
10 |
14 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Лисенок в курятнике Стихи.ру |
5870 | 147 |
15 |
22 |
15 |
21 |
14 |
14 |
9 |
7 |
5 |
5 |
13 |
7 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Белая ворона |
2235 | 147 |
12 |
15 |
15 |
28 |
11 |
16 |
2 |
6 |
4 |
12 |
11 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
1 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3293 | 146 |
15 |
20 |
15 |
28 |
10 |
19 |
5 |
7 |
2 |
7 |
7 |
11 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
Долой ыгэ! |
513 | 146 |
9 |
31 |
17 |
20 |
19 |
12 |
3 |
4 |
3 |
6 |
8 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
Ленин как поэт Серебряного века |
1212 | 146 |
12 |
19 |
15 |
27 |
13 |
12 |
5 |
6 |
4 |
10 |
12 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
Пушкин |
5888 | 146 |
13 |
24 |
13 |
22 |
15 |
15 |
9 |
6 |
2 |
9 |
6 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Атрибуты беса |
2959 | 145 |
15 |
16 |
18 |
24 |
6 |
17 |
5 |
9 |
3 |
9 |
8 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Смех без причины |
2524 | 145 |
13 |
19 |
20 |
31 |
5 |
13 |
6 |
3 |
7 |
6 |
7 |
15 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
Паломничество убогой (2 редакция) |
386 | 145 |
12 |
25 |
13 |
25 |
8 |
20 |
5 |
6 |
3 |
7 |
12 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
Диалектика пути |
2619 | 145 |
17 |
18 |
15 |
31 |
9 |
16 |
7 |
2 |
2 |
7 |
8 |
13 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
Реформы Путина и моя им гегельянская поддержка |
2624 | 145 |
15 |
20 |
16 |
25 |
8 |
19 |
5 |
5 |
2 |
12 |
6 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
Мастер и Маргарита. Кто написал притчу? |
973 | 145 |
17 |
18 |
19 |
21 |
14 |
16 |
5 |
8 |
2 |
9 |
7 |
9 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
0 |
Монтаж у Гоголя и Алексиевич |
623 | 145 |
16 |
15 |
19 |
25 |
13 |
13 |
4 |
7 |
5 |
3 |
6 |
19 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
Воинство Сергия Радонежского |
4257 | 145 |
12 |
21 |
18 |
26 |
12 |
11 |
7 |
6 |
0 |
11 |
10 |
11 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
4 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
Сеть и чудаки |
2808 | 145 |
15 |
21 |
12 |
22 |
12 |
21 |
8 |
4 |
4 |
4 |
9 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
5 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1215 | 145 |
14 |
16 |
22 |
21 |
13 |
15 |
11 |
4 |
1 |
9 |
9 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
Хельга Ольшванг в новом веке |
761 | 144 |
14 |
20 |
12 |
19 |
18 |
13 |
9 |
2 |
4 |
5 |
11 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
Миф о времени |
2266 | 144 |
13 |
19 |
20 |
21 |
9 |
21 |
5 |
4 |
4 |
6 |
9 |
13 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
Романтизм |
368 | 144 |
16 |
15 |
20 |
26 |
14 |
15 |
5 |
8 |
3 |
7 |
4 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Модель романа-эпопеи |
828 | 144 |
18 |
15 |
18 |
28 |
13 |
13 |
7 |
4 |
4 |
7 |
8 |
9 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
Убийственная преданность. Введение в чтение Пушкина |
599 | 144 |
12 |
21 |
17 |
27 |
13 |
14 |
6 |
6 |
2 |
9 |
6 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
Клопы от Фейербаха |
2989 | 143 |
15 |
17 |
19 |
20 |
5 |
22 |
10 |
4 |
4 |
7 |
10 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
Ведение в чтение Гоголя. Шинель |
880 | 143 |
16 |
17 |
15 |
25 |
13 |
15 |
8 |
6 |
3 |
7 |
6 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
Совет- не любовь |
2504 | 143 |
15 |
18 |
10 |
24 |
12 |
19 |
5 |
5 |
6 |
10 |
7 |
12 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
+7 |
2038 | 142 |
20 |
16 |
16 |
19 |
11 |
18 |
9 |
8 |
3 |
5 |
6 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
"Хлыстовская богородица" Маяковского |
1197 | 142 |
13 |
19 |
18 |
21 |
13 |
16 |
9 |
7 |
0 |
5 |
11 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
Легенда о великом инквизиторе |
917 | 142 |
14 |
17 |
17 |
27 |
11 |
18 |
7 |
8 |
4 |
3 |
6 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
Ведение в чтение Гоголя |
741 | 142 |
16 |
13 |
16 |
29 |
14 |
16 |
7 |
3 |
3 |
9 |
3 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
Байрон - предтеча русского реализма |
646 | 142 |
14 |
22 |
14 |
26 |
12 |
18 |
6 |
5 |
1 |
5 |
7 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
19 августа 1991 года |
2237 | 142 |
13 |
18 |
14 |
20 |
14 |
13 |
8 |
7 |
4 |
6 |
13 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
Форум в контексте книги |
2918 | 142 |
14 |
18 |
20 |
18 |
14 |
17 |
6 |
5 |
3 |
7 |
8 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
Доказательство несовершенства Бога |
2497 | 142 |
16 |
19 |
11 |
34 |
8 |
18 |
4 |
3 |
1 |
8 |
6 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
Ангел в круге десятом |
640 | 142 |
19 |
20 |
20 |
23 |
12 |
14 |
4 |
3 |
4 |
6 |
8 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
Необходимое или цель - искусство? |
571 | 142 |
26 |
24 |
11 |
21 |
15 |
12 |
3 |
4 |
6 |
5 |
8 |
7 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
5 |
7 |
2 |
1 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
Государство и общество: свобода и необходимость |
4819 | 141 |
16 |
16 |
19 |
22 |
9 |
14 |
9 |
3 |
2 |
10 |
9 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
О чем умолчал в своем докладе доктор Борменталь |
540 | 141 |
8 |
20 |
15 |
18 |
13 |
19 |
7 |
7 |
5 |
7 |
10 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
Сексуальность Гоголя |
594 | 141 |
14 |
14 |
15 |
20 |
14 |
19 |
7 |
5 |
2 |
8 |
9 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
Крочечка Хаврошечка |
605 | 141 |
15 |
17 |
11 |
31 |
12 |
17 |
8 |
3 |
3 |
6 |
8 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
Молодежь и общество потребления |
3592 | 141 |
15 |
21 |
16 |
25 |
5 |
16 |
6 |
9 |
3 |
9 |
6 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
"Добрый Филя" и проекция собеседника |
591 | 126 |
13 |
14 |
14 |
22 |
14 |
18 |
4 |
4 |
2 |
4 |
6 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
"Детство" и уход из Ясной поляны |
282 | 126 |
17 |
16 |
14 |
21 |
16 |
13 |
5 |
3 |
2 |
4 |
5 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
Менеджеры и профессионалы |
2134 | 126 |
25 |
18 |
16 |
17 |
10 |
12 |
4 |
4 |
1 |
8 |
5 |
6 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
5 |
6 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
Возможен ли герой нашего времени? |
499 | 125 |
14 |
16 |
13 |
23 |
7 |
19 |
4 |
4 |
2 |
9 |
8 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
Ну и реклама сейчас у Проханова |
1938 | 125 |
14 |
18 |
8 |
23 |
14 |
13 |
3 |
4 |
6 |
7 |
8 |
7 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
К проблеме Израиля |
1206 | 125 |
11 |
16 |
13 |
25 |
11 |
12 |
3 |
5 |
2 |
7 |
6 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2037 | 125 |
14 |
14 |
15 |
23 |
9 |
11 |
7 |
5 |
2 |
14 |
4 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
Онтологическое обоснование гения эпохи |
1096 | 125 |
13 |
11 |
21 |
20 |
13 |
13 |
5 |
6 |
3 |
7 |
6 |
7 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
3 |
3 |
2 |
0 |
0 |
Государыня Россия |
2195 | 124 |
14 |
16 |
15 |
21 |
11 |
8 |
6 |
5 |
3 |
7 |
8 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Преодоление расы |
1279 | 124 |
11 |
16 |
10 |
19 |
13 |
16 |
5 |
5 |
1 |
8 |
7 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Деление на невозможность |
1946 | 123 |
12 |
16 |
13 |
23 |
13 |
12 |
5 |
3 |
3 |
7 |
5 |
11 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
Бы да кабы |
715 | 122 |
12 |
15 |
18 |
18 |
11 |
11 |
4 |
5 |
4 |
7 |
5 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
"Шиповник цветет" - не сжигай |
537 | 121 |
13 |
16 |
14 |
17 |
15 |
14 |
5 |
5 |
1 |
5 |
7 |
9 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
"Сретенье " Бродского как трансляция |
417 | 121 |
12 |
14 |
17 |
20 |
10 |
15 |
7 |
4 |
1 |
6 |
7 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
День 7 ноября |
787 | 120 |
13 |
18 |
10 |
22 |
12 |
11 |
6 |
3 |
1 |
9 |
5 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Удача и капуста |
2264 | 119 |
11 |
17 |
11 |
19 |
8 |
15 |
4 |
4 |
1 |
8 |
12 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
Радио Свобода, Цру и великая русская литература |
2303 | 118 |
16 |
12 |
17 |
17 |
7 |
12 |
4 |
4 |
2 |
9 |
6 |
12 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
Литературоведение, рабство и пенсионная реформа |
930 | 118 |
15 |
15 |
15 |
17 |
10 |
9 |
4 |
4 |
2 |
7 |
7 |
13 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
Незабудки |
57 | 57 |
57 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
1 |
5 |
4 |
6 |
3 |
6 |
13 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |