| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 |
По разделу |
205230 | 960 |
81 |
101 |
78 |
78 |
79 |
73 |
65 |
69 |
85 |
86 |
88 |
77 |
0 |
6 |
4 |
5 |
2 |
3 |
2 |
3 |
3 |
8 |
3 |
6 |
3 |
3 |
2 |
3 |
2 |
3 |
5 |
3 |
3 |
5 |
4 |
3 |
3 |
3 |
2 |
2 |
4 |
3 |
4 |
3 |
4 |
4 |
3 |
4 |
3 |
4 |
6 |
2 |
2 |
3 |
3 |
2 |
4 |
5 |
4 |
2 |
4 |
3 |
2 |
4 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
1 |
3 |
2 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8387 | 538 |
54 |
66 |
39 |
32 |
48 |
45 |
36 |
39 |
44 |
47 |
46 |
42 |
0 |
6 |
0 |
5 |
1 |
2 |
0 |
3 |
0 |
8 |
2 |
4 |
2 |
3 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
4 |
4 |
3 |
3 |
1 |
1 |
2 |
4 |
2 |
4 |
3 |
4 |
2 |
0 |
4 |
3 |
3 |
6 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
Человек рессентимента как социальный тип. Проблема рессентимента |
11745 | 462 |
37 |
61 |
38 |
43 |
29 |
34 |
33 |
27 |
30 |
43 |
48 |
39 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
5 |
1 |
3 |
0 |
4 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
4 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
1 |
1 |
5 |
4 |
0 |
2 |
0 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
Мировоззрение Достоевского |
11766 | 367 |
26 |
46 |
36 |
31 |
35 |
37 |
28 |
30 |
26 |
26 |
25 |
21 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
4 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3541 | 279 |
22 |
36 |
28 |
21 |
22 |
27 |
17 |
22 |
25 |
21 |
23 |
15 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
Будущее одной иллюзии Фрейда |
18076 | 272 |
27 |
39 |
18 |
21 |
27 |
12 |
10 |
10 |
19 |
37 |
23 |
29 |
0 |
3 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Достоевский и Ницше |
10118 | 264 |
15 |
31 |
26 |
21 |
28 |
24 |
17 |
20 |
20 |
29 |
18 |
15 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Воля к Власти |
13307 | 257 |
15 |
31 |
23 |
23 |
24 |
23 |
19 |
17 |
30 |
14 |
17 |
21 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
Викторианская мораль в Новейшее Время |
5904 | 208 |
8 |
22 |
25 |
22 |
26 |
12 |
10 |
13 |
12 |
13 |
24 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Актуальность Достоевского |
4286 | 196 |
19 |
27 |
15 |
11 |
12 |
17 |
9 |
17 |
25 |
16 |
20 |
8 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Этика Достоевского |
9851 | 180 |
19 |
30 |
14 |
20 |
8 |
15 |
5 |
13 |
11 |
14 |
17 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
4897 | 176 |
12 |
27 |
18 |
15 |
12 |
12 |
16 |
14 |
21 |
12 |
12 |
5 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4846 | 153 |
10 |
26 |
12 |
19 |
19 |
12 |
6 |
5 |
10 |
14 |
10 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Оракул информационного общества |
2966 | 149 |
18 |
23 |
18 |
11 |
6 |
8 |
5 |
12 |
20 |
12 |
14 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Эстетические искания А. Куприна (на примере Ямы) |
3372 | 147 |
5 |
25 |
16 |
14 |
8 |
17 |
7 |
14 |
12 |
11 |
13 |
5 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4114 | 144 |
16 |
27 |
11 |
12 |
5 |
13 |
8 |
7 |
13 |
9 |
16 |
7 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
Вечное возвращение Великого |
4844 | 142 |
12 |
17 |
11 |
10 |
7 |
16 |
7 |
16 |
13 |
14 |
13 |
6 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
Почему глючат программы? |
5745 | 140 |
17 |
23 |
6 |
14 |
7 |
12 |
9 |
7 |
12 |
16 |
10 |
7 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Новая наука логики Или Как философствуют тупым предметом |
2592 | 139 |
10 |
24 |
10 |
9 |
6 |
10 |
6 |
10 |
13 |
12 |
14 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Достоевский-философ |
9640 | 134 |
8 |
23 |
9 |
13 |
9 |
12 |
7 |
7 |
15 |
8 |
17 |
6 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 |
Мой Шен Би Де Бао |
2332 | 130 |
13 |
20 |
15 |
10 |
10 |
10 |
6 |
1 |
10 |
12 |
13 |
10 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Романтическая иллюзия |
2133 | 130 |
4 |
27 |
12 |
13 |
7 |
11 |
5 |
8 |
10 |
12 |
10 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Опыт человеческой интроспекции: Ингмар Бергман |
3672 | 126 |
21 |
15 |
15 |
9 |
7 |
10 |
8 |
7 |
9 |
10 |
7 |
8 |
0 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Ницше и прагматисты |
2945 | 126 |
10 |
25 |
17 |
6 |
7 |
8 |
8 |
7 |
12 |
10 |
13 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Развитие философии от Декарта к Спинозе |
3540 | 122 |
11 |
23 |
12 |
11 |
6 |
10 |
5 |
6 |
7 |
16 |
8 |
7 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Мертвый постмодернист |
2275 | 121 |
19 |
16 |
13 |
13 |
5 |
10 |
3 |
9 |
8 |
8 |
12 |
5 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Techi И Geek - Герои Нашего Времени |
1998 | 117 |
7 |
15 |
12 |
8 |
7 |
12 |
4 |
13 |
13 |
11 |
8 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Романтическая иллюзия |
2088 | 115 |
10 |
15 |
9 |
14 |
14 |
9 |
6 |
3 |
6 |
11 |
15 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Герой поколения плееров Apple ipod |
2732 | 115 |
6 |
15 |
11 |
10 |
9 |
10 |
4 |
3 |
7 |
12 |
15 |
13 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Мысли о России |
2523 | 112 |
7 |
14 |
13 |
5 |
9 |
16 |
3 |
2 |
14 |
7 |
10 |
12 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Проблематика образов человека у Достоевского |
4589 | 112 |
10 |
16 |
13 |
8 |
7 |
7 |
7 |
4 |
11 |
15 |
9 |
5 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Мысли о Достоевском |
2579 | 110 |
11 |
19 |
7 |
7 |
4 |
8 |
5 |
5 |
10 |
8 |
19 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Петербург 2 |
2039 | 109 |
14 |
15 |
6 |
12 |
5 |
7 |
5 |
5 |
5 |
10 |
13 |
12 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Боже, храни дуче Викторию |
2840 | 106 |
4 |
20 |
10 |
8 |
6 |
10 |
5 |
9 |
8 |
11 |
10 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
Злое Добро |
2844 | 106 |
4 |
17 |
16 |
7 |
10 |
9 |
4 |
4 |
7 |
7 |
14 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Сумерки себя |
2084 | 104 |
10 |
16 |
10 |
6 |
7 |
8 |
3 |
8 |
9 |
11 |
7 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Сценарий лучшего игрового кино. Русская версия |
2377 | 101 |
11 |
19 |
8 |
7 |
4 |
10 |
4 |
6 |
7 |
14 |
9 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Разговор в метро |
2101 | 97 |
9 |
18 |
9 |
10 |
8 |
7 |
3 |
3 |
9 |
8 |
5 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Олигархи всех стран, объединяйтесь! |
1961 | 95 |
4 |
18 |
11 |
8 |
6 |
11 |
4 |
1 |
10 |
4 |
15 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Сценарий лучшего игрового фильма на сегодня |
2356 | 93 |
9 |
17 |
13 |
5 |
4 |
8 |
2 |
6 |
9 |
10 |
9 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |