| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
По разделу |
67701 | 1049 |
63 |
188 |
122 |
109 |
69 |
77 |
67 |
67 |
57 |
60 |
72 |
98 |
1 |
10 |
5 |
3 |
5 |
3 |
8 |
5 |
3 |
7 |
10 |
3 |
11 |
11 |
3 |
8 |
4 |
5 |
7 |
5 |
8 |
3 |
3 |
7 |
5 |
8 |
5 |
5 |
5 |
5 |
5 |
6 |
3 |
5 |
3 |
2 |
6 |
6 |
12 |
5 |
8 |
11 |
8 |
8 |
2 |
2 |
3 |
8 |
3 |
4 |
8 |
2 |
5 |
7 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
6 |
Дик Хэбдидж, Субкультура, значение стиля |
6601 | 851 |
52 |
176 |
106 |
91 |
56 |
65 |
52 |
53 |
20 |
41 |
58 |
81 |
0 |
10 |
5 |
3 |
5 |
1 |
0 |
5 |
3 |
7 |
10 |
3 |
11 |
11 |
3 |
8 |
4 |
5 |
7 |
5 |
8 |
3 |
2 |
7 |
5 |
8 |
5 |
0 |
5 |
3 |
5 |
6 |
3 |
5 |
2 |
1 |
6 |
6 |
12 |
3 |
8 |
11 |
8 |
8 |
2 |
2 |
3 |
8 |
2 |
4 |
8 |
2 |
5 |
7 |
3 |
4 |
3 |
0 |
3 |
1 |
2 |
6 |
Мемуары стареющего хиппи |
1594 | 268 |
5 |
16 |
12 |
13 |
6 |
12 |
34 |
30 |
32 |
31 |
37 |
40 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Paul Goodman "Growing Up Absurd" |
1902 | 203 |
6 |
31 |
40 |
25 |
19 |
17 |
7 |
5 |
5 |
12 |
18 |
18 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
4 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
4 |
0 |
Словарик терминов полиамории |
1220 | 187 |
11 |
39 |
41 |
28 |
16 |
11 |
4 |
4 |
5 |
5 |
8 |
15 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
4 |
3 |
0 |
2 |
0 |
5 |
2 |
0 |
5 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
1 |
Иисус Христос был хиппи |
1012 | 181 |
12 |
46 |
20 |
26 |
10 |
9 |
3 |
5 |
3 |
16 |
18 |
13 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
4 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Теория праздного класса, Торстейн Веблен |
1329 | 169 |
11 |
19 |
30 |
18 |
11 |
9 |
12 |
13 |
9 |
11 |
18 |
8 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Теодор Роззак Создание старшей культуры |
1426 | 136 |
6 |
17 |
22 |
22 |
13 |
8 |
4 |
7 |
5 |
9 |
12 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
Youth: The Hippies |
1090 | 136 |
5 |
28 |
23 |
11 |
9 |
12 |
5 |
7 |
6 |
6 |
10 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
Контркультура vs левые, история конфликта |
1421 | 135 |
9 |
33 |
17 |
22 |
10 |
6 |
6 |
5 |
3 |
7 |
9 |
8 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
6 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
Теодор Роззак, Лсд, хиппи и культ свободной любви |
1560 | 133 |
4 |
22 |
20 |
18 |
11 |
7 |
9 |
8 |
2 |
9 |
10 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Американская психоистория |
1540 | 132 |
4 |
27 |
24 |
16 |
8 |
12 |
7 |
3 |
2 |
6 |
11 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
Субкультуры и самоубийства, социологический аспект |
1079 | 132 |
11 |
22 |
24 |
11 |
11 |
7 |
5 |
6 |
7 |
7 |
9 |
12 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
Кеннет Рексрот, «создавая Контркультуру» |
1531 | 131 |
7 |
18 |
28 |
13 |
7 |
8 |
6 |
9 |
4 |
6 |
10 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
Школьные банды |
1089 | 130 |
6 |
22 |
20 |
17 |
9 |
5 |
6 |
8 |
3 |
6 |
17 |
11 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
Словесный бриколаж: тру и цивильное, «новый» стиль жизни |
993 | 126 |
7 |
15 |
17 |
16 |
11 |
18 |
13 |
3 |
3 |
6 |
6 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Herbst der Gammler |
1437 | 123 |
4 |
23 |
24 |
17 |
8 |
6 |
4 |
3 |
0 |
5 |
18 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Банды Манчестера: История «scuttlers» |
1299 | 118 |
10 |
20 |
25 |
10 |
8 |
3 |
7 |
4 |
1 |
5 |
8 |
17 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
Теодор Роззак, Декларация Взаимозависимости |
1213 | 117 |
6 |
19 |
23 |
15 |
10 |
9 |
5 |
4 |
2 |
4 |
9 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
Мириам Уильямс, Из жизни сакральной проститутки |
1881 | 116 |
13 |
16 |
18 |
15 |
10 |
6 |
8 |
4 |
2 |
3 |
11 |
10 |
1 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
О хиппи, панках и битниках, взгляд антрополога |
925 | 116 |
16 |
21 |
14 |
15 |
8 |
10 |
3 |
4 |
2 |
5 |
9 |
9 |
0 |
1 |
0 |
1 |
0 |
3 |
8 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Джоан Баэз - Воины Солнца |
1197 | 115 |
9 |
17 |
15 |
14 |
11 |
7 |
3 |
11 |
3 |
4 |
9 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Лоуренс Липтон, Святые варвары |
1441 | 112 |
5 |
25 |
18 |
15 |
8 |
6 |
5 |
3 |
4 |
3 |
12 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
Теодор Роззак, Альфа-самец человека |
1352 | 112 |
4 |
24 |
21 |
13 |
7 |
5 |
5 |
6 |
3 |
7 |
9 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
Хаос и разруха, Танцуй рок с утра до утра |
1490 | 111 |
7 |
20 |
17 |
18 |
10 |
7 |
6 |
5 |
4 |
1 |
9 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Атеизм в шестидесятых: Ссср и Сша |
1082 | 111 |
7 |
27 |
20 |
13 |
10 |
4 |
2 |
2 |
3 |
2 |
10 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Неформальная литература, размышления о непонятном |
1390 | 110 |
2 |
19 |
18 |
20 |
9 |
5 |
7 |
4 |
2 |
3 |
12 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Культы и Космическое сознание: видение религии в 1960 годах |
952 | 109 |
4 |
23 |
23 |
13 |
8 |
6 |
4 |
5 |
1 |
3 |
7 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
Пилат и другие - до Петровича, но с Вайдой |
1327 | 108 |
7 |
27 |
17 |
15 |
6 |
4 |
6 |
2 |
1 |
3 |
10 |
10 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Теодор Роззак Ревизия Утопии: Упражнение в культурной археологии |
1203 | 108 |
6 |
21 |
23 |
14 |
7 |
6 |
4 |
4 |
0 |
7 |
9 |
7 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Парижские байкеры 70-х годов от Яна Морвана |
896 | 108 |
6 |
20 |
18 |
11 |
10 |
6 |
2 |
12 |
4 |
6 |
6 |
7 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Неправда фотографии - Огюст Роден |
1424 | 107 |
5 |
24 |
15 |
19 |
8 |
5 |
5 |
2 |
2 |
4 |
10 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
Знаменитый Port Huron Statement (1962) |
1019 | 106 |
8 |
18 |
17 |
11 |
10 |
5 |
6 |
2 |
2 |
3 |
11 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
Young Lords Party |
1204 | 106 |
6 |
24 |
13 |
16 |
10 |
6 |
3 |
2 |
1 |
4 |
10 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Свободная Любовь или Интеллигенция посещает баню |
1100 | 105 |
4 |
19 |
16 |
11 |
8 |
3 |
4 |
2 |
18 |
5 |
6 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
Эпизоды альтернативной эротики |
935 | 103 |
6 |
20 |
12 |
11 |
9 |
8 |
6 |
3 |
4 |
4 |
8 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Фритьоф Капра, "Размышления о Духе и Наследии шестидесятых" |
1158 | 103 |
6 |
22 |
15 |
13 |
8 |
8 |
1 |
2 |
3 |
5 |
8 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Август Зандер — между непристойностью и документалистикой. |
1339 | 102 |
5 |
18 |
19 |
15 |
9 |
6 |
2 |
2 |
4 |
2 |
9 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
Неизвестная классика атеизма, Джордж Уильям Фут |
1529 | 102 |
7 |
17 |
16 |
15 |
7 |
7 |
2 |
1 |
0 |
6 |
10 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Русские панки - взгляд с Запада |
1110 | 102 |
6 |
16 |
18 |
14 |
11 |
3 |
5 |
4 |
1 |
4 |
8 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
Welcome to the Digger Archives |
799 | 102 |
4 |
16 |
15 |
17 |
10 |
8 |
4 |
4 |
4 |
3 |
8 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Culture, Crime, and Cultural Criminology |
1069 | 102 |
9 |
21 |
16 |
12 |
9 |
5 |
5 |
2 |
1 |
4 |
9 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Дом Гекльберри - первый контркультурный приют для детей |
936 | 101 |
7 |
24 |
19 |
11 |
7 |
4 |
3 |
3 |
3 |
3 |
6 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
Исследования Фбр, Lanning Report |
954 | 101 |
5 |
18 |
20 |
12 |
7 |
4 |
4 |
3 |
5 |
1 |
10 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Из истории фотожурналистики |
1118 | 100 |
10 |
16 |
18 |
14 |
9 |
4 |
2 |
3 |
1 |
2 |
10 |
11 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1968 год в Америке: Музыка, политика, хаос, контркультура |
1083 | 99 |
6 |
19 |
16 |
14 |
9 |
4 |
6 |
2 |
2 |
1 |
6 |
14 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
Теодор Роззак, Любовь, Лояльность и Конец сексуального |
1261 | 99 |
5 |
18 |
20 |
12 |
6 |
5 |
7 |
3 |
3 |
1 |
9 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
Социалистический гендерный трап |
1193 | 98 |
4 |
23 |
17 |
13 |
9 |
6 |
4 |
1 |
1 |
4 |
6 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Провалился ли проект религиозной контркультуры? |
989 | 97 |
6 |
22 |
17 |
13 |
7 |
5 |
1 |
5 |
2 |
2 |
6 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
Это не трубка |
984 | 92 |
4 |
19 |
13 |
12 |
5 |
5 |
6 |
4 |
2 |
6 |
8 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
Hunga Dunga: Исповедь непримиримого хиппи |
814 | 90 |
6 |
19 |
14 |
13 |
5 |
2 |
3 |
5 |
4 |
3 |
8 |
8 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Port Huron Statement (1962) |
1211 | 87 |
4 |
14 |
13 |
11 |
11 |
5 |
4 |
2 |
2 |
3 |
10 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |