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Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
По разделу | 177127 | 3209 | 1 | 161 | 260 | 288 | 99 | 118 | 162 | 216 | 429 | 647 | 408 | 420 | 1 | 4 | 8 | 4 | 8 | 2 | 6 | 2 | 2 | 0 | 4 | 2 | 6 | 9 | 5 | 8 | 9 | 13 | 6 | 4 | 6 | 11 | 5 | 8 | 4 | 3 | 5 | 5 | 4 | 5 | 3 | 10 | 4 | 5 | 2 | 4 | 4 | 5 | 11 | 13 | 13 | 15 | 6 | 6 | 6 | 15 | 10 | 10 | 13 | 8 | 5 | 8 | 9 | 8 | 11 | 8 | 6 | 4 | 3 | 15 | 16 | 7 |
Ирония и гротеск в рассказе А .Платонова "Усомнившийся Макар" | 10439 | 2044 | 0 | 48 | 51 | 45 | 55 | 45 | 94 | 180 | 426 | 642 | 354 | 104 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 5 | 3 | 4 | 0 | 2 | 3 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 3 | 3 | 4 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 7 | 1 | 1 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 |
Героини "Бесприданницы" А.Н.Островского. Хронотоп пьесы | 20614 | 1728 | 0 | 130 | 253 | 251 | 72 | 75 | 85 | 83 | 120 | 118 | 162 | 379 | 0 | 2 | 8 | 1 | 8 | 2 | 6 | 1 | 2 | 0 | 4 | 0 | 6 | 9 | 4 | 8 | 2 | 13 | 6 | 4 | 6 | 11 | 2 | 3 | 1 | 2 | 2 | 5 | 4 | 5 | 3 | 10 | 4 | 5 | 2 | 2 | 4 | 5 | 11 | 13 | 13 | 15 | 5 | 5 | 6 | 15 | 10 | 10 | 13 | 8 | 5 | 8 | 9 | 8 | 11 | 8 | 3 | 4 | 3 | 15 | 16 | 7 |
Жанр баллады в русской романтической поэзии | 14020 | 753 | 0 | 66 | 142 | 99 | 42 | 37 | 61 | 64 | 76 | 60 | 43 | 63 | 0 | 1 | 1 | 0 | 4 | 0 | 4 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 9 | 0 | 4 | 2 | 3 | 2 | 3 | 8 | 3 | 3 | 3 | 2 | 0 | 2 | 2 | 6 | 0 | 0 | 2 | 2 | 4 | 3 | 2 | 6 | 3 | 3 | 5 | 5 | 4 | 4 | 10 | 7 | 10 | 7 | 3 | 5 | 6 | 6 | 4 | 7 | 6 | 3 | 3 | 9 | 7 | 0 |
Уильям Шекспир. "Укрощение строптивой" как пример гармоничного объединения заимствованных сюжетных линий в оригинальном произведении | 11657 | 644 | 0 | 30 | 50 | 45 | 47 | 33 | 90 | 119 | 93 | 63 | 26 | 48 | 0 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 4 | 4 | 0 | 1 | 2 | 2 | 1 | 2 | 2 | 4 | 2 | 4 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 3 |
Обманчивая легкость "несерьезного" жанра. "Отель "У погибшего альпиниста" | 5864 | 609 | 1 | 51 | 64 | 46 | 49 | 62 | 60 | 59 | 60 | 47 | 47 | 63 | 1 | 2 | 1 | 3 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 2 | 1 | 2 | 3 | 0 | 2 | 2 | 5 | 2 | 3 | 0 | 3 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 4 | 3 | 1 | 2 | 1 | 1 | 2 | 6 | 4 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 2 | 2 | 7 | 1 | 3 | 2 | 1 | 3 | 2 |
Пресса Франции. 1949-1989 гг | 9240 | 601 | 0 | 41 | 72 | 48 | 32 | 32 | 54 | 69 | 57 | 84 | 46 | 66 | 0 | 1 | 4 | 3 | 4 | 0 | 5 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 2 | 4 | 1 | 3 | 3 | 1 | 2 | 4 | 3 | 1 | 4 | 0 | 4 | 0 | 1 | 3 | 5 | 3 | 2 | 4 | 6 | 1 | 2 | 4 | 2 | 3 | 0 | 1 | 1 | 1 |
Полемика - искусство спора | 7345 | 560 | 0 | 40 | 51 | 53 | 34 | 38 | 60 | 72 | 92 | 57 | 27 | 36 | 0 | 0 | 2 | 2 | 1 | 2 | 3 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 3 | 4 | 3 | 3 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 |
Элементы авантюрного романа в "гистории о российском матросе Василии Кориотском" | 6423 | 545 | 0 | 51 | 55 | 133 | 29 | 22 | 41 | 43 | 44 | 40 | 31 | 56 | 0 | 4 | 0 | 2 | 1 | 1 | 5 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 3 | 2 | 4 | 1 | 0 | 1 | 0 | 3 | 5 | 2 | 1 | 1 | 5 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 3 | 8 | 2 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 6 | 1 | 2 | 3 | 1 | 1 | 0 | 3 | 0 | 1 |
Творчество Мольера | 8228 | 432 | 0 | 41 | 33 | 46 | 28 | 32 | 25 | 49 | 47 | 72 | 33 | 26 | 0 | 2 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 4 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 |
Гротеск в литературе | 6149 | 428 | 0 | 49 | 48 | 39 | 32 | 23 | 37 | 43 | 49 | 36 | 23 | 49 | 0 | 2 | 0 | 2 | 2 | 2 | 3 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 3 | 4 | 1 | 1 | 3 | 2 | 1 | 3 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 4 | 2 | 1 | 6 | 4 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 0 |
Стресс - понятие, характеристика, стадии развития | 17807 | 416 | 0 | 54 | 50 | 34 | 28 | 25 | 40 | 46 | 39 | 28 | 28 | 44 | 0 | 0 | 2 | 4 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 3 | 0 | 2 | 2 | 2 | 2 | 4 | 3 | 4 | 2 | 2 | 2 | 1 | 3 | 1 | 2 | 2 | 2 | 2 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 2 | 3 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 |
Романтические новеллы Вашингтона Ирвинга | 4528 | 259 | 0 | 29 | 22 | 20 | 23 | 17 | 30 | 24 | 23 | 29 | 18 | 24 | 0 | 3 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
Николай Гумилев - "бороться и искать, найти и не сдаваться". Поэма "Капитаны" | 3667 | 228 | 0 | 26 | 23 | 23 | 22 | 28 | 24 | 24 | 13 | 14 | 11 | 20 | 0 | 0 | 1 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 |
Деятельность В.Коротича - публициста и главного редактора журнала "Огонек" | 6515 | 219 | 0 | 21 | 17 | 22 | 17 | 13 | 21 | 23 | 27 | 26 | 13 | 19 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
Публицистика 80х годов. В.Песков | 4844 | 202 | 0 | 29 | 16 | 12 | 10 | 15 | 29 | 28 | 28 | 13 | 6 | 16 | 0 | 0 | 1 | 1 | 3 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
О "черном романтизме" в литературе | 3890 | 184 | 0 | 16 | 26 | 24 | 13 | 12 | 17 | 13 | 26 | 18 | 10 | 9 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
Мотивы путешествия на чёрте в литературе первой трети Xix века | 2565 | 137 | 0 | 14 | 16 | 10 | 11 | 18 | 12 | 18 | 13 | 11 | 7 | 7 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В шелесте ангельских крыл | 2129 | 133 | 0 | 24 | 15 | 16 | 14 | 7 | 7 | 11 | 12 | 5 | 6 | 16 | 0 | 0 | 1 | 3 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Счастливчик Джесс | 1916 | 130 | 0 | 17 | 16 | 12 | 13 | 7 | 12 | 16 | 13 | 5 | 8 | 11 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
Тайна старого поместья | 1828 | 119 | 0 | 14 | 14 | 9 | 9 | 9 | 14 | 14 | 10 | 9 | 7 | 10 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Приемы плетения интриг в "Повести о Бове-королевиче" | 1590 | 110 | 0 | 15 | 11 | 7 | 10 | 8 | 12 | 12 | 12 | 6 | 7 | 10 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Сюрреализм Л.Петрушевской."Конфеты с ликером" | 2470 | 110 | 0 | 11 | 7 | 7 | 7 | 8 | 13 | 21 | 15 | 10 | 7 | 4 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
300 лет литературной традиции российской журналистики | 1733 | 107 | 0 | 16 | 10 | 9 | 8 | 7 | 11 | 12 | 12 | 6 | 8 | 8 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Еще одна история, рассказанная в Диканьке | 1557 | 102 | 0 | 13 | 11 | 9 | 12 | 11 | 10 | 12 | 5 | 4 | 6 | 9 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Ты помнишь, как все начиналось?... | 2058 | 99 | 0 | 18 | 9 | 8 | 9 | 6 | 10 | 12 | 10 | 4 | 5 | 8 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Последнее плавание "Морскoй ведьмы" | 3032 | 99 | 1 | 15 | 10 | 8 | 7 | 5 | 9 | 9 | 9 | 7 | 9 | 10 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Плесень | 1322 | 99 | 0 | 15 | 9 | 11 | 7 | 10 | 8 | 6 | 13 | 4 | 8 | 8 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Как Кур Лисице мстил | 1521 | 97 | 0 | 16 | 7 | 5 | 10 | 8 | 12 | 12 | 6 | 6 | 3 | 12 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Так не бывает | 1958 | 96 | 0 | 15 | 14 | 7 | 10 | 3 | 8 | 13 | 6 | 7 | 7 | 6 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
"Белая гвардия". Война на соседней улице, обыкновенный фашизм и современные реалии | 2325 | 94 | 0 | 14 | 7 | 5 | 8 | 5 | 11 | 10 | 5 | 13 | 9 | 7 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Битва Титанов. Сон Сэма Уортингтона | 1469 | 94 | 0 | 14 | 9 | 8 | 10 | 8 | 8 | 13 | 8 | 4 | 8 | 4 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Категория таинственного в романтическом произведении | 1398 | 92 | 0 | 17 | 10 | 4 | 6 | 6 | 5 | 10 | 8 | 9 | 9 | 8 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
Встреча | 1286 | 88 | 0 | 12 | 7 | 8 | 8 | 4 | 13 | 13 | 7 | 3 | 7 | 6 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Ангельское пение | 1166 | 82 | 0 | 8 | 10 | 8 | 7 | 6 | 10 | 8 | 11 | 3 | 5 | 6 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Утро главного редактора | 1141 | 76 | 0 | 9 | 7 | 5 | 6 | 7 | 7 | 10 | 5 | 11 | 5 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Информация о владельце раздела | 1433 | 76 | 0 | 9 | 8 | 6 | 7 | 3 | 9 | 14 | 6 | 5 | 4 | 5 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"