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Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
По разделу | 178485 | 2961 | 23 | 150 | 161 | 260 | 288 | 99 | 118 | 162 | 216 | 429 | 647 | 408 | 1 | 3 | 7 | 3 | 7 | 2 | 3 | 3 | 5 | 2 | 5 | 4 | 6 | 3 | 7 | 18 | 4 | 3 | 4 | 7 | 4 | 7 | 3 | 3 | 4 | 5 | 6 | 4 | 2 | 8 | 2 | 7 | 5 | 4 | 2 | 3 | 7 | 4 | 8 | 4 | 8 | 2 | 6 | 2 | 2 | 0 | 4 | 2 | 6 | 9 | 5 | 8 | 9 | 13 | 6 | 4 | 6 | 11 | 5 | 8 | 4 | 3 |
Ирония и гротеск в рассказе А .Платонова "Усомнившийся Макар" | 10498 | 1999 | 12 | 47 | 48 | 51 | 45 | 55 | 45 | 94 | 180 | 426 | 642 | 354 | 0 | 1 | 2 | 2 | 5 | 2 | 0 | 3 | 3 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 2 | 0 | 7 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 5 | 1 | 0 | 1 | 2 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 5 | 3 | 4 | 0 | 2 | 3 | 2 | 0 | 1 | 2 | 0 | 2 |
Героини "Бесприданницы" А.Н.Островского. Хронотоп пьесы | 20750 | 1485 | 19 | 117 | 130 | 253 | 251 | 72 | 75 | 85 | 83 | 120 | 118 | 162 | 0 | 1 | 7 | 2 | 7 | 2 | 1 | 2 | 5 | 2 | 3 | 4 | 2 | 3 | 7 | 18 | 2 | 3 | 4 | 7 | 4 | 5 | 2 | 1 | 0 | 4 | 1 | 4 | 0 | 8 | 2 | 7 | 1 | 4 | 2 | 2 | 7 | 2 | 8 | 1 | 8 | 2 | 6 | 1 | 2 | 0 | 4 | 0 | 6 | 9 | 4 | 8 | 2 | 13 | 6 | 4 | 6 | 11 | 2 | 3 | 1 | 2 |
Жанр баллады в русской романтической поэзии | 14094 | 764 | 10 | 64 | 66 | 142 | 99 | 42 | 37 | 61 | 64 | 76 | 60 | 43 | 0 | 1 | 2 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 4 | 1 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 5 | 2 | 1 | 4 | 1 | 6 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 6 | 1 | 1 | 0 | 4 | 0 | 4 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 9 | 0 | 4 | 2 | 3 | 2 | 3 | 8 | 3 | 3 |
Уильям Шекспир. "Укрощение строптивой" как пример гармоничного объединения заимствованных сюжетных линий в оригинальном произведении | 11734 | 673 | 10 | 67 | 30 | 50 | 45 | 47 | 33 | 90 | 119 | 93 | 63 | 26 | 0 | 1 | 3 | 2 | 3 | 1 | 2 | 3 | 4 | 0 | 4 | 0 | 2 | 3 | 5 | 2 | 4 | 1 | 2 | 4 | 3 | 3 | 0 | 1 | 1 | 5 | 0 | 0 | 0 | 2 | 1 | 1 | 5 | 2 | 2 | 3 | 2 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 2 |
Обманчивая легкость "несерьезного" жанра. "Отель "У погибшего альпиниста" | 5929 | 611 | 7 | 59 | 51 | 64 | 46 | 49 | 62 | 60 | 59 | 60 | 47 | 47 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 3 | 2 | 1 | 2 | 4 | 3 | 1 | 5 | 0 | 2 | 2 | 2 | 4 | 1 | 5 | 0 | 3 | 1 | 1 | 0 | 4 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 2 | 1 | 3 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 2 | 1 | 2 | 3 | 0 | 2 | 2 | 5 | 2 | 3 | 0 | 3 |
Пресса Франции. 1949-1989 гг | 9311 | 606 | 12 | 59 | 41 | 72 | 48 | 32 | 32 | 54 | 69 | 57 | 84 | 46 | 0 | 1 | 2 | 2 | 6 | 1 | 3 | 2 | 3 | 0 | 4 | 2 | 4 | 2 | 2 | 0 | 1 | 1 | 0 | 4 | 0 | 2 | 2 | 0 | 3 | 2 | 1 | 3 | 1 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 5 | 1 | 4 | 3 | 4 | 0 | 5 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 3 | 0 | 1 |
Полемика - искусство спора | 7406 | 585 | 6 | 55 | 40 | 51 | 53 | 34 | 38 | 60 | 72 | 92 | 57 | 27 | 0 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 2 | 4 | 1 | 6 | 2 | 1 | 3 | 1 | 1 | 1 | 3 | 2 | 6 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 2 | 3 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 |
Элементы авантюрного романа в "гистории о российском матросе Василии Кориотском" | 6491 | 557 | 9 | 59 | 51 | 55 | 133 | 29 | 22 | 41 | 43 | 44 | 40 | 31 | 0 | 1 | 3 | 0 | 3 | 2 | 1 | 0 | 5 | 2 | 4 | 0 | 4 | 3 | 3 | 2 | 0 | 2 | 4 | 6 | 2 | 2 | 2 | 2 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 4 | 0 | 2 | 1 | 1 | 5 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 3 | 2 | 4 | 1 | 0 | 1 | 0 | 3 | 5 | 2 | 1 | 1 |
Творчество Мольера | 8276 | 454 | 8 | 40 | 41 | 33 | 46 | 28 | 32 | 25 | 49 | 47 | 72 | 33 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 4 | 2 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 4 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 4 | 1 | 2 |
Гротеск в литературе | 6210 | 440 | 11 | 50 | 49 | 48 | 39 | 32 | 23 | 37 | 43 | 49 | 36 | 23 | 0 | 1 | 1 | 3 | 5 | 1 | 0 | 1 | 4 | 1 | 3 | 3 | 3 | 3 | 1 | 2 | 1 | 3 | 0 | 2 | 2 | 2 | 3 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 4 | 2 | 0 | 2 | 2 | 2 | 3 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 3 | 4 | 1 | 1 | 3 | 2 | 1 | 3 | 3 | 0 | 2 |
Стресс - понятие, характеристика, стадии развития | 17864 | 429 | 10 | 47 | 54 | 50 | 34 | 28 | 25 | 40 | 46 | 39 | 28 | 28 | 0 | 0 | 3 | 2 | 4 | 1 | 1 | 0 | 4 | 2 | 3 | 4 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 4 | 2 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 7 | 0 | 2 | 4 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 3 | 0 | 2 | 2 | 2 | 2 | 4 | 3 | 4 | 2 |
Романтические новеллы Вашингтона Ирвинга | 4564 | 271 | 7 | 29 | 29 | 22 | 20 | 23 | 17 | 30 | 24 | 23 | 29 | 18 | 0 | 0 | 2 | 1 | 4 | 0 | 3 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 |
Николай Гумилев - "бороться и искать, найти и не сдаваться". Поэма "Капитаны" | 3707 | 248 | 7 | 33 | 26 | 23 | 23 | 22 | 28 | 24 | 24 | 13 | 14 | 11 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 5 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 |
Деятельность В.Коротича - публициста и главного редактора журнала "Огонек" | 6541 | 226 | 4 | 22 | 21 | 17 | 22 | 17 | 13 | 21 | 23 | 27 | 26 | 13 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 |
Публицистика 80х годов. В.Песков | 4875 | 217 | 3 | 28 | 29 | 16 | 12 | 10 | 15 | 29 | 28 | 28 | 13 | 6 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 3 |
О "черном романтизме" в литературе | 3916 | 201 | 5 | 21 | 16 | 26 | 24 | 13 | 12 | 17 | 13 | 26 | 18 | 10 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
В шелесте ангельских крыл | 2168 | 156 | 7 | 32 | 24 | 15 | 16 | 14 | 7 | 7 | 11 | 12 | 5 | 6 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 4 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 3 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 |
Мотивы путешествия на чёрте в литературе первой трети Xix века | 2585 | 150 | 3 | 17 | 14 | 16 | 10 | 11 | 18 | 12 | 18 | 13 | 11 | 7 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 5 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
Счастливчик Джесс | 1936 | 139 | 6 | 14 | 17 | 16 | 12 | 13 | 7 | 12 | 16 | 13 | 5 | 8 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 |
Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Приемы плетения интриг в "Повести о Бове-королевиче" | 1616 | 126 | 8 | 18 | 15 | 11 | 7 | 10 | 8 | 12 | 12 | 12 | 6 | 7 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
Тайна старого поместья | 1845 | 126 | 3 | 14 | 14 | 14 | 9 | 9 | 9 | 14 | 14 | 10 | 9 | 7 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 |
Сюрреализм Л.Петрушевской."Конфеты с ликером" | 2488 | 124 | 5 | 13 | 11 | 7 | 7 | 7 | 8 | 13 | 21 | 15 | 10 | 7 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
300 лет литературной традиции российской журналистики | 1755 | 121 | 3 | 19 | 16 | 10 | 9 | 8 | 7 | 11 | 12 | 12 | 6 | 8 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Еще одна история, рассказанная в Диканьке | 1582 | 118 | 5 | 20 | 13 | 11 | 9 | 12 | 11 | 10 | 12 | 5 | 4 | 6 | 0 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Последнее плавание "Морскoй ведьмы" | 3059 | 116 | 5 | 23 | 15 | 10 | 8 | 7 | 5 | 9 | 9 | 9 | 7 | 9 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
Битва Титанов. Сон Сэма Уортингтона | 1491 | 112 | 4 | 18 | 14 | 9 | 8 | 10 | 8 | 8 | 13 | 8 | 4 | 8 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Плесень | 1343 | 112 | 7 | 14 | 15 | 9 | 11 | 7 | 10 | 8 | 6 | 13 | 4 | 8 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
"Белая гвардия". Война на соседней улице, обыкновенный фашизм и современные реалии | 2348 | 110 | 4 | 19 | 14 | 7 | 5 | 8 | 5 | 11 | 10 | 5 | 13 | 9 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Ты помнишь, как все начиналось?... | 2073 | 106 | 5 | 10 | 18 | 9 | 8 | 9 | 6 | 10 | 12 | 10 | 4 | 5 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
Так не бывает | 1974 | 106 | 4 | 12 | 15 | 14 | 7 | 10 | 3 | 8 | 13 | 6 | 7 | 7 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Как Кур Лисице мстил | 1540 | 104 | 4 | 15 | 16 | 7 | 5 | 10 | 8 | 12 | 12 | 6 | 6 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
Категория таинственного в романтическом произведении | 1416 | 102 | 6 | 12 | 17 | 10 | 4 | 6 | 6 | 5 | 10 | 8 | 9 | 9 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Встреча | 1300 | 96 | 3 | 11 | 12 | 7 | 8 | 8 | 4 | 13 | 13 | 7 | 3 | 7 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Информация о владельце раздела | 1457 | 95 | 5 | 19 | 9 | 8 | 6 | 7 | 3 | 9 | 14 | 6 | 5 | 4 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Утро главного редактора | 1162 | 93 | 6 | 15 | 9 | 7 | 5 | 6 | 7 | 7 | 10 | 5 | 11 | 5 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Ангельское пение | 1181 | 91 | 2 | 13 | 8 | 10 | 8 | 7 | 6 | 10 | 8 | 11 | 3 | 5 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"