| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
По разделу |
320723 | 1078 |
194 |
87 |
92 |
78 |
79 |
79 |
73 |
79 |
91 |
94 |
82 |
50 |
0 |
4 |
2 |
3 |
8 |
5 |
7 |
3 |
6 |
11 |
6 |
3 |
5 |
8 |
25 |
22 |
17 |
15 |
2 |
2 |
6 |
4 |
5 |
3 |
3 |
3 |
3 |
4 |
2 |
5 |
2 |
2 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
4 |
2 |
3 |
2 |
2 |
2 |
1 |
4 |
7 |
4 |
2 |
2 |
5 |
2 |
2 |
2 |
2 |
3 |
2 |
3 |
4 |
1 |
3 |
Графики Самары |
2030 | 485 |
50 |
58 |
55 |
46 |
36 |
23 |
24 |
37 |
34 |
36 |
58 |
28 |
0 |
1 |
2 |
1 |
5 |
0 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
5 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
0 |
2 |
2 |
0 |
2 |
1 |
4 |
7 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
3 |
2 |
3 |
2 |
0 |
2 |
Кутяков Сергей. Династия Кутяковых. Простая история |
1801 | 243 |
31 |
24 |
24 |
20 |
19 |
21 |
16 |
18 |
25 |
23 |
18 |
4 |
0 |
1 |
2 |
1 |
4 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
Дина Богусонова. Амазонка неоабстракционизма |
2640 | 215 |
28 |
23 |
20 |
25 |
21 |
16 |
15 |
12 |
16 |
21 |
12 |
6 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
Самаринкина Алиса. Из чего же вырастают художники? |
2364 | 211 |
34 |
25 |
22 |
19 |
13 |
13 |
15 |
10 |
17 |
23 |
17 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Самарские графики. Живое наследие |
1189 | 199 |
36 |
19 |
24 |
13 |
7 |
11 |
13 |
16 |
19 |
14 |
21 |
6 |
0 |
1 |
1 |
0 |
2 |
5 |
5 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
Образ и время в советской живописи 30-х годов |
1358 | 184 |
32 |
17 |
17 |
13 |
13 |
11 |
16 |
17 |
12 |
21 |
9 |
6 |
0 |
1 |
1 |
2 |
0 |
1 |
4 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
Виноградова Анна. Блеск национальной романтики |
1474 | 180 |
23 |
12 |
21 |
16 |
15 |
8 |
10 |
17 |
23 |
20 |
10 |
5 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
604 | 179 |
28 |
14 |
24 |
10 |
16 |
14 |
17 |
14 |
20 |
16 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
6 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Георгий Кикин.Женщины,подруги и ню |
975 | 171 |
35 |
19 |
20 |
14 |
15 |
20 |
7 |
6 |
13 |
10 |
7 |
5 |
0 |
2 |
0 |
1 |
3 |
4 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
Сергей Цедилов - мастер книги |
1368 | 163 |
28 |
20 |
16 |
12 |
6 |
13 |
12 |
9 |
13 |
22 |
10 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Станислав Щеглов |
577 | 160 |
18 |
16 |
7 |
11 |
8 |
7 |
14 |
20 |
35 |
10 |
12 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Карэн Саркисов |
2151 | 160 |
20 |
10 |
11 |
11 |
8 |
13 |
16 |
20 |
17 |
17 |
11 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Художник Вадим Петрович Свешников |
436 | 160 |
28 |
17 |
10 |
10 |
11 |
9 |
14 |
16 |
17 |
12 |
15 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
Валентин Белоусов. Творчество |
3013 | 159 |
19 |
16 |
28 |
10 |
8 |
11 |
12 |
13 |
12 |
16 |
12 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Свечников Владимир |
598 | 158 |
23 |
16 |
11 |
12 |
7 |
12 |
13 |
15 |
12 |
27 |
8 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
Палех. Маленькие шедевры |
1453 | 156 |
22 |
15 |
7 |
8 |
9 |
4 |
15 |
10 |
22 |
22 |
13 |
9 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
Юрий Скачков |
1065 | 155 |
24 |
18 |
22 |
16 |
9 |
9 |
14 |
12 |
11 |
12 |
6 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
Карпунов Иван. Я всегда хотел быть художником |
2413 | 154 |
21 |
11 |
16 |
22 |
8 |
8 |
14 |
13 |
11 |
16 |
8 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Валентин Пурыгин. Мифы о художнике |
1687 | 153 |
21 |
13 |
13 |
12 |
10 |
14 |
13 |
13 |
13 |
16 |
12 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Портрет семьи в советской живописи.20век |
1005 | 150 |
20 |
12 |
17 |
8 |
14 |
4 |
9 |
8 |
16 |
18 |
13 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Передвижники и портретный жанр |
531 | 150 |
30 |
12 |
10 |
12 |
8 |
7 |
7 |
13 |
19 |
15 |
15 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Геннадий Филатов.Мастер видового пейзажа |
1104 | 150 |
22 |
15 |
12 |
15 |
5 |
13 |
9 |
9 |
18 |
18 |
9 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
Портрет семьи в русской живописи 18-19вв |
675 | 147 |
20 |
15 |
17 |
11 |
8 |
11 |
13 |
12 |
15 |
7 |
12 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2361 | 142 |
22 |
6 |
15 |
13 |
10 |
12 |
14 |
15 |
12 |
15 |
7 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Константин Коровин. Моцарт русской живописи |
2063 | 141 |
25 |
11 |
9 |
9 |
9 |
9 |
12 |
11 |
22 |
13 |
6 |
5 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Южанин Сергей |
138 | 138 |
25 |
10 |
19 |
12 |
51 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Счастливый мир детства в зеркале русской живописи |
3478 | 138 |
15 |
8 |
17 |
12 |
12 |
8 |
9 |
15 |
11 |
15 |
11 |
5 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Бакумов Вячеслав летописец нашей жизни |
137 | 137 |
137 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
8 |
2 |
3 |
1 |
6 |
11 |
6 |
3 |
5 |
8 |
25 |
22 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Уильям Хогарт -основатель английской живописи |
1759 | 136 |
19 |
14 |
17 |
10 |
10 |
13 |
10 |
10 |
12 |
11 |
6 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Артур Фонвизин |
1000 | 135 |
26 |
16 |
11 |
10 |
7 |
9 |
12 |
10 |
14 |
11 |
6 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
Карл Брюллов - наследие из Петербурга |
1776 | 135 |
26 |
10 |
18 |
6 |
9 |
8 |
11 |
9 |
19 |
9 |
7 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Городу модерна - Музей Модерна |
2187 | 135 |
25 |
11 |
9 |
6 |
8 |
7 |
13 |
14 |
17 |
15 |
6 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Ю.И.Филиппов художник - жизнелюб |
1330 | 135 |
25 |
11 |
15 |
8 |
12 |
12 |
13 |
10 |
8 |
12 |
9 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Западоевропейское искусство в собрании Сохм |
2206 | 134 |
20 |
20 |
13 |
11 |
9 |
4 |
4 |
3 |
11 |
19 |
13 |
7 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
Оттепель 60х в искусстве.Все оттенки оттепели |
1550 | 133 |
21 |
9 |
12 |
11 |
11 |
8 |
12 |
15 |
7 |
14 |
6 |
7 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Марко Грасси и его Персонажи |
2822 | 133 |
20 |
15 |
11 |
6 |
7 |
10 |
12 |
8 |
16 |
17 |
7 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
Иван Комиссаров.Красота и восторг как необходимость для художника |
2515 | 133 |
22 |
6 |
13 |
8 |
10 |
8 |
11 |
11 |
13 |
11 |
12 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Шульпин Михаил. Образ Венеции для России |
2006 | 133 |
19 |
8 |
15 |
11 |
9 |
10 |
8 |
13 |
9 |
20 |
6 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Арон Бух. главное его достижение - свобода |
948 | 133 |
21 |
8 |
9 |
5 |
8 |
10 |
22 |
12 |
15 |
12 |
9 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Вилковы.На нашей маленькой земле |
2111 | 119 |
17 |
13 |
14 |
9 |
5 |
5 |
12 |
5 |
15 |
13 |
8 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
1990 | 119 |
19 |
7 |
12 |
10 |
10 |
6 |
12 |
8 |
13 |
11 |
9 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1439 | 119 |
19 |
11 |
15 |
6 |
11 |
8 |
11 |
9 |
9 |
14 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Е.Поленова и М.Якунчикова творительницы красоты |
361 | 118 |
23 |
9 |
8 |
7 |
5 |
3 |
3 |
12 |
17 |
11 |
11 |
9 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Вадим Сушко.Я люблю судьбу свою |
2479 | 118 |
19 |
11 |
12 |
10 |
6 |
2 |
8 |
6 |
9 |
14 |
14 |
7 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Маковские. Братья |
737 | 118 |
16 |
15 |
12 |
7 |
6 |
8 |
10 |
9 |
12 |
14 |
8 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
6. Василий Ващенко. Рассказы музейного человечка |
726 | 117 |
21 |
17 |
17 |
8 |
6 |
4 |
8 |
8 |
9 |
10 |
7 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Сергей Шнуров про брендреализм |
1023 | 117 |
16 |
11 |
15 |
8 |
7 |
8 |
12 |
13 |
9 |
11 |
2 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Владимир Романов.Портреты и акварели |
1012 | 116 |
19 |
10 |
11 |
8 |
7 |
7 |
13 |
8 |
11 |
12 |
7 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Женя Бабушкин.Пыльные цветы |
2016 | 116 |
15 |
12 |
10 |
10 |
6 |
5 |
8 |
5 |
7 |
16 |
16 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Мария Бабич.Молодые голоса в стиле фьюжн |
1645 | 114 |
19 |
10 |
8 |
4 |
11 |
3 |
15 |
8 |
13 |
12 |
7 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1280 | 114 |
14 |
11 |
20 |
7 |
8 |
7 |
9 |
4 |
10 |
14 |
5 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
5.Людмила Петтоки. Рассказы музейного человечка |
641 | 113 |
23 |
16 |
13 |
7 |
6 |
6 |
8 |
3 |
10 |
11 |
7 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
Альфред фон Вакано. Саркофаг из египетской коллекции |
399 | 113 |
17 |
9 |
16 |
6 |
9 |
8 |
7 |
4 |
12 |
16 |
6 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Павел Филонов и его механика Вселенной |
1342 | 113 |
19 |
10 |
9 |
9 |
6 |
6 |
9 |
13 |
11 |
13 |
6 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Солдат Победы. История жизни |
2379 | 113 |
24 |
11 |
13 |
6 |
6 |
8 |
6 |
8 |
11 |
9 |
6 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2163 | 113 |
22 |
8 |
10 |
7 |
9 |
5 |
10 |
8 |
11 |
12 |
7 |
4 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Коновалов Ген Гри -художник 20 века |
1695 | 111 |
24 |
13 |
11 |
5 |
5 |
5 |
10 |
11 |
10 |
11 |
4 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Восток в Сохм |
1515 | 111 |
14 |
11 |
12 |
8 |
6 |
6 |
10 |
9 |
7 |
14 |
7 |
7 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Кулебакин Николай |
484 | 110 |
22 |
17 |
12 |
3 |
7 |
9 |
7 |
10 |
9 |
8 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Н.Какошкина и В. Рябцев. Уходящая натура |
1770 | 110 |
17 |
9 |
13 |
7 |
7 |
5 |
8 |
7 |
12 |
13 |
7 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Игорь Петров Гений места |
1499 | 109 |
17 |
10 |
12 |
8 |
10 |
3 |
6 |
5 |
16 |
9 |
12 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Дхш им Марка Шагала -30 лет |
609 | 109 |
16 |
10 |
13 |
5 |
6 |
3 |
14 |
6 |
15 |
10 |
8 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Станислав Федоров |
1313 | 109 |
17 |
7 |
10 |
4 |
8 |
5 |
10 |
13 |
13 |
11 |
10 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Бородачев Юрий Петрович. Вспоминая современника |
900 | 108 |
17 |
11 |
13 |
10 |
8 |
2 |
10 |
5 |
11 |
8 |
11 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Информация о владельце раздела |
1958 | 108 |
22 |
11 |
10 |
7 |
5 |
3 |
7 |
6 |
11 |
11 |
11 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
Валерий Самаринкин.Дорога к храму |
415 | 108 |
19 |
11 |
13 |
7 |
16 |
7 |
6 |
3 |
9 |
10 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1. Чернова Валентина.Пленники искусства |
2443 | 107 |
17 |
8 |
13 |
7 |
6 |
8 |
8 |
11 |
12 |
8 |
5 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Эрбштейн Борис.Часть вторая |
430 | 107 |
20 |
12 |
11 |
5 |
5 |
6 |
9 |
13 |
8 |
10 |
7 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Елена Макеева. Стремительная живопись |
2058 | 107 |
18 |
6 |
14 |
4 |
4 |
5 |
10 |
4 |
14 |
16 |
9 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Любить жизнь глазами Виктора Новокрещенова |
2771 | 107 |
20 |
13 |
12 |
8 |
5 |
7 |
7 |
6 |
10 |
10 |
8 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Бойчукисты в Самаре |
2168 | 106 |
19 |
9 |
9 |
8 |
7 |
9 |
7 |
9 |
10 |
11 |
4 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Панкратов Василий - портретист |
698 | 105 |
14 |
14 |
10 |
6 |
6 |
4 |
10 |
6 |
16 |
11 |
6 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Юферев Геннадий |
410 | 105 |
20 |
14 |
11 |
6 |
3 |
5 |
8 |
6 |
9 |
13 |
7 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1646 | 104 |
20 |
8 |
10 |
7 |
7 |
7 |
9 |
9 |
10 |
10 |
3 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Левитан и его современники |
1051 | 104 |
27 |
8 |
17 |
7 |
5 |
3 |
3 |
3 |
13 |
13 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Арнольд Лаховский.Наследие Эмигранта |
2019 | 104 |
24 |
10 |
6 |
7 |
8 |
3 |
7 |
8 |
15 |
5 |
7 |
4 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Острецов Анатолий -художник наблюдатель |
1964 | 104 |
19 |
11 |
16 |
4 |
5 |
5 |
3 |
5 |
13 |
14 |
7 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
В.Герасимов -монументалист,живописец,график |
1388 | 103 |
15 |
8 |
11 |
7 |
9 |
6 |
5 |
6 |
10 |
15 |
10 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Николай Вдовкин и Ирина Елизарова.Эмали |
1803 | 103 |
16 |
9 |
9 |
8 |
10 |
4 |
4 |
6 |
10 |
17 |
6 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
В Лабиринте книжной иллюстрации |
1863 | 102 |
16 |
11 |
10 |
5 |
10 |
8 |
5 |
9 |
14 |
7 |
3 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Время волшебников, кукольники |
2253 | 102 |
22 |
7 |
10 |
6 |
5 |
3 |
6 |
5 |
7 |
14 |
2 |
15 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Дмитрий Кондратьев |
1092 | 102 |
16 |
10 |
9 |
8 |
4 |
5 |
8 |
5 |
15 |
11 |
8 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Самара в творчестве семидесятников |
2284 | 102 |
16 |
8 |
7 |
9 |
10 |
2 |
6 |
8 |
13 |
11 |
6 |
6 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
Эрбштейн Борис. Часть первая |
534 | 101 |
20 |
9 |
15 |
5 |
6 |
5 |
8 |
8 |
10 |
7 |
6 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Европейские фаянсы 18 века в собрании Сохм |
1658 | 101 |
13 |
7 |
14 |
6 |
7 |
5 |
6 |
7 |
12 |
12 |
8 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Волжский самовар в экзистенциальных поисках |
888 | 100 |
18 |
8 |
10 |
4 |
5 |
6 |
5 |
13 |
11 |
10 |
7 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1592 | 100 |
19 |
13 |
8 |
6 |
7 |
1 |
8 |
6 |
10 |
14 |
5 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
Олег Рамодин -творец сказочной вселенной |
1967 | 100 |
18 |
9 |
12 |
7 |
7 |
7 |
8 |
6 |
14 |
8 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Станислав Федоров. Графика |
1063 | 100 |
14 |
10 |
14 |
7 |
6 |
4 |
9 |
9 |
14 |
7 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
1881 | 100 |
19 |
7 |
12 |
9 |
6 |
3 |
9 |
2 |
10 |
14 |
9 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
В.Пентюх и Н.Непьянова.Образ Отечества |
1890 | 99 |
21 |
10 |
10 |
10 |
5 |
5 |
6 |
5 |
10 |
13 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Рерих и его держава на долгую память |
1643 | 99 |
19 |
8 |
8 |
7 |
6 |
6 |
8 |
11 |
10 |
10 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2338 | 99 |
14 |
9 |
9 |
3 |
6 |
6 |
8 |
5 |
9 |
15 |
5 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
100 картин из Оренбурга для Самары |
1931 | 98 |
23 |
8 |
12 |
2 |
6 |
4 |
8 |
7 |
10 |
12 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
Степан Эрьзя - русский Роден ? |
2637 | 98 |
19 |
7 |
10 |
8 |
4 |
4 |
9 |
7 |
10 |
10 |
6 |
4 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Михаил Нестеров.Внутренняя жизнь и красота духа |
1939 | 98 |
12 |
10 |
14 |
6 |
6 |
4 |
5 |
6 |
7 |
18 |
6 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Альфред фон Вакано. Его музей |
443 | 98 |
15 |
10 |
12 |
7 |
9 |
8 |
5 |
6 |
11 |
9 |
4 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Самарский художественный музей. Дары |
969 | 98 |
17 |
10 |
13 |
5 |
8 |
3 |
5 |
4 |
10 |
15 |
5 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Валентина Крушинина.Своя тема |
1508 | 98 |
16 |
8 |
11 |
7 |
6 |
4 |
8 |
10 |
8 |
12 |
6 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Портретная галерея "Сыны Отечества" |
2172 | 97 |
16 |
6 |
13 |
8 |
9 |
5 |
7 |
4 |
8 |
15 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
С любовью из Крыма". Выставка |
1791 | 97 |
15 |
7 |
12 |
5 |
6 |
5 |
6 |
7 |
12 |
14 |
7 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Гобелены - славное ремесло из старого Парижа |
2625 | 97 |
16 |
10 |
7 |
7 |
5 |
3 |
4 |
6 |
13 |
14 |
8 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
Егорова Любовь. Творчество под знаком воздуха и потока |
832 | 96 |
16 |
11 |
6 |
10 |
6 |
4 |
8 |
5 |
13 |
9 |
4 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Рассказы из прошлого века |
2312 | 95 |
13 |
9 |
15 |
5 |
5 |
6 |
3 |
7 |
13 |
10 |
7 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Дневник влюбленного предпринимателя |
2678 | 95 |
20 |
9 |
8 |
7 |
7 |
2 |
10 |
5 |
12 |
8 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
Запечатленное время в мировоззрении поколения семидесятых |
1887 | 95 |
20 |
12 |
9 |
6 |
4 |
1 |
6 |
11 |
9 |
9 |
7 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Андрей Бодров -мастер сухой иглы |
1552 | 95 |
12 |
10 |
11 |
5 |
7 |
4 |
10 |
9 |
8 |
9 |
7 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Наталья Шепелева. Мастер детского портрета |
1752 | 94 |
19 |
9 |
15 |
4 |
3 |
3 |
7 |
5 |
7 |
17 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Юлия Кузнецова.Игры Солнца и теней |
1438 | 94 |
18 |
16 |
6 |
6 |
6 |
5 |
9 |
7 |
7 |
9 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
Акварель -хорошая девка |
1963 | 94 |
14 |
8 |
13 |
5 |
5 |
4 |
9 |
4 |
11 |
11 |
4 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Маргарита Бортникова. Кружево |
1950 | 94 |
20 |
6 |
9 |
5 |
4 |
7 |
4 |
4 |
11 |
16 |
6 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Анна Голубкина - русский гений |
570 | 94 |
18 |
9 |
11 |
6 |
5 |
5 |
6 |
8 |
9 |
10 |
5 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Выставка к 100 -летию революции |
1112 | 94 |
15 |
12 |
13 |
4 |
7 |
3 |
4 |
6 |
10 |
12 |
6 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Карнавал в искусстве. Посвящение |
1204 | 92 |
13 |
8 |
10 |
3 |
7 |
4 |
3 |
7 |
14 |
15 |
5 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Шепелева Наталья.Цели и грезы |
372 | 92 |
16 |
8 |
10 |
6 |
3 |
6 |
3 |
4 |
15 |
14 |
6 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Евгений Штыров.По дорогам Древней Руси |
796 | 92 |
16 |
10 |
15 |
4 |
4 |
6 |
8 |
5 |
9 |
6 |
6 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
1832 | 91 |
19 |
10 |
12 |
10 |
5 |
1 |
2 |
5 |
9 |
12 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
1882 | 91 |
25 |
10 |
12 |
3 |
5 |
2 |
6 |
2 |
10 |
9 |
6 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
Великие модернисты. Взгляд Artmedia Plei |
1544 | 90 |
16 |
5 |
14 |
9 |
5 |
3 |
5 |
11 |
13 |
6 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Юлия Кузнецова ее пленэрная живопись |
1687 | 90 |
19 |
8 |
6 |
6 |
6 |
3 |
9 |
9 |
11 |
8 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Летние вернисажи |
1567 | 89 |
15 |
7 |
10 |
6 |
6 |
2 |
6 |
5 |
14 |
11 |
6 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Художественное образование в Самаре |
671 | 89 |
18 |
11 |
11 |
7 |
3 |
3 |
5 |
6 |
11 |
11 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Кукольный марш |
1994 | 89 |
17 |
12 |
13 |
6 |
3 |
5 |
4 |
3 |
9 |
9 |
4 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Ковалева Дина и ее теория Красоты |
625 | 89 |
16 |
9 |
11 |
2 |
4 |
4 |
5 |
6 |
15 |
11 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Посвящается Франции |
1786 | 89 |
13 |
8 |
9 |
3 |
5 |
2 |
5 |
4 |
11 |
22 |
5 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Туман Жумабаев. Свет старой Самары |
1957 | 89 |
16 |
8 |
14 |
4 |
5 |
4 |
6 |
6 |
11 |
11 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Выставка.Лицо старого дома.Самара |
1472 | 88 |
13 |
9 |
10 |
10 |
4 |
4 |
9 |
6 |
11 |
9 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1742 | 88 |
21 |
7 |
10 |
3 |
5 |
4 |
7 |
5 |
10 |
11 |
5 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Концептуалисты. Увидели и живем,или повидали и оживились |
1610 | 88 |
18 |
8 |
10 |
7 |
6 |
4 |
8 |
2 |
10 |
9 |
5 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Кукольная страна |
2465 | 88 |
13 |
6 |
7 |
3 |
3 |
3 |
4 |
6 |
15 |
13 |
12 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
1893 | 88 |
16 |
9 |
11 |
3 |
8 |
4 |
8 |
3 |
11 |
8 |
4 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Хохлова Наталья |
284 | 88 |
14 |
8 |
10 |
7 |
4 |
5 |
7 |
5 |
10 |
12 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Рецензия на серию книг Артема Каменистого - "Девятый" |
1691 | 87 |
18 |
9 |
7 |
4 |
7 |
2 |
7 |
4 |
11 |
13 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Мужская гостиная в Музее Модерна |
1718 | 87 |
17 |
10 |
11 |
5 |
3 |
0 |
7 |
5 |
17 |
7 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Лариса Кондратова. Валяние не Валенков |
2232 | 86 |
13 |
10 |
10 |
5 |
5 |
5 |
4 |
4 |
9 |
15 |
6 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2. Чернова Валентина. В мастерской художника |
2054 | 86 |
12 |
8 |
7 |
6 |
5 |
4 |
6 |
9 |
12 |
10 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2025 | 86 |
17 |
8 |
9 |
6 |
3 |
3 |
8 |
6 |
11 |
6 |
6 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Выставка.Краски Солнцеворота |
1583 | 86 |
18 |
6 |
9 |
5 |
8 |
3 |
3 |
7 |
13 |
11 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Семейные ценности из Росизо |
1199 | 85 |
11 |
5 |
11 |
5 |
7 |
6 |
9 |
7 |
9 |
5 |
8 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1572 | 85 |
17 |
8 |
10 |
4 |
5 |
3 |
6 |
6 |
6 |
12 |
6 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
Альфред фон Вакано.Путешествие в Японию начинается |
381 | 85 |
22 |
9 |
9 |
7 |
5 |
3 |
4 |
6 |
6 |
8 |
4 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Тольятти.Союз художников |
367 | 85 |
15 |
10 |
9 |
7 |
3 |
3 |
5 |
10 |
7 |
8 |
5 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Аромат сластей над садами |
1962 | 85 |
14 |
8 |
14 |
7 |
5 |
2 |
3 |
5 |
12 |
10 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4. Рассказы музейного человечка. Похищение Курильщиков |
1853 | 84 |
12 |
8 |
9 |
9 |
5 |
3 |
6 |
6 |
14 |
9 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Все краски весенней выставки |
1165 | 84 |
13 |
8 |
10 |
4 |
6 |
4 |
4 |
8 |
10 |
8 |
7 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Мальвы самарского кэмпа |
2572 | 84 |
16 |
6 |
12 |
6 |
7 |
1 |
6 |
4 |
9 |
11 |
5 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Кустодиев.Наследие художника в живописи,графике и фотографии |
810 | 84 |
14 |
7 |
8 |
7 |
6 |
3 |
7 |
4 |
14 |
6 |
3 |
5 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Гений ар- деко. Эрте |
892 | 84 |
17 |
7 |
11 |
5 |
4 |
1 |
10 |
4 |
11 |
9 |
4 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Дина Богусонова.Эмали |
637 | 84 |
16 |
10 |
12 |
5 |
7 |
2 |
6 |
5 |
8 |
10 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Илья Репин, наше все? |
1741 | 84 |
20 |
6 |
7 |
6 |
3 |
4 |
6 |
6 |
9 |
9 |
7 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Галина Лемкова.Время города, мгновенья хайку |
1890 | 84 |
17 |
8 |
9 |
7 |
4 |
2 |
10 |
4 |
7 |
13 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Юрий Филиппов. Паломники в Древнюю Русь |
1547 | 84 |
17 |
8 |
7 |
7 |
5 |
1 |
7 |
4 |
12 |
9 |
4 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Осенние вернисажи 2016 |
1418 | 83 |
17 |
6 |
12 |
3 |
6 |
3 |
2 |
11 |
11 |
8 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Три рассказа о грустном Фане |
1888 | 83 |
16 |
8 |
8 |
5 |
7 |
3 |
7 |
4 |
12 |
8 |
4 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Самарские амазонки в интерьере цветущего папорпотника |
1352 | 83 |
17 |
8 |
7 |
5 |
5 |
5 |
4 |
5 |
9 |
14 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Сад ее глазами ,и сад тот -райская страна |
1631 | 83 |
16 |
6 |
10 |
4 |
6 |
3 |
7 |
3 |
12 |
11 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Дина Богусонова мастер эмали |
318 | 83 |
14 |
8 |
10 |
6 |
5 |
5 |
6 |
6 |
12 |
6 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Владимир Булеков.Экспрессивный портрет художника |
306 | 83 |
16 |
11 |
9 |
3 |
7 |
4 |
5 |
6 |
11 |
7 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1583 | 82 |
21 |
10 |
11 |
4 |
5 |
1 |
4 |
2 |
9 |
12 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Рецензия на книгу Вудхауса "Любовь со взломом |
1770 | 82 |
15 |
4 |
9 |
5 |
4 |
4 |
7 |
1 |
10 |
15 |
5 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2118 | 82 |
13 |
12 |
13 |
4 |
4 |
5 |
7 |
5 |
10 |
5 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
1978 | 82 |
11 |
7 |
11 |
8 |
5 |
4 |
4 |
5 |
12 |
9 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Народное искусство и его новая жизнь |
1188 | 82 |
17 |
5 |
7 |
5 |
7 |
2 |
4 |
5 |
14 |
10 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Художники Казахстана.Лицо невесты из Великой степи |
1757 | 82 |
19 |
9 |
7 |
3 |
3 |
3 |
6 |
5 |
7 |
13 |
4 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Обзор выставок ноября 2016 |
1364 | 82 |
17 |
7 |
12 |
5 |
3 |
2 |
2 |
8 |
9 |
10 |
5 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1521 | 81 |
13 |
8 |
12 |
7 |
3 |
2 |
6 |
4 |
9 |
9 |
6 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
3.Чернова Валентина.Еще три портрета |
1730 | 81 |
14 |
12 |
10 |
4 |
4 |
3 |
6 |
6 |
8 |
8 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Грани 20 века |
1288 | 81 |
11 |
12 |
11 |
3 |
3 |
2 |
5 |
3 |
12 |
9 |
6 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
Иван Карпунов.Как я позировала художнику |
807 | 81 |
19 |
6 |
11 |
5 |
4 |
3 |
8 |
5 |
8 |
7 |
4 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Свет живописи старых мастеров |
1191 | 80 |
12 |
7 |
11 |
3 |
3 |
8 |
9 |
5 |
10 |
9 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Мысли вслух в технике гобелена |
1165 | 80 |
15 |
6 |
12 |
7 |
4 |
3 |
5 |
3 |
12 |
8 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Зураб Церетели. Мелодии Грузии |
1431 | 80 |
18 |
8 |
6 |
5 |
3 |
2 |
5 |
2 |
10 |
11 |
7 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Обзор выставок в Самаре. Экспозиция это? |
1836 | 79 |
13 |
8 |
8 |
3 |
4 |
3 |
7 |
8 |
11 |
8 |
5 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Сон в осеннюю ночь |
2189 | 79 |
13 |
7 |
9 |
3 |
5 |
4 |
5 |
5 |
12 |
7 |
5 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
1882 | 79 |
20 |
10 |
10 |
7 |
3 |
2 |
5 |
2 |
9 |
8 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Многообразие фактур и таинство стиля |
1957 | 79 |
15 |
8 |
8 |
4 |
6 |
2 |
8 |
4 |
11 |
8 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Куклы из особняка Клодта. Самара |
1502 | 77 |
16 |
7 |
8 |
2 |
5 |
2 |
2 |
11 |
10 |
9 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
По закону племени |
1955 | 77 |
17 |
6 |
8 |
4 |
4 |
5 |
3 |
6 |
11 |
9 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Виктор Новокрещенов,музыка,воплощенная в красках |
507 | 77 |
14 |
6 |
10 |
6 |
6 |
3 |
2 |
4 |
6 |
13 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |