| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
По разделу |
476545 | 1200 |
7 |
148 |
128 |
192 |
98 |
88 |
90 |
87 |
74 |
91 |
85 |
112 |
0 |
4 |
3 |
5 |
4 |
4 |
3 |
3 |
5 |
5 |
5 |
5 |
2 |
2 |
3 |
4 |
13 |
10 |
4 |
5 |
4 |
5 |
7 |
5 |
6 |
3 |
3 |
4 |
4 |
4 |
6 |
6 |
4 |
5 |
5 |
3 |
6 |
4 |
5 |
6 |
6 |
5 |
5 |
4 |
4 |
4 |
6 |
8 |
4 |
5 |
4 |
4 |
4 |
3 |
4 |
4 |
5 |
4 |
3 |
4 |
5 |
4 |
Художественные описания механизмов психологической защиты |
13045 | 571 |
5 |
93 |
73 |
51 |
62 |
33 |
33 |
45 |
38 |
44 |
34 |
60 |
0 |
4 |
1 |
3 |
3 |
1 |
3 |
3 |
3 |
5 |
5 |
2 |
1 |
2 |
2 |
0 |
3 |
6 |
3 |
5 |
3 |
4 |
3 |
4 |
6 |
1 |
1 |
4 |
4 |
3 |
5 |
0 |
1 |
4 |
4 |
2 |
5 |
3 |
5 |
4 |
3 |
2 |
4 |
1 |
3 |
0 |
4 |
3 |
4 |
5 |
3 |
4 |
0 |
0 |
2 |
4 |
1 |
1 |
1 |
2 |
3 |
0 |
7. О символизации насилия. Песочный Человек |
3192 | 563 |
3 |
96 |
82 |
76 |
56 |
36 |
44 |
43 |
22 |
25 |
35 |
45 |
0 |
1 |
2 |
2 |
4 |
4 |
1 |
3 |
4 |
1 |
5 |
5 |
0 |
1 |
3 |
4 |
3 |
1 |
4 |
2 |
1 |
5 |
7 |
2 |
3 |
2 |
1 |
3 |
3 |
1 |
6 |
6 |
4 |
5 |
5 |
3 |
4 |
2 |
4 |
4 |
1 |
3 |
4 |
3 |
4 |
4 |
4 |
8 |
2 |
2 |
3 |
1 |
4 |
0 |
2 |
3 |
2 |
1 |
3 |
2 |
2 |
2 |
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2327 | 363 |
3 |
42 |
50 |
46 |
22 |
18 |
24 |
29 |
38 |
23 |
29 |
39 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
3 |
5 |
2 |
4 |
0 |
4 |
1 |
0 |
1 |
5 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
3 |
1 |
1. Расставание брата и сестры |
3577 | 343 |
4 |
41 |
54 |
42 |
36 |
26 |
32 |
19 |
14 |
14 |
32 |
29 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
5 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
3 |
4 |
4 |
3 |
4 |
1 |
2 |
4 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
4 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
3643 | 331 |
2 |
43 |
38 |
38 |
25 |
28 |
27 |
29 |
19 |
37 |
24 |
21 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
5 |
2 |
3 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1594 | 287 |
1 |
43 |
38 |
26 |
27 |
32 |
19 |
19 |
18 |
22 |
17 |
25 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
Ритуал и выгорание в субкультуре скорой помощи |
9396 | 261 |
1 |
41 |
30 |
37 |
21 |
25 |
25 |
16 |
11 |
15 |
10 |
29 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
Мотив Города |
3211 | 256 |
2 |
33 |
41 |
34 |
19 |
33 |
11 |
21 |
13 |
18 |
16 |
15 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
6 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
6 |
3 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
26. Динамика развития психики по оси Самость-Эго |
1842 | 253 |
2 |
41 |
34 |
27 |
23 |
20 |
15 |
12 |
15 |
9 |
23 |
32 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
4 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
3 |
2. Андрогинность в сказке и мифе |
1674 | 229 |
0 |
34 |
41 |
33 |
19 |
19 |
10 |
14 |
9 |
17 |
14 |
19 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
3 |
2 |
0 |
1 |
5 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
6. Насилие и интеграция психики в архаической сказке |
1360 | 222 |
1 |
24 |
24 |
85 |
22 |
12 |
10 |
11 |
6 |
6 |
4 |
17 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
4. О символизации насилия в эддической поэзии |
2281 | 218 |
1 |
34 |
46 |
28 |
16 |
17 |
17 |
12 |
10 |
14 |
5 |
18 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
4 |
3 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
психосоматика наизнанку |
4984 | 216 |
0 |
30 |
39 |
23 |
19 |
18 |
7 |
12 |
9 |
19 |
17 |
23 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
3 |
5 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
Клеменс Брентано. Лоре Лай |
1452 | 208 |
0 |
32 |
40 |
26 |
24 |
12 |
9 |
10 |
11 |
14 |
13 |
17 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
3 |
6 |
0 |
3 |
2 |
1 |
0 |
2 |
4 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
7. Интерпретация эпоса об Урал-Батыре |
1741 | 207 |
2 |
37 |
34 |
27 |
18 |
16 |
10 |
13 |
6 |
7 |
14 |
23 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
4. Влияния Анимы и Анимуса на мужское Эго |
2691 | 206 |
1 |
33 |
30 |
19 |
18 |
19 |
11 |
10 |
10 |
16 |
14 |
25 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
0 |
Совершая труд |
4715 | 205 |
0 |
24 |
31 |
52 |
16 |
18 |
10 |
5 |
9 |
12 |
12 |
16 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
3 |
1 |
1 |
1 |
2 |
1 |
14. Мастера и шарлатаны Гофмана |
2034 | 203 |
1 |
31 |
45 |
21 |
15 |
17 |
7 |
9 |
9 |
15 |
16 |
17 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
4 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
3 |
3 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
2 |
Упражнение Бог |
3641 | 202 |
0 |
30 |
37 |
27 |
16 |
6 |
10 |
8 |
9 |
11 |
15 |
33 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
4 |
5 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
4. Ад без жала |
1551 | 201 |
2 |
21 |
28 |
32 |
21 |
25 |
8 |
17 |
8 |
12 |
8 |
19 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
0 |
3 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
10. Современные андрогинные персонажи, Душа и Дух |
1629 | 200 |
2 |
25 |
29 |
27 |
15 |
22 |
9 |
20 |
5 |
11 |
16 |
19 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
0 |
3 |
0 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1803 | 199 |
1 |
33 |
30 |
21 |
15 |
16 |
9 |
10 |
12 |
11 |
18 |
23 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
12. Интеграция и Анимы, и Анимуса |
1798 | 198 |
1 |
37 |
29 |
20 |
17 |
19 |
19 |
10 |
10 |
11 |
6 |
19 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
Архетипические мотивы в фольклоре єскорой помощиЋ |
2276 | 197 |
1 |
21 |
25 |
69 |
9 |
14 |
8 |
7 |
17 |
5 |
6 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
5. Сказка о Персоне, что учится самосознанию |
1646 | 196 |
1 |
23 |
32 |
27 |
19 |
15 |
11 |
13 |
10 |
17 |
9 |
19 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2. Представления об Анимусе мужчины |
1973 | 196 |
1 |
34 |
31 |
34 |
12 |
19 |
10 |
11 |
8 |
6 |
13 |
17 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
4 |
8. Запутанная история Джона Ди |
1561 | 194 |
1 |
24 |
41 |
26 |
15 |
16 |
6 |
14 |
6 |
13 |
9 |
23 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
6 |
0 |
2 |
1 |
4 |
0 |
1 |
4 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
Эмоциональное выгорание, травма и нарциссизм |
5693 | 192 |
2 |
32 |
33 |
19 |
18 |
18 |
4 |
12 |
3 |
16 |
13 |
22 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
Оценка эффективности работы психолога с клиентами |
2851 | 190 |
2 |
24 |
32 |
17 |
10 |
15 |
12 |
14 |
6 |
19 |
16 |
23 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2193 | 190 |
1 |
28 |
36 |
21 |
19 |
18 |
10 |
9 |
7 |
13 |
12 |
16 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
3 |
4 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
13. Аида: комментарии к либретто |
1782 | 187 |
2 |
30 |
25 |
19 |
20 |
16 |
6 |
9 |
9 |
13 |
17 |
21 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
3. Как мужчины обращаются с Анимой |
3377 | 187 |
1 |
23 |
24 |
22 |
17 |
16 |
7 |
13 |
11 |
16 |
10 |
27 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
1964 | 182 |
2 |
26 |
26 |
19 |
21 |
24 |
11 |
9 |
8 |
12 |
9 |
15 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
4 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
О книге Матрица и потенциал характера |
1492 | 180 |
1 |
21 |
36 |
20 |
18 |
15 |
4 |
15 |
7 |
9 |
7 |
27 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
Запрет на идентификацию с больным и эмоциональное выгорание |
2931 | 178 |
2 |
23 |
32 |
18 |
12 |
13 |
23 |
6 |
8 |
15 |
9 |
17 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
4 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
Графоманские стихи |
3426 | 178 |
3 |
25 |
31 |
22 |
13 |
13 |
7 |
14 |
7 |
12 |
18 |
13 |
0 |
0 |
3 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
4 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
графоманские стихи |
2368 | 178 |
1 |
25 |
34 |
24 |
10 |
11 |
8 |
12 |
10 |
18 |
12 |
13 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
3 |
0 |
0 |
1 |
3 |
0 |
4 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
симбиоз гештальта и символдрамы |
3167 | 177 |
0 |
29 |
26 |
29 |
16 |
15 |
11 |
8 |
6 |
11 |
10 |
16 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1. Преамбула: феминное и маскулинное |
1745 | 175 |
1 |
22 |
33 |
20 |
16 |
14 |
6 |
8 |
7 |
17 |
9 |
22 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
13. Внутрениие вредители в произведениях Гофмана |
1639 | 173 |
3 |
28 |
28 |
18 |
13 |
19 |
5 |
7 |
14 |
9 |
13 |
16 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
24. Травмирующие архетипические персонажи Х. Мураками |
1614 | 173 |
1 |
29 |
28 |
21 |
24 |
10 |
6 |
8 |
8 |
9 |
14 |
15 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
6 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1487 | 173 |
1 |
28 |
35 |
23 |
11 |
12 |
9 |
12 |
8 |
11 |
8 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
11. Миры и зло Средиземья и Валинора |
1504 | 171 |
0 |
23 |
28 |
20 |
15 |
13 |
8 |
10 |
7 |
13 |
14 |
20 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
5. Особенности архаической сказки |
1704 | 170 |
2 |
30 |
32 |
25 |
15 |
15 |
9 |
8 |
4 |
8 |
7 |
15 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
отношения врача и пациента с точки зрения созависимости |
6446 | 170 |
2 |
24 |
36 |
17 |
15 |
11 |
8 |
8 |
7 |
7 |
15 |
20 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
2. Неюнгианские механизмы интеграции психики в сказке |
1501 | 170 |
1 |
23 |
35 |
15 |
18 |
16 |
3 |
12 |
6 |
10 |
12 |
19 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2419 | 170 |
1 |
35 |
30 |
17 |
14 |
19 |
10 |
6 |
4 |
6 |
7 |
21 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
9 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
3. Сказочные злодеи: Консолидатор Тени |
1511 | 169 |
2 |
25 |
33 |
27 |
20 |
11 |
5 |
8 |
7 |
5 |
7 |
19 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
16. Список литературы |
1209 | 169 |
0 |
37 |
32 |
31 |
11 |
10 |
8 |
9 |
6 |
7 |
6 |
12 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
3 |
0 |
5 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
Дворянин Фаланд или владыка альвов? |
925 | 168 |
0 |
21 |
30 |
19 |
10 |
14 |
10 |
9 |
10 |
17 |
15 |
13 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Больной Крысолов |
1410 | 168 |
1 |
24 |
30 |
27 |
14 |
13 |
9 |
6 |
5 |
13 |
10 |
16 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
Больница глазами гештальт-терапевта |
3991 | 167 |
1 |
27 |
35 |
23 |
13 |
10 |
5 |
6 |
11 |
7 |
9 |
20 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
Двойные ловушки Плоского мира |
1644 | 166 |
0 |
28 |
32 |
29 |
10 |
17 |
5 |
8 |
3 |
6 |
8 |
20 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
3 |
15. Николай Ставрогин и его адепты |
1822 | 166 |
2 |
18 |
32 |
22 |
19 |
15 |
5 |
11 |
3 |
14 |
8 |
17 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
2983 | 166 |
2 |
22 |
26 |
17 |
16 |
11 |
5 |
15 |
9 |
17 |
12 |
14 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
9. Психика как пара |
1622 | 166 |
1 |
20 |
34 |
32 |
12 |
16 |
7 |
7 |
4 |
7 |
12 |
14 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
Тум-балалайка |
1831 | 164 |
3 |
22 |
27 |
23 |
10 |
11 |
4 |
9 |
6 |
11 |
18 |
20 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2135 | 164 |
2 |
28 |
25 |
20 |
15 |
13 |
4 |
12 |
7 |
12 |
10 |
16 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
10. Об Аниме женщины |
1848 | 163 |
2 |
23 |
41 |
17 |
13 |
16 |
7 |
9 |
8 |
4 |
6 |
17 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
4 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1290 | 162 |
0 |
30 |
23 |
14 |
17 |
20 |
6 |
10 |
7 |
12 |
6 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
3. О символизации насилия в поэзии скальдов |
3191 | 162 |
1 |
24 |
25 |
19 |
14 |
16 |
4 |
11 |
9 |
10 |
10 |
19 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
6. О символизации насилия. Значимые персонажи |
1962 | 160 |
3 |
24 |
27 |
28 |
11 |
15 |
9 |
6 |
3 |
6 |
11 |
17 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
9. Персона и Тень |
1640 | 159 |
2 |
22 |
28 |
21 |
14 |
10 |
9 |
8 |
9 |
10 |
10 |
16 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
23. Настя заболела |
1181 | 159 |
0 |
22 |
24 |
19 |
15 |
15 |
5 |
10 |
9 |
12 |
8 |
20 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
непрожитая старость |
10310 | 158 |
0 |
31 |
24 |
20 |
16 |
17 |
9 |
6 |
4 |
6 |
9 |
16 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
Кошачья подсистема в семье |
940 | 157 |
2 |
20 |
31 |
25 |
8 |
15 |
5 |
7 |
7 |
8 |
9 |
20 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
5 |
1 |
15. Типичные протагонисты произведений Гофмана |
1399 | 156 |
0 |
24 |
27 |
16 |
11 |
23 |
10 |
10 |
3 |
9 |
10 |
13 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
7. Созидающее насилие: подвиги Геракла |
1560 | 156 |
3 |
25 |
22 |
15 |
19 |
15 |
9 |
16 |
8 |
8 |
3 |
13 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
13. Женщина перед расстрелом |
1182 | 154 |
2 |
23 |
30 |
23 |
11 |
15 |
11 |
10 |
2 |
7 |
5 |
15 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
3 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1545 | 153 |
2 |
21 |
27 |
18 |
13 |
14 |
7 |
6 |
6 |
11 |
8 |
20 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
8. Тотем, Трикстер, Первопредки |
1442 | 153 |
1 |
28 |
28 |
25 |
10 |
17 |
6 |
7 |
6 |
3 |
3 |
19 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
5 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
3. Молитвенная мельница |
1457 | 153 |
1 |
29 |
32 |
22 |
12 |
15 |
4 |
7 |
4 |
4 |
6 |
17 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
Роковой треугольник - 1 |
1796 | 153 |
1 |
21 |
28 |
33 |
12 |
10 |
5 |
6 |
7 |
7 |
9 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
3. Сказка о феминном и маскулинном состояниях Эго |
1493 | 152 |
0 |
18 |
25 |
19 |
15 |
17 |
11 |
13 |
8 |
9 |
3 |
14 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
5. Мужчина выбирает между Анимусом и Анимой |
1284 | 152 |
2 |
24 |
46 |
14 |
14 |
10 |
6 |
7 |
4 |
6 |
6 |
13 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
4 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
3 |
4 |
6. Анимус делает Аниму зависимой и нежизнеспособной |
1523 | 152 |
0 |
26 |
33 |
13 |
15 |
15 |
5 |
7 |
7 |
12 |
7 |
12 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
6. Сходство и различия сюжетов о Переодетой сестре |
1651 | 152 |
0 |
21 |
35 |
16 |
16 |
16 |
8 |
7 |
5 |
8 |
5 |
15 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
5 |
0 |
3 |
2 |
1 |
1 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
4. Ранние пьесы М. Цветаевой |
1867 | 151 |
1 |
18 |
31 |
22 |
12 |
15 |
5 |
9 |
6 |
9 |
11 |
12 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
16. Миры и образы зла, связанные с Темной Башней |
2052 | 150 |
1 |
25 |
27 |
22 |
16 |
11 |
6 |
7 |
7 |
8 |
10 |
10 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
11. Кое-что об Анимусе женщины |
1442 | 143 |
1 |
22 |
25 |
14 |
15 |
11 |
6 |
7 |
6 |
14 |
9 |
13 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
14. Мир и образ зла в эпопее о Гарри Поттере |
1501 | 142 |
2 |
30 |
29 |
16 |
13 |
11 |
6 |
6 |
4 |
8 |
4 |
13 |
0 |
2 |
0 |
5 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
Венок сонетов Ваське |
1829 | 142 |
0 |
38 |
24 |
24 |
11 |
6 |
2 |
5 |
5 |
9 |
4 |
14 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
13 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
1985 | 141 |
0 |
17 |
25 |
17 |
13 |
17 |
6 |
9 |
7 |
9 |
7 |
14 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
Типы семей, получающих помощь в социальном центре |
1589 | 141 |
0 |
24 |
28 |
22 |
8 |
8 |
6 |
5 |
6 |
9 |
11 |
14 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
20. Нвстя заболевает |
1069 | 141 |
1 |
26 |
30 |
22 |
13 |
10 |
8 |
5 |
5 |
7 |
2 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
5. Заместитель |
1306 | 141 |
3 |
19 |
27 |
20 |
14 |
9 |
7 |
8 |
7 |
6 |
5 |
16 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
34. Ошибка психики: чрезмерная ее консолидация |
1375 | 141 |
0 |
26 |
22 |
14 |
12 |
16 |
4 |
9 |
4 |
9 |
7 |
18 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
Особенности структуры семьи учащихся техникума |
1992 | 141 |
2 |
19 |
25 |
21 |
10 |
16 |
7 |
10 |
2 |
12 |
8 |
9 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3 консультации в гештальт-подходе |
2229 | 141 |
2 |
24 |
27 |
21 |
10 |
6 |
5 |
7 |
6 |
8 |
3 |
22 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
15. Деревня изнутри. Во дворах |
998 | 140 |
0 |
22 |
28 |
17 |
12 |
13 |
6 |
7 |
3 |
8 |
7 |
17 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
3. Убежища |
1479 | 140 |
3 |
23 |
32 |
25 |
12 |
10 |
6 |
4 |
4 |
4 |
6 |
11 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
5 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4. Архаичные материнские образы |
1323 | 139 |
3 |
19 |
26 |
16 |
11 |
15 |
5 |
7 |
5 |
9 |
9 |
14 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
8. Наказанное полутело |
978 | 138 |
1 |
17 |
22 |
14 |
12 |
12 |
4 |
3 |
4 |
4 |
10 |
35 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
5. Мужчина выбирает между Анимусом и Анимой |
1558 | 138 |
1 |
22 |
25 |
16 |
12 |
11 |
6 |
8 |
6 |
7 |
6 |
18 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
15. Мир и образ зла в "Темных началах" |
1295 | 138 |
2 |
21 |
28 |
18 |
14 |
13 |
5 |
7 |
4 |
4 |
7 |
15 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
19. Множественные и парные миры авторской сказки и фэнтези |
1228 | 138 |
0 |
19 |
27 |
14 |
15 |
16 |
6 |
6 |
7 |
7 |
5 |
16 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
5. Женщина в плаще цвета Времени |
1231 | 138 |
1 |
18 |
27 |
17 |
12 |
15 |
4 |
9 |
4 |
8 |
8 |
15 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
12. Мир и зло "Властелина Колец" |
1838 | 138 |
0 |
20 |
25 |
13 |
9 |
10 |
10 |
6 |
7 |
11 |
7 |
20 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
21. Властные хитрецы |
1308 | 138 |
2 |
23 |
27 |
18 |
12 |
12 |
6 |
10 |
6 |
3 |
8 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
5. Идущий следом |
1401 | 138 |
1 |
22 |
25 |
20 |
13 |
13 |
6 |
4 |
8 |
4 |
7 |
15 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
Юные птицы старого русского рока |
865 | 138 |
3 |
21 |
33 |
17 |
11 |
13 |
3 |
5 |
3 |
11 |
5 |
13 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
3 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1307 | 138 |
0 |
22 |
28 |
15 |
13 |
7 |
6 |
7 |
8 |
6 |
8 |
18 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
6. Насколько опасен Анимус мужчины |
1369 | 137 |
1 |
23 |
33 |
18 |
14 |
18 |
3 |
6 |
1 |
5 |
5 |
10 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
3 |
3 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
12. Песочник и его жертва |
1284 | 137 |
2 |
22 |
23 |
17 |
11 |
16 |
4 |
9 |
4 |
8 |
5 |
16 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
Перстень, яблоко, собор |
1648 | 136 |
3 |
20 |
23 |
18 |
12 |
16 |
7 |
6 |
2 |
7 |
9 |
13 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
7. Мужское и женское в произведениях Т. Манна |
1527 | 136 |
2 |
20 |
24 |
17 |
15 |
11 |
7 |
6 |
3 |
6 |
5 |
20 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
16. Медведь |
1120 | 136 |
0 |
21 |
26 |
17 |
13 |
8 |
7 |
8 |
7 |
7 |
6 |
16 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
21. Радость молотобойца |
1035 | 136 |
0 |
23 |
22 |
19 |
13 |
9 |
7 |
5 |
9 |
8 |
4 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
Из плена профессиональной Персоны? |
1430 | 135 |
1 |
22 |
23 |
16 |
14 |
14 |
4 |
8 |
4 |
8 |
6 |
15 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
25. Об особенностях травматической интеграции психики |
1343 | 134 |
2 |
18 |
25 |
16 |
14 |
10 |
4 |
7 |
9 |
9 |
6 |
14 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
22. Девушки и Прушевский |
1049 | 134 |
2 |
17 |
25 |
14 |
12 |
12 |
8 |
7 |
7 |
6 |
7 |
17 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
7. Индивидуальности котлована |
1051 | 134 |
1 |
21 |
28 |
15 |
15 |
14 |
5 |
5 |
5 |
5 |
7 |
13 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1541 | 134 |
1 |
20 |
27 |
18 |
11 |
8 |
6 |
7 |
7 |
8 |
10 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
4 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2. Пробуждение |
1031 | 134 |
1 |
24 |
26 |
16 |
12 |
14 |
5 |
5 |
4 |
6 |
5 |
16 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
Образ Бога и зрелость личности |
2404 | 134 |
3 |
23 |
19 |
22 |
9 |
14 |
2 |
7 |
7 |
9 |
7 |
12 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Три бестселлера |
1335 | 134 |
2 |
21 |
28 |
21 |
12 |
10 |
4 |
5 |
3 |
9 |
7 |
12 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
30. Сказочный персонаж: форма и содержимое |
1280 | 133 |
1 |
18 |
20 |
15 |
14 |
13 |
4 |
10 |
6 |
3 |
6 |
23 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1592 | 133 |
1 |
22 |
24 |
14 |
12 |
12 |
4 |
9 |
3 |
10 |
6 |
16 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Алгоритм сортировки клиентов социального центра |
1974 | 133 |
1 |
16 |
27 |
19 |
11 |
13 |
7 |
10 |
4 |
6 |
5 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
2. Конец истории о Крысолове |
1926 | 133 |
1 |
28 |
25 |
19 |
12 |
11 |
4 |
5 |
4 |
6 |
5 |
13 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
6. Следуя за стихами 1921 года |
1364 | 133 |
1 |
15 |
25 |
21 |
9 |
15 |
5 |
7 |
5 |
6 |
7 |
17 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1560 | 133 |
1 |
25 |
23 |
14 |
11 |
13 |
4 |
8 |
5 |
8 |
7 |
14 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
гулял молодец |
1219 | 133 |
1 |
21 |
21 |
21 |
8 |
16 |
3 |
8 |
5 |
7 |
4 |
18 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
35. О консервативности юнгианского подхода к сказочным сюжетам |
1404 | 133 |
1 |
19 |
25 |
18 |
13 |
12 |
7 |
6 |
4 |
5 |
10 |
13 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
7. О проекции переживаний травмы на Аниму |
1393 | 132 |
1 |
30 |
29 |
11 |
13 |
10 |
7 |
7 |
4 |
4 |
4 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
628 | 132 |
4 |
20 |
21 |
14 |
11 |
12 |
5 |
7 |
5 |
9 |
9 |
15 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
22. О героях авторских сказок и фэнтези |
1436 | 132 |
1 |
19 |
26 |
20 |
11 |
12 |
7 |
4 |
3 |
5 |
7 |
17 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
6. Скорбная земля |
1512 | 132 |
0 |
24 |
23 |
18 |
11 |
12 |
7 |
5 |
2 |
6 |
11 |
13 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
32. Для чего нужен символ? |
1161 | 132 |
0 |
18 |
29 |
17 |
13 |
16 |
3 |
7 |
5 |
9 |
6 |
9 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
13. Колхоз идет навстречу |
974 | 132 |
1 |
23 |
22 |
19 |
12 |
13 |
7 |
5 |
2 |
9 |
3 |
16 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
4. Блуждания невоплощенного |
1060 | 131 |
0 |
24 |
23 |
15 |
15 |
13 |
4 |
6 |
4 |
8 |
7 |
12 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
18. Ночные пляски |
992 | 131 |
0 |
19 |
24 |
18 |
13 |
12 |
6 |
8 |
4 |
9 |
6 |
12 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
8. Избыток сознания и общее тело |
1008 | 130 |
0 |
15 |
26 |
11 |
14 |
15 |
5 |
11 |
6 |
9 |
5 |
13 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
5. Рядом с общим телом |
1109 | 130 |
2 |
18 |
27 |
20 |
12 |
12 |
3 |
7 |
2 |
6 |
7 |
14 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
1. Явление Крысолова |
1345 | 130 |
0 |
19 |
27 |
22 |
8 |
12 |
6 |
5 |
2 |
7 |
5 |
17 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
Юнгианцы и странные научные теории |
678 | 130 |
0 |
23 |
23 |
14 |
13 |
12 |
5 |
5 |
3 |
7 |
10 |
15 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2.Почему же произведения Гофмана популярны до сих пор? |
1179 | 130 |
2 |
16 |
29 |
14 |
12 |
7 |
10 |
10 |
2 |
6 |
8 |
14 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
2. Усталость |
1681 | 130 |
3 |
27 |
21 |
17 |
12 |
12 |
4 |
6 |
4 |
4 |
4 |
16 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
10 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
Г. Гессе. Ступени |
1635 | 129 |
0 |
25 |
29 |
19 |
14 |
7 |
6 |
5 |
4 |
4 |
3 |
13 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Senex - Puer |
1242 | 129 |
1 |
17 |
24 |
20 |
11 |
18 |
3 |
5 |
3 |
4 |
10 |
13 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
9. Начало перехода |
974 | 129 |
1 |
17 |
30 |
15 |
10 |
14 |
7 |
5 |
2 |
7 |
7 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
4 |
о способности понять душевнобольного |
2127 | 129 |
1 |
19 |
28 |
14 |
14 |
6 |
7 |
7 |
6 |
7 |
7 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
3. О смысле телесности в повести А. Платонова "Котлован" |
1038 | 129 |
0 |
20 |
20 |
15 |
11 |
11 |
8 |
10 |
3 |
6 |
10 |
15 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2116 | 129 |
2 |
21 |
24 |
15 |
11 |
8 |
5 |
9 |
6 |
6 |
9 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Информация о владельце раздела |
1336 | 129 |
1 |
20 |
26 |
18 |
7 |
13 |
2 |
6 |
6 |
9 |
6 |
15 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
5. Сравнение прогностической ценности разных факторов |
1589 | 129 |
2 |
28 |
23 |
17 |
11 |
9 |
3 |
5 |
4 |
4 |
9 |
14 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
18. Диспозиция и динамика некоторых авторских сказок |
1127 | 128 |
1 |
22 |
21 |
18 |
12 |
14 |
5 |
5 |
4 |
5 |
6 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2. Шаманское странствие |
1183 | 128 |
0 |
33 |
20 |
16 |
8 |
14 |
5 |
7 |
3 |
5 |
3 |
14 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
9 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
Начальство развлекается |
1332 | 128 |
0 |
22 |
28 |
15 |
10 |
16 |
1 |
6 |
3 |
8 |
3 |
16 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
Для кота |
1638 | 128 |
1 |
26 |
25 |
16 |
8 |
9 |
5 |
5 |
3 |
10 |
4 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
27. Безвременье котлована |
979 | 127 |
0 |
22 |
23 |
20 |
15 |
10 |
8 |
4 |
4 |
4 |
7 |
10 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
Уходя с работы: как разобраться с травмирующими переживаниями |
1567 | 127 |
2 |
19 |
26 |
16 |
13 |
11 |
2 |
4 |
4 |
9 |
7 |
14 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
8. Поглощенное время |
1390 | 127 |
1 |
21 |
26 |
14 |
10 |
12 |
6 |
7 |
2 |
6 |
12 |
10 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1. Миф, мир и психика |
1413 | 127 |
2 |
16 |
24 |
17 |
9 |
14 |
8 |
6 |
4 |
7 |
6 |
14 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
9. Некоторые модели психической интеграции |
1399 | 127 |
1 |
18 |
27 |
14 |
13 |
11 |
4 |
9 |
6 |
6 |
4 |
14 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
28. О символике эволюции |
1207 | 127 |
2 |
15 |
29 |
15 |
10 |
16 |
6 |
7 |
3 |
8 |
5 |
11 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1610 | 127 |
1 |
18 |
28 |
16 |
12 |
8 |
7 |
4 |
5 |
6 |
7 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
19. Тишина |
991 | 126 |
1 |
24 |
24 |
16 |
9 |
12 |
8 |
5 |
2 |
3 |
6 |
16 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
4 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
31. Становление символа во времени |
1192 | 126 |
1 |
19 |
25 |
12 |
10 |
16 |
5 |
8 |
4 |
6 |
6 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1772 | 126 |
1 |
17 |
27 |
13 |
15 |
12 |
3 |
7 |
3 |
6 |
4 |
18 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
12. Новое пространство |
933 | 126 |
1 |
19 |
26 |
16 |
11 |
13 |
4 |
5 |
3 |
3 |
11 |
14 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
2. О преображении в полете |
708 | 126 |
1 |
19 |
29 |
21 |
8 |
12 |
3 |
5 |
3 |
2 |
9 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
Вариация на тему |
793 | 125 |
1 |
19 |
26 |
17 |
12 |
8 |
4 |
7 |
2 |
8 |
7 |
14 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
14. Мертвая мать и ее дети |
1019 | 125 |
0 |
20 |
22 |
15 |
13 |
12 |
8 |
5 |
3 |
3 |
8 |
16 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
5. Погибшее братство и Лихтенберг |
923 | 125 |
1 |
19 |
25 |
18 |
11 |
15 |
6 |
4 |
4 |
6 |
5 |
11 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
10. Большая женщина. Начало возрождения |
975 | 125 |
2 |
21 |
28 |
16 |
13 |
12 |
2 |
6 |
2 |
4 |
4 |
15 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
обряд изгнания чужого в субкультуре скорой помощи |
2060 | 125 |
1 |
18 |
27 |
13 |
10 |
12 |
6 |
8 |
4 |
5 |
6 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
9. Расщепление Эго и Персоны в отношениях с Анимой |
1274 | 125 |
1 |
17 |
27 |
14 |
11 |
13 |
5 |
8 |
7 |
5 |
4 |
13 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
Хрупкие миры |
462 | 124 |
1 |
17 |
23 |
21 |
12 |
13 |
7 |
6 |
3 |
3 |
7 |
11 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
10. Модели интеграции психики в героическом эпосе |
1447 | 124 |
2 |
20 |
29 |
12 |
12 |
11 |
4 |
5 |
4 |
7 |
6 |
12 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
Реквием Ваське |
1505 | 124 |
0 |
23 |
25 |
16 |
14 |
13 |
3 |
5 |
3 |
6 |
5 |
11 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
Шекспир, сонет 146 |
1291 | 124 |
0 |
20 |
30 |
23 |
10 |
10 |
3 |
4 |
4 |
4 |
5 |
11 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
4. Расчлененное и воссозданное тело толпы |
1055 | 124 |
0 |
26 |
21 |
16 |
14 |
12 |
6 |
3 |
2 |
7 |
3 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
9 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
8. Как остаться инфантильной |
1262 | 124 |
0 |
23 |
26 |
15 |
10 |
13 |
5 |
4 |
3 |
5 |
5 |
15 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
9. Лихтенберг - мыслящее тело |
1062 | 124 |
1 |
17 |
27 |
17 |
8 |
15 |
5 |
8 |
2 |
4 |
8 |
12 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
15. Ненаучное животное в мусорном ветре |
1046 | 124 |
0 |
21 |
26 |
14 |
11 |
10 |
5 |
5 |
4 |
7 |
3 |
18 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
ангел |
1559 | 124 |
1 |
25 |
24 |
17 |
12 |
9 |
3 |
6 |
5 |
6 |
4 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
9 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
10 охламонов |
1682 | 124 |
0 |
23 |
26 |
18 |
8 |
8 |
6 |
9 |
2 |
7 |
2 |
15 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
9 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 Дитя в мирах Психеи и Ананке |
1642 | 124 |
0 |
22 |
21 |
16 |
13 |
12 |
4 |
7 |
5 |
1 |
8 |
15 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Милая жизнь |
1141 | 124 |
0 |
14 |
23 |
15 |
14 |
11 |
8 |
6 |
4 |
6 |
5 |
18 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
Прогнозирование эффективности психологической помощи семьям |
1596 | 124 |
0 |
23 |
24 |
13 |
10 |
10 |
4 |
10 |
3 |
7 |
5 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1424 | 124 |
1 |
20 |
28 |
15 |
10 |
9 |
7 |
5 |
5 |
6 |
6 |
12 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
Хороший начальник Емеля |
942 | 123 |
2 |
16 |
25 |
15 |
17 |
11 |
5 |
4 |
4 |
5 |
7 |
12 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
из Цурэна. Как лист увядший падает на душу... |
1632 | 123 |
2 |
28 |
22 |
13 |
10 |
11 |
2 |
5 |
4 |
7 |
6 |
13 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
9 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
Плач на реках Вавилонских |
1394 | 123 |
1 |
17 |
23 |
13 |
12 |
12 |
4 |
6 |
4 |
9 |
8 |
14 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
6 Тело и труд |
979 | 123 |
0 |
20 |
20 |
16 |
12 |
14 |
2 |
5 |
2 |
6 |
11 |
15 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
Из У. Блейка. Ответ Земли |
1737 | 122 |
2 |
28 |
27 |
12 |
12 |
9 |
3 |
5 |
2 |
3 |
4 |
15 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
3 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1527 | 122 |
0 |
16 |
26 |
15 |
12 |
11 |
5 |
9 |
5 |
10 |
1 |
12 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Звездный ворон и ядовитый волк |
1038 | 122 |
0 |
23 |
23 |
17 |
10 |
7 |
4 |
5 |
8 |
8 |
4 |
13 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1. Маленький рыцарский роман |
1415 | 122 |
0 |
17 |
24 |
15 |
13 |
16 |
4 |
8 |
7 |
2 |
3 |
13 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
11. Ничего не кончается |
972 | 122 |
1 |
19 |
29 |
12 |
16 |
10 |
5 |
5 |
4 |
6 |
3 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
7. Верховное полутело |
978 | 122 |
1 |
23 |
23 |
14 |
14 |
14 |
1 |
5 |
2 |
5 |
3 |
17 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
вскрытие |
1565 | 121 |
0 |
15 |
26 |
17 |
11 |
11 |
4 |
5 |
5 |
8 |
7 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
4 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
королева |
1732 | 121 |
1 |
15 |
26 |
20 |
11 |
10 |
6 |
3 |
3 |
7 |
4 |
15 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
юнгианское стихотворение о сказках |
1400 | 121 |
1 |
22 |
25 |
15 |
12 |
7 |
5 |
6 |
6 |
3 |
6 |
13 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
17. Плот |
1034 | 120 |
1 |
17 |
27 |
14 |
11 |
10 |
6 |
6 |
2 |
5 |
7 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
1 |
3. На улице |
1004 | 120 |
1 |
17 |
29 |
13 |
10 |
10 |
7 |
4 |
2 |
8 |
4 |
15 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
26. Настина смерть |
1016 | 120 |
1 |
18 |
25 |
16 |
12 |
16 |
4 |
3 |
7 |
4 |
4 |
10 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1. О символизации насилия. Преамбула. |
1742 | 120 |
0 |
25 |
26 |
14 |
10 |
10 |
3 |
6 |
2 |
3 |
4 |
17 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |